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Unrest in Austin

Austin's 3 days of turbulent downtown protests ignites citywide unrest

Katie Friel
Jun 1, 2020 | 5:31 pm

Editor's note: This past weekend, May 29 through May 31, cities across the U.S. saw large-scale protests in reaction to the death of Minneapolis resident George Floyd. In downtown Austin, thousands of demonstrators took to the streets for three days of protest that were at times peaceful, while others were violent. Below is an account of those protests.

Friday
The unrest began after sunset on Friday, tipped off only by the buzz of a single helicopter circling around downtown. By midnight, about a hundred or so protestors had gathered outside the Austin Police Department’s Eighth Street headquarters, a nondescript, five-story buildingthe same beige color of most government offices.

The demonstrators, a mix of Black, Hispanic, and white folks, had gathered on the corner of Eighth Street and the southbound I-35 Frontage Road to protest police brutality — namely the deaths of George Floyd in Minneapolis and Michael Ramos in Austin. There were more phones than protest signs (this would change as the weekend continued) and more shouting than chants. The crowd, it seemed, skewed older, another thing that would shift over the next few days.

A wall of APD bicycle officers greeted the protestors, using their bikes as a blockade around the bottom steps of the headquarters. Behind them, colleagues were dressed in full riot gear with the exception of their boss, Chief Brian Manley, who darted around wearing only a blue face mask. If this was deliberate, it's unsurprising. Like his predecessor, Houston's current police chief Art Acevedo, Manley is PR savvy and likely understood the optics of a city seeing its chief in full riot gear.

Adding to the chaos was the area itself. Underneath the I-35 overpass is a parking lot turned homeless camp, so traipsing through the tents feels like trespassing. Though a few joined in, most residents just sat in their doorways, curiously observing the spectacle from their makeshift village.

As the early morning hours continued, the energy of the crowd began to swell. By 12:45 am, plastic water bottles, then glass beer bottles, were periodically chucked from the crowd at the officers. Police returned the favor with rounds of bean bag bullets, which when fired, sound remarkably, terrifyingly, like guns.

There was blood on both sides. Some reported that an officer was hurt when the crowd pushed forward. I observed a protestor who had been hit in the head with a bottle or maybe a bean bag. It was unclear. A group, all women, most of them Black, gathered around the injured white man, giving him bandanas to help stop the bleeding. He eventually wandered off, refusing help from an APD officer who approached him, and continued up the frontage road.

As the night wore on, more bottles were thrown, more shots were fired. The crowd pushed forward, police pushed back. The helicopter continued to circle until well past 2 am.

If this was the opening act, Austin was in for a long weekend.

Saturday
The helicopter took off again on Saturday morning, reigniting its incessant hum. Protests, we learned, had continued all night. What started in Minneapolis had spread across the nation, popping up in every major city, including San Antonio, Houston, and Dallas.

By noon, hundreds more protestors were back downtown, mostly peaceful, yet defiant. They gathered at Austin City Hall, the Texas State Capitol, and APD headquarters, bringing more young people, more signs, more snacks, more free water bottles and granola bars, more street medics, and more gallons of milk.

Billie, a mother of five children — all boys — had brought her three youngest sons to protest. The family stood on the sidewalk across from APD headquarters. Each boy, Michael, Anthony, and Donald, held a sign saying, "My life matters," while their mother stood in the middle clutching one that read: "Their lives matters."

The family moved to Austin about 18 months ago from St. Louis, where they participated in what is now called the Ferguson Unrest. Billie said it was wrenching watching the video of George Floyd's murder and hearing him call out for his momma while a white Minneapolis police officer kneeled on his neck.

"I want [my sons] to be respected," she said behind her protective face mask, "as Americans and men."

By early afternoon, most of the demonstrators gathered again in front of APD, some eventually climbing the steep cement retaining wall and onto I-35, bringing traffic to a standstill for nearly an hour.

It's hard to not look for the metaphor here. After all, I-35 is a highway that begins in northern Minnesota, runs through Minneapolis, cuts across the middle of the country, and heads south through Austin before it eventually ends at the Mexican border.

It is a symbol of American ingenuity, of connection and of commerce. In Austin, it's also a symbol of racial divide and a constant reminder of the city's (often still) segregated past. When construction of I-35 began in the 1950s, the city pushed people of color to the east side of the highway, often cutting off city services if they remained on the west side of town. Today, it is a symbol of gentrification and a reminder that Austin remains the only major U.S. city to lose its Black population in spite of record-breaking growth.

Again, was anyone thinking of this when they hurried up the incline and onto the highway overpass? Probably not. It's easy to argue that it was just a coincidence, that I-35 just happens to run alongside APD headquarters. But that this site was chosen to house Austin's police force, a site situated on the west side of the highway, but with its imposing facade positioned to face northeast? That's perhaps less coincidental.

Police, some on horseback, some in cruisers, eventually dispersed the protestors using pepper spray and smoke. A line of officers took over the far right lane — the lane closest to APD's building — aiming their bean bag guns down upon the crowd that was once again gathering outside the front doors.

The crowd — and the officers above — would remain for the rest of the night.

Around 9 pm, the shift, the ground swell, the feeling that something, anything, had to happen, returned. By 9:30 pm, someone was jumping on top of a minivan parked under the overpass. Within minutes, the van was ablaze and smoke pooled under the concrete and through the homeless camp. One man sat on a couch next to his tent, watching the fire while another man hovered behind him like a barber, shaving the back of his head with a disposable razor.

Saturday night was when the looting began, spreading down Sixth Street and into liquor stores and other shops. Graffiti, most of it targeting APD, spread across downtown, reaching as far as the trendy South Congress tourist district. By Monday morning, we'd learn that 30 people were arrested. Among the charges were "burglary of buildings, interference with public duties, theft of property, theft of firearm, graffiti, engaging in organized crime, assault and participating in a riot."

Sunday
The helicopter was back by 10 am, making its same circular route around downtown in anticipation of an afternoon rally at the Capitol. The rally was in honor of Michael Ramos, the Austin man shot and killed by an APD officer after telling him he was unarmed, a fact later confirmed by police. Less than two hours before the 1 pm start time, it was called off by organizers at the Austin Justice Coalition over concerns that it would be hijacked by other groups.

"Over the past two or three days, it has been brought to our attention — and my attention — that ... a lot of other people of color, non-Black bodies, and white folks have co-opted and in a way colonized, like they do everything else, this particular moment," said AJC's executive director Chas Moore in a Facebook video. "White people have colonized Black anger and the Black movement in this particular timeframe and have used Black pain and Black outrage to just completely become anarchists."

"Here in Austin, if you look at what happened yesterday [Saturday], it was predominantly white people doing what they want to do," Moore continued.

We will likely never know the exact demographics of the protest, but it's likely they echoed that of the city, which skews young and white.

Despite the cancellation, thousands of protestors still showed up, first at Austin City Hall where they were met with pepper spray and rubber bullets, then at the Capitol where they were met with locked gates and armed officers from the Texas Department of Public Safety.

"This is for Mark Ramos!" shouted one white woman. As I turned to look, certain I had misheard her, the woman repeated her mistake. "This is for Mark Ramos!" she screamed again, punching her fist in the air.

By 2:30 pm, the crowd circled back to the headquarters and back onto I-35, once again bringing traffic to a standstill.

"I didn't know Austin had that many police officers," one young Black protestor mused as she looked down at APD headquarters from the southbound lane of I-35. It seemed that nearly all 2,100 of the city's uniformed police were there — all of whom had been recently told they would pulling 12-hour shifts for the "foreseeable future."

As more people streamed onto the highway, some using the barricade between the south and northbound lanes as a tightrope, the helicopter circled above, ordering the protestors to move. When they didn't, the helicopter threatened to use non-lethal force. People remained. After a final warning from the helicopter, officers appeared with military like precision, deploying canisters of crippling tear gas and smoke. Plume after plume wafted down the highway and settled onto the street below. In the moments that followed, APD would tweet to media that it had not used tear gas only to retract that statement after multiple journalists reported it was untrue.

"This is a fluid situation where the safety of the community is always our priority," APD said in its retraction. "Smoke and CS gas was deployed to move crowds off of IH-35."

As Sunday came to a close, looting continued, including a Shell station and World Liquor on East Sixth Street. Burglaries were also reported at a Target in Capital Plaza, more than four miles away from the epicenter.

When historians look back at this weekend, they will inevitably tie it to the novel coronavirus. The same week America hits 100,000 deaths from COVID-19 — a virus that disproportionately affected Black communities in both deaths and economic fallout — the country burns. A people taunted by their own president ("weak" Trump called state governors after spending part of his weekend hiding in a bunker) took to the streets and raged. A nation shutdown by a global pandemic emerged for a single weekend to commune in anger.

But was that anger spurred by the past 12 weeks of inconvenience or the past 400 years of injustice? Perhaps that too will be left to the historians to decide.

A car is set on fire under the I-35 underpass near East Sixth Street on Satuday, May 31.

Austin protests Car on fire saturday night
Photo by Katie Friel
A car is set on fire under the I-35 underpass near East Sixth Street on Satuday, May 31.
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Bonus Event

Entertainment chain Main Event serves up new restaurant at Austin location

Brianna Caleri
Nov 4, 2022 | 1:08 pm
Platter from Main Event restaurant Family Kitchen in Austin
Photo courtesy of Main Event
Main Event just opened its Family Kitchen restaurant in Austin.

Main Event, the entertainment chain known for its arcade games, sports, and prizes, can’t resist adding even more to its roster. At its Austin location on North US Hwy 183, the games are still the main event, but now dinner is taken care of too — not just a few items at a concession window, but a full restaurant called Family Kitchen that boasts “nearly 50 new and unique menu items.”

These items start with the standard arcade food staples — burgers, sandwiches, pizza — but Family Kitchen applies its own spins for a more creative menu. Whereas before, the entertainment venue served many more generic items, Family Kitchen revamped every item to make sure it was unique to the restaurant, in addition to adding new ones.

A Triple Lava Burger comes with cheese and cheese sauce; a PBB&J Burger combines the classic peanut butter and jelly sandwich with a less-expected blueberry jam and a totally left-field burger, bacon, and cheese; and chicken wings come in eight different sauces and rubs, including a Nashville hot blend and a lemon pepper rub.

“Family Kitchen was developed with extra care, attention to detail and a focus on premium quality ingredients,” said Chef Wiley Bates III, director of culinary innovation at Main Event Entertainment, in a press release. “We’re excited for our guests to experience our new menu offerings, which have been seasoned with salt, pepper and love, and added playfulness that customers experience throughout the rest of the Main Event center.”

As expected at the arcade, the first priority across much of this menu is shareables, including loaded fries, nachos, and pizzas. The shareability does start with volume, with “Family Feasts” bundling commonly ordered items for four to six people, but it also means more inclusive options like vegan Beyond Meat substitutes and salads. Mocktails are also available, although the presence of a “Cotton Candy Shirley” makes it clear these selections are more about being fun for kids than catering to sober adults. (Alcoholic drinks are available at the bar or the restaurant, but are not included on the online menu.)

“The Family Kitchen was largely inspired by Main Event’s brand promise to be a place for families to bond,” said Main Event Chief Marketing Officer Ashley Zickefoose. “From shareable favorites with our Family Feasts to offering something tasty and memorable for everyone in the family….”

Main Event may remind visitors of Dave & Buster’s, for good reason: the two entertainment and food venues are owned and operated by the same parent company. Dave & Buster’s, initially from Dallas, is the significantly larger brand with 148 stores, but Main Event is catching up. The latter is founded and headquartered in Coppell, Texas, and now has 52 locations. Main Event centers are also more kid-focused, and typically larger than those in the Dave & Buster’s, since they offer games like laser tag and escape rooms.

Family Kitchen is accessible to any visitors, whether or not they play any games, but there are food and game bundles to streamline the experience. More information about Main Event and the new restaurant are available at mainevent.com.

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How Bazaar

Armadillo Christmas Bazaar gathers miraculous music lineup and 200 artisans

Brianna Caleri
Nov 4, 2022 | 10:46 am
A musician dressed as Santa at the Armadillo Christmas Bazaar in Austin
Photo by Jennifer M. Ramos

Armadillo Christmas Bazaar is back again December 17-23.

Austinites are lucky as the holidays roll around. The city is brimming with creatives, yes, but also organizers who make sure these artisans can get their products in front of as many people as possible. No one takes this as far as Armadillo Christmas Bazaar, back again this December 17-23.

More than 200 artists — the most the event has ever curated — will gather for the shopping portion of the bazaar, many of whom carry wall art, pottery, and wood crafts. Much of the variety comes from different styles of similar arts, but there are outliers on the roster: The Austin Museum of Popular Culture will be there (presumably selling collectible posters or museum experiences), along with Crysalis Hammocks, Got Toys, Latika Beauty, and Luna Tigre Candles, to name a few.

The bazaar has been around so long that this year’s featured artist represents the second generation of a family’s work at the festival. Caya Crum, from Fort Worth, went to the bazaar for “nearly a decade and a half” with her parents, and this year created the original marketing materials for the event. Although the streak is impressive for a single family, it’s just a portion of the event’s history, which started in 1975 when country singer Lucinda Williams lamented that artists would not have a comfortable place to sell wares for Christmas.

Shoppers have the other half of the bazaar to look forward to as well, with live performances by two dozen local musical acts. Highlights include Latin Grammy nominee Gina Chávez, longtime Texas songwriter Ray Wylie Hubbard, rockabilly guitarist Rosie Flores, and one of Austin’s more recent breakouts, Sir Woman.

In 2022, the bazaar adds a second stage, turning this annual live music celebration into something more like a festival. A press release promises an “even more intimate music experience” at the second stage, called “Stage Side.” Revelers can stop at the full bar or the “mobile honky tonk,” Hello Trouble Hall. This year is also the first time the bazaar is held indoors since 2019, and the first season that allows online buyers.

“The Stage Side will feature up-and-coming musicians and solo acts ... some of which have never played the Armadillo,” said booking agent Nancy Coplin in a press release. “For 33 years, I have had the honor of booking the music for this iconic event. We are so fortunate to be able to showcase both Austin music legends and upcoming artists who are rising stars. I am very excited that we are kicking off this year’s event with Gary P. Nunn, whose famous song ‘London Homesick Blues’ resonates the spirit of the Armadillo World Headquarters with the line, ‘I wanna go home to the Armadillo.’”

Producer and general manager Anne Johnson pointed out, “It’s the best live music deal in town…$2.25 a band is hard to beat anywhere! No other festival in Austin gives you more value for your money.”

The timing of the Christmas Bazaar also overlaps the majority of Chanukah, which starts on December 18. (It also ends on Festivus … just saying.)

Tickets ($12 for the day, $47 for the season) are available at armadillobazaar.com. The sale and festival takes place at the Palmer Events Center from December 17-23, 11 am to 8:30 pm.

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Movie Review

Life lessons abound in Oscar hopeful Armageddon Time

Alex Bentley
Nov 4, 2022 | 10:46 am
Life lessons abound in Oscar hopeful Armageddon Time
Photo by Anne Joyce/Focus Features

Banks Repeta and Anthony Hopkins in Armageddon Time.

When a filmmaker decides to tell a personal story about their life growing up, it can go one of two ways. It can be a nostalgic, candy-coated vision of an idealized childhood, or it can be a warts-and-all endeavor, digging deep to expose their bad family experience and the state of the world at that time.

Writer/director James Gray tries to find the middle ground in his new film, Armageddon Time. Set in Queens, New York, in 1980, the film centers Paul Graff (Banks Repeta), a Jewish tween boy with a love of art and a bent toward troublemaking. His mom, Esther (Anne Hathaway), and dad, Irving (Jeremy Strong), have kept him in public school even though his brother, Ted (Ryan Sell), goes to a private school.

Banks Repeta and Anthony Hopkins in Armageddon Time
Photo by Anne Joyce/Focus Features

Banks Repeta and Anthony Hopkins in Armageddon Time.

Paul strikes up a friendship with Johnny Davis (Jaylin Webb), one of the few Black kids at his school. Finding common ground over raising the ire of their teacher, whether warranted or not, the two conspire on a number of minor-to-major infractions. Paul is also close with his grandfather Aaron (Anthony Hopkins), who provides him with pearls of wisdom that come with his age and worldly experience.

On the surface, the film is a type of coming-of-age story as Paul pursues his passion, learns about bigotry, and tries to survive his sometimes-abusive father. Taken on this level, it’s an interesting if uncomplicated narrative. The situations that Paul goes through are typical of a suburban New York kid, with some slight deviations given his choice of friend and inability to stay on the right side of his parents and teacher.

There are several elements that indicate Gray is trying to tell a deeper story. Paul’s family being Jewish is a big part of the film, whether at family dinners or stories about past persecution. And the treatment of Johnny by his teacher and others is an undeniable parallel, with him experiencing subtle and not-so-subtle acts of racism on multiple occasions.

But a few other storytelling choices make it seem as if Gray wants tell an even more expansive allegorical story, as the film’s tagline – “The end of an era. The beginning of everything.” – illustrates. Ronald Reagan, who was running for his first term in 1980, pops up in television clips on a couple of occasions, even referencing his fear of Armageddon in one interview.

Fred Trump (John Diehl) and his daughter Maryanne (Jessica Chastain) are benefactors of the private school, making an appearance in one brief scene (why an Oscar winner was chosen to deliver less than 30 seconds of dialogue is unclear). Fred’s son Donald is not present, but the inclusion of the Trump family at all, especially for the very short time they’re on screen, speaks volumes.

Child actors can be hit-and-miss, but both Repeta and Webb turn in solid performances, making it feel like their characters have a true friendship. Both Hathaway and Strong live up to their reputations, inhabiting their roles fully, although their strong accents might be too much for some. Hopkins, who speaks in his normal voice, doesn’t exactly scream “old Jewish grandfather,” but his excellent acting makes up for that fact.

No matter if you fully grasp Gray’s actual intentions with the film or just take in its basic story, Armageddon Time is one of the best-acted films of the year. At its core, it’s a tale about a family going through a time of change, a universally-relatable idea regardless of where you grew up.

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Armageddon Time opens in theaters on November 4.

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