Austin Humane Society presents 17th Annual Rags to Wags Gala
Austin Humane Society will celebrate 70 years of saving lives at Studio 52 with disco, dancing, and a whole lot of dogs (and cats, of course). The evening will feature a cocktail hour, seated dinner, live auction, Golden Ticket Raffle, and an after party.
Based on the 1942 award-winning movie, Holiday Inn is a fresh take on an old classic. When singer-songwriter Jim Hardy tires of showbiz, he shocks his best friend Ted and fiancee Lila by leaving the bright lights of Broadway behind and for a calm life in a farmhouse in Connecticut.
At first, he greets his new life with enthusiasm, but, just as he starts to think farm life isn’t all it’s cracked up to be, he meets Linda Mason, a spunky school teacher harboring immense talent and big dreams. Together, they bring life back to the Mason farm by transforming it into the Holiday Inn, a lively venue for festive performances celebrating the red letter days on the calendar.
However, when Ted shows up ready to spirit Linda away to Hollywood, will Jim lose his best shot at happiness? The production features dance numbers galore and a score packed with Irving Berlin classics like “Blue Skies,” ”Heat Wave,” “Shaking the Blues Away,” and the beloved “White Christmas.”
Peppa Pig's Adventure
In Peppa Pig's Adventure, Peppa goes on an exciting camping trip in the woods with George and her school friends, including Pedro Pony, Suzy Sheep and Gerald Giraffe. With lunchboxes packed and Daddy Pig driving the bus, Peppa and friends are excited about their outdoor adventure, full of singing, dancing, games, and surprises.
The Austin Symphony presents "Masters of Music"
As part of the Masterworks Series, The Austin Symphony presents "Masters of Music," featuring violinist Geneva Lewis and conductor Peter Bay. The program will include Jessies Montgomery's Strum, Paul McCartney/Richard Rodney Bennett's Spiral, Mendelssohn's Violin Concerto in E Minor, Op. 64, and Mozart's Symphony No. 39 in E-flat Major, K. 543.
CultureMap Emails are Awesome
For over 40 years, director Steven Spielberg has been delivering some of the most popular blockbuster movies of all time as well as a bevy of Oscar-quality dramas, a combination that’s unique to him. For his latest, The Fabelmans, he’s decided to go more personal than ever, telling a thinly-veiled version of his own childhood.
Sammy (played mostly by Gabriel LaBelle) is one of four children – and the only son – of Mitzi (Michelle Williams), a concert pianist, and Burt Fabelman (Paul Dano), a computer engineer. From an early age, Sammy is enthralled by the art of filmmaking, first remaking a train crash sequence from The Greatest Show on Earth, and gradually moving on to more adventurous stories.
Burt’s advancing career, which moves the family from New Jersey to Arizona to California, causes stress for various members of the family, most notably Sammy and Mitzi. Sammy must deal with anti-Semitic bullies, while Mitzi falls deeper into a mental health crisis. Sammy’s movies continually offer a respite for the family, though, giving him a creative outlet and the rest of them a chance to forget their troubles for a while.
Written by Spielberg – his first writing effort since 2001’s A.I. Artificial Intelligence – and Tony Kushner, the film is heavy on emotions but presented in a way that those feelings don’t always translate. Spielberg is no stranger to depicting fraught family situations in his long career, but in showing ones from his own family, it feels like he pulled back, not wanting the scenes to be overwrought or schmaltzy.
The result is a story that isn’t as universal as some of his other films. As the film is told from Sammy’s perspective, it’s easy to get caught up in his pursuits and various discoveries as he gets older. The mindsets of the rest of the family are less clear, even though his parents and sisters are ever-present. Mitzi’s state of mind is a concern from the start, but it’s not always treated as such by other important characters.
Just as Sammy’s movies are an escape for his family, so too are they some of the best parts of the film. Sammy figuring out the process and secrets of filmmaking is informative and often thrilling, especially if you’re a cinephile. Spielberg has been considered a master for so long that watching him revisit the days when he was learning as he went is catnip for movie lovers.
In addition to being a dead ringer for a teenage Spielberg, LaBelle is a fantastic actor. It’s no easy feat to carry a movie on your shoulders, and LaBelle makes the assignment look easy. Williams’ performance will likely be more polarizing; she employs a very mannered speech pattern that works in some situations, but not all. The film also includes memorable short appearances by Seth Rogen, Judd Hirsch, and David Lynch.
Spielberg has provided the moviegoing public with such pleasure over the years that he deserves to have a movie that’s mostly for him. The initial viewing of The Fabelmans left this critic wanting, but perhaps it will gain more traction on a second screening.
The Fabelmans is now playing in theaters.
tilman goes laguna
Fans of Tilman Fertitta's nationwide hospitality brands are in for a treat. The Billion Dollar Buyer has just secured an award-winning, 30-acre resort in sunny Southern California.
Fertitta has purchased the acclaimed Montage Laguna Beach Resort Hotel, a premier beachfront property in the sunny SoCal getaway destination. Notably, the Montage Laguna Beach Resort Hotel is one of only six hotels in the U.S. to score the Forbes Triple Five-Star hotel status. The Montage has also been included among Travel + Leisure’s Top Hotels in the World.
“I am truly thrilled to acquire this world-renowned property and add one of America’s most iconic trophy resorts to our luxury hotel portfolio,” Fertitta noted in a statement. “I have been traveling to Laguna Beach for over 30 years. It is one of my favorite places to visit and one of the most beautiful areas in the world. The Montage is a stunning oceanfront property and one of the premier hotel brands in the world.”
Press materials didn't list the property purchase price, but Law360 reports that the deal is in excess of $660 million.
The Craftsman-style resort sits on a coastal bluff overlooking the Pacific Ocean. Impressive amenities are highlighted by the 20,000-square-foot Spa Montage, which offers eucalyptus steam rooms, dry redwood saunas, ocean air whirlpools, fireplace lounges, a state-of-the-art fitness center, a movement studio, and a lap pool.
More outdoor fun includes two pools and direct beach access, a museum-quality fine art collection, and more than 20,000 square feet of indoor and outdoor meeting space, per press materials.
Every resident space — the 260 guestrooms, including 60 suites, beach bungalow-style rooms, and multi-bedroom villas — boast stunning views of the Pacific.
Dining destinations offer chef-driven interpretations of coastal California flavors inspired by region. The property is designated and included in the distinctive Legend Collection of Preferred Hotels & Resorts Worldwide.
“We are thrilled that Tilman is the new owner of this one-of-a-kind property and welcome him into the Montage family,” said Alan Fuerstman, founder, CEO, and chairman of Montage International. Mary Rogers, the Montage's GM added, “The staff is thrilled to be working with Tilman. Everyone here at the property is tremendously excited about his purchase and look forward to continuing to provide a world-class experience to all of our guests."
Aside from his palatial Post Oak Hotel in Houston, Fertitta also owns 14 other hotel properties around the country, including the award-winning San Luis Resort in Galveston, plus five popular Golden Nugget casino and hotel locations.
Another feather in Fertitta’s luxury portfolio cap is the iconic Huntting Inn, one of the most charming and historic locales in East Hampton, New York.
No stranger to California, Fertitta's presence there includes Catch Seafood and Catch Steak, Mastro’s Ocean Club and Mastro’s Steakhouse, Morton’s The Steakhouse, Del Frisco’s Double Eagle Steakhouse, The Palm, and more — all part of his 60 brands and more than 600 concepts nationwide.
Live on Live
If Antone’s is your vibe but Fifth Street isn’t, first, know we get it. Saving Austinites the trip, along with countless people outside of the Austin area, Antone’s Nightclub is launching a new service for livestreaming its shows, starting November 25 and 26.
It’ll start with New Orleans-based funk and jam band Dumpstaphunk, for their special “Phunksgiving” show with Michael Hale Trio, and continue on for certain shows, delineated on the Atone’s website. Specifics are still loose before the launch, allowing the famous blues club to call the shots. The partner agency that created the streaming service, 3rd + Lamar, created the system to give Antone’s as much freedom as possible.
"Partnering with Antone's to build their livestreaming platform and produce each of their shows is an incredible opportunity for 3rd + Lamar," said the agency’s co-founder Nick Schenck in a press release. "The amazing talent that performs at Antone's – and their fans worldwide – deserve best-in-class live production quality, and we're thrilled to play a part in this operation."
Not that Antone’s needed to stand out more in the music industry (the nearly 50-year-old venue has always been one of the best places to see both local and national talent), but this achievement places it among relatively few venues across the country, especially those that operate their system independently.
Austin, of course, is already accustomed to this luxury thanks to Austin City Limits, but Antone’s offers a different flavor of live performance, simply by nature of being a small club rather than a multi-level venue. The more intimate shows are filmed by four Blackmagic 4K cinema cameras on tracks overhead, which ensure that the whole space is easily visible without having camera operators amid the audience.
“We did over 430 individually ticketed shows in 2019 and we felt like we were bursting at the seams,” said Antone’s owner Will Bridges. “Then when livestreams became more prominent during the pandemic we realized, this is our opportunity to take Antone’s outside of our four walls. … [W]e see people in the comment threads all the time saying ‘If I could only be teleported to Antone’s!’ Well now they can.”
The release emphasizes that the system means Antone’s “fully retain[s] ownership of their content, which can then be utilized at their discretion.” It also calls the service “an add-on option for all artists performing at Antone’s,” positioning the service as not just an audience luxury but a performer’s low-cost marketing tool. Suddenly, artists playing at Antone’s are afforded a choice without needing to be invited to record or pay an independent video team, while reaching even more viewers with no extra time spent advertising.
“Our ultimate goal is to make these amazing musical experiences accessible to everyone. Life is busy, but we want to give everyone the opportunity to participate no matter where they are or what they have going on,” said Bridges. “We want to make livestreams from Antone’s totally commonplace. When we announce our upcoming shows, fans have two options: watch it at the club our watch it at home.”
Livestreams are listed in a separate category at antonesnightclub.com, but links also appear on each applicable event across the site. Tickets are available now for Dumpstaphunk’s “Phunksgiving” ($10 to livestream, $30 in-person). Livestreams start 10-20 minutes before each show.