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Tuesdays Together with Austin HRC

Tuesdays Together with Austin HRC

Her HRC Austin

Her HRC Austin

Tuesdays Together with HRC Austin

Tuesdays Together with HRC Austin

HRC Austin Gala: Love Conquers Hate

HRC Austin Gala: Love Conquers Hate

HRC Austin presents Tuesdays Together

HRC Austin presents Tuesdays Together

HRC Austin Hallow-Bowl

HRC Austin Hallow-Bowl

  • HRC President Joe Solmonese
    Photo by Jon Shapley
  • Lynn Yeldell (honoree) & Veronica Castelo
    Photo by Jon Shapley
  • Gala speakers Camille Cook (c) poses with her partner, Siri Hutchenson (l) andTexas Representative Dawnna Dukes (r).Cook and Hutchenson shared their touching story of overcoming discriminationduring Hutchenson's recent extended hospital stay. As life partners, the twowomen have learned first hand about the urgency of the HRC's work for partnerrecognition in all 50 states.
    Photo by Jon Shapley
  • Austin City Councilwoman Randi Shade (second from left), mother Denise Shade(l), Tanya & Art Acevedo (r).Shade and her partner, Kayla Shell, were this year's recipients of the BettieNaylor Award. Shade was the first openly gay person to serve on the Austin CityCouncil while Shell is an Executive Legal Director at Dell.
    Photo by Jon Shapley
  • Guest speaker Reichen Lehmkuhl (r) poses with friend Michelle Hardy.Lehmkuhl, a reality television star (The Amazing Race, The A-List: New York) andoutspoken GLBT activist, discussed the discrimination and abuse he experiencedwhile attending the U.S. Air Force Academy.He celebrated the victory of the repeal of Don't Ask Don't Tell and theimportance of continuining the HRC's efforts to insure gays and lesbians one dayachieve full equality in the eyes of the law.
    Photo by Jon Shapley
  • Police Chief Art Acevedo kept the crowd laughing and bidding during the night'slive auction. Gala attendees bid on travel and vacation packages, with theproceeds going directly to the HRC.
    Photo by Jon Shapley
  • Photo by Jon Shapley
  • Photo by Jon Shapley
  • U.S. Representative Lloyd Doggett (l) with Tim Hanson (c) and TexasRepresentative Elliott Naishtat (r).
    Photo by Jon Shapley
  • Jean Smajstrla and Jason Elliott.
    Photo by Jon Shapley
  • Dan Latreille, Kevin Baab, Kaitlyn Kerrigan, Jim Currin and Heather Latreille.
    Photo by Jon Shapley
  • Jim Martinek, John Kerrigan, Jonathan Pehl, Cleve Collings & John Ruffier.
    Photo by Jon Shapley
  • Lori Anderson, Britt Kornmann, Becky Bills and Tiffany Tosh.
    Photo by Jon Shapley
  • Karen Langsley, U.S. Representative Lloyd Doggett and Joel Baldazo.
    Photo by Jon Shapley
  • Jill Wilcox, Craig Mesenbrink, Samantha Henderson and Libby Doggett.
    Photo by Jon Shapley
  • Austin Mayor Lee Leffingwell poses with Julie Byers and Texas RepresentativeElliott Naishtat.
    Photo by Jon Shapley
  • Gala Co-chair Kathrin Kersten, Corporate Sponsorship Co-Chair Veronica Castelo,U.S. Representative Lloyd and Libby Doggett.
    Photo by Jon Shapley
  • Tamra English and Laura Crumley.
    Photo by Jon Shapley

  • Page 1 of corrected proof of David Foster Wallace's 1996 essay on the U.S. Openfor Tennis Magazine.
    Image courtesy of The Harry Ransom Center
  • Opening page of corrected proof of Wallace's 1996 essay "Shipping Out: On the(Nearly Lethal) Comforts of a Luxury Cruise" for Harper's magazine.
    Image courtesy of The Harry Ransom Center
  • "Attempted Fax Cover Sheet" from David Foster Wallace to Joel Lovell of Harper'sfor Wallace's 1998 essay "Laughing with Kafka."
    Image courtesy of The Harry Ransom Center
  • Letter and notes from editor Michael Pietsch to David Foster Wallace regardingdraft of Infinite Jest, dated Dec. 22, 1994.
    Image courtesy of The Harry Ransom Center
  • Letter and notes from editor Michael Pietsch to David Foster Wallace regardingdraft of Infinite Jest, dated Dec. 22, 1994.
    Image courtesy of The Harry Ransom Center
  • Letter from Jim Harrison to David Foster Wallace, dated late July 2006. Theletter was tucked inside a copy of Jim Harrison's book Saving Daylight.
    Image courtesy of The Harry Ransom Center

  • Harry Ransom Center
    Image courtesy of The Harry Ransom Center
  • The Ransom Center's copy of the Gutenberg Bible.
    Photo by Thomas McConnell Photography
  • Housing for the First Photograph, which replicates the backside of the framedphotograph.
    Photo by Thomas McConnell Photography
  • Prior to treatment, Stephanie Watkins examines the condition of a rare drawingof Edgar Allan Poe done from life, which is attributed to Rembrandt Peale.
    Photo by Eric Beggs
  • Harry Ransom Center Director Thomas F. Staley
    Photo by Gregg Cestaro

  • Document for David Foster Wallace's class entitled "English 183A YourLiberal-Arts $ at Work" in which he points out common grammatical errors.
    Image courtesy of The Harry Ransom Center
  • Document for David Foster Wallace's class entitled "Papers for 102: Rules,Guidelines, and Topics"
    Image courtesy of The Harry Ransom Center
  • Document for David Foster Wallace's class entitled "Papers for 102: Rules,Guidelines, and Topics"
    Image courtesy of The Harry Ransom Center
  • Document for David Foster Wallace's class entitled "Papers for 102: Rules,Guidelines, and Topics"
    Image courtesy of The Harry Ransom Center
  • Document for David Foster Wallace's class entitled "Papers for 102: Rules,Guidelines, and Topics"
    Image courtesy of The Harry Ransom Center
  • Syllabus for David Foster Wallace's class "English 102-Literary Analysis: ProseFiction Fall '94"
    Image courtesy of The Harry Ransom Center
  • Syllabus for David Foster Wallace's class "English 102-Literary Analysis: ProseFiction Fall '94"
    Image courtesy of The Harry Ransom Center
  • Syllabus for David Foster Wallace's class "English 102-Literary Analysis: ProseFiction Fall '94"
    Image courtesy of The Harry Ransom Center
  • Syllabus for David Foster Wallace's class "English 102-Literary Analysis: ProseFiction Fall '94"
    Image courtesy of The Harry Ransom Center
  • Syllabus for David Foster Wallace's class "English 102-Literary Analysis: ProseFiction Fall '94"
    Image courtesy of The Harry Ransom Center

  • First page of a handwritten draft of Infinite Jest by David Foster Wallace.
    Image courtesy of The Harry Ransom Center
  • Bound copy of "Corrections of Typos/Errors for Paperback Printing of InfiniteJest" from David Foster Wallace to Nona Krug and Michael Pietsch. On page 30,Wallace corrects the age of one of the characters in the book.
    Image courtesy of The Harry Ransom Center
  • Bound copy of "Corrections of Typos/Errors for Paperback Printing of InfiniteJest" from David Foster Wallace to Nona Krug and Michael Pietsch. On page 30,Wallace corrects the age of one of the characters in the book.
    Image courtesy of The Harry Ransom Center
  • Page from word list compiled by David Foster Wallace.
    Image courtesy of The Harry Ransom Center
  • Page from word list compiled by David Foster Wallace.
    Image courtesy of The Harry Ransom Center
  • "Viking Poem," written by David Foster Wallace when he was a child. Early use ofhis signature as "David Foster Wallace."
    Image courtesy of The Harry Ransom Center

  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann
  • Photo by Michael Graupmann

  • Annotated pages from David Foster Wallace's teaching copy of C. S. Lewis's TheLion, the Witch, and the Wardrobe.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of James Ellroy's TheBig Nowhere.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of James Ellroy's TheBig Nowhere.
    Image courtesy of The Harry Ransom Center
  • Inside cover from David Foster Wallace's teaching copy of Thomas Harris's TheSilence of the Lambs.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of Thomas Harris's TheSilence of the Lambs.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of Thomas Harris's TheSilence of the Lambs.
    Image courtesy of The Harry Ransom Center
  • Inside cover from David Foster Wallace's teaching copy of Stephen King's Carrie.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of Stephen King'sCarrie.
    Image courtesy of The Harry Ransom Center
  • Annotated pages from David Foster Wallace's teaching copy of Stephen King'sCarrie.
    Image courtesy of The Harry Ransom Center

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