Last year was an exciting year for Austin-made films at the Sundance Film Festival. Nine feature films and three shorts were made by Texans, with nine of the twelve being shot in Austin or directed by Austin-based filmmakers. Though this year's Sundance lineup has a lighter Texas load, there are still a number of films with Austin ties to keep an eye on.
Boyhood — Announced as part of the Sundance lineup at the last minute, this Richard Linklater film, shot over a twelve year period, stars Ethan Hawke, Patricia Arquette, Lorelei Linklater (the director's daughter) and Ellar Salmon. Shot in and around Austin every year since 2002, this innovative film, which was and still remains somewhat shrouded in secrecy, follows the story of a divorced family and the "emotional and transcendent journey of childhood to adulthood."
Hellion — The feature version of Austin director Kat Candler's 2012 Sundance short of the same name, this highly anticipated drama stars Aaron Paul of Breaking Bad fame, Juliette Lewis, Josh Wiggins, Deke Garner and beloved Austin-based actor and producer Jonny Mars, who starred in the original short. Hellion follows the story of two wayward young brothers, Jacob (Wiggins) and Wes (Garner), and their relationship with their distant and grieving father (Paul). Child Protective Services sends Jacob to stay with his aunt (Lewis) and his brother and father must come up with a plan to bring him home. This gritty feature is already being hailed for its powerful performances and haunting Texas landscape.
Ping Pong Summer — Written and directed by Michael Tully, a recent Austin transplant and husband of Austin Film Society director Holly Herrick, this film, set in 1985, follows the story of Rad Miracle, a "shy, 13-year-old white kid obsessed with two things: Ping-Pong and hip-hop." This coming-of-age story features a diverse cast including Susan Sarandon, Lea Thompson, Amy Sedaris and Robert Longstreet.
No No: A Dockumentary —This documentary about pitcher and LSD-lover Dock Ellis features an array of Austin talent including first-time director Jeffrey Radice, filmmaker and Austin Film Society board member Mike Blizzard and filmmaker Sam Douglas. Promising to be an entertaining and heartwarming doc, No No tells the story of the man known for pitching a no-hitter while high on acid.
Kumiko, The Treasure Hunter — Directed by Austin filmmakers (and Sundance alumni) David and Nathan Zellner, this character study follows the story of Kumiko, an oddball whose incessant watching of one American film on VHS causes her to head from Japan to Minnesota in search of non-existent buried treasure.
Rat Pack Rat- This short by Austin transplant Todd Rohal tells the powerful story of a Sammy Davis Jr. impersonator who "hired to visit a loyal Rat Pack fan, finds himself performing the last rites at the boy's bedside." Rat Pack Rat also features the producing talents of Austin filmmaker Clay Liford and former Alamo Drafthouse persona Zach Carlson.
No No: A Dockumentary tells the story of a pitcher who threw a no-hitter while high on acid.
No No: A Dockumentary Facebook
No No: A Dockumentary tells the story of a pitcher who threw a no-hitter while high on acid.
If you grew up in the 1980s, chances are you were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest ‘80s IP to get a nostalgic reboot in the form of a new blockbuster film.
Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.
Spoiler alert: he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.
Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.
Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.
Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.
Galitzine has turned heads as a romantic interest in both gay (Red, White & Royal Blue) and straight (The Idea of You) contexts, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.
There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.
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Masters of the Universe opens in theaters on June 5.
