Photo by Alex Boeschenstein, courtesy of the Contemporary Austin

The Jones Center at the Contemporary Austin is somehow one of the city’s most recognizable buildings despite changing facades. Following the usual mostly-white convention, the museum has unveiled a new mural on that prime wall space on Seventh Street and Congress Avenue.

This one is especially minimalist; red words in a sans serif font on the white wall. They double as the name of the exhibit inside, “In a dream you found a way to survive and you were full of joy.” In all capital letters, despite the austere presentation, the jubilence of the powerful message resounds in its urban space. An almost identical work in inverted colors inside the museum greets visitors with a little more detail on what to expect.

The artist, Jenny Holzer, is known for this type of work, consisting almost entirely of stark words on plain backgrounds. Many are written on walls and buildings. This sentence in particular comes from her “Survival” series (1983-1985) across a variety of media, including granite and paper. In this new context, it names a theme between works of eight female artists, notably from diverse cultural and gender backgrounds: Danielle Brathwaite-Shirley, Adriana Corral, Ellie Ga, Juliana Huxtable, Tala Madani, Danielle Mckinney, Wendy Red Star, and Clare Rojas.

As usual when the Jones Center builds a new exhibit, it takes over the whole building. This time, with enough artists, it does feel more like a standard gallery, with little pockets to view each exhibit, as opposed to the experimental residences that are sometimes there (and which have only recently vacated the space). The exhibits include textiles, audiovisual, and memorably strong concepts past creating a beautiful or experimental image.

Juliana Huxtable lends collages that poke fun of conservative reactions to trans people in tabloids, displaying those headlines very starkly, similarly to the Holzer work. “Experimental surgeries turn youth into mutant creatures of the night,” says one poster next to a sexy, fashionable imp. Another exhibit upstairs, by Danielle Brathwaite-Shirley, places the viewer in a glowing red room with video game controls on a podium, and a projection on the wall. Try to walk home without looking behind you for too long: another metaphor for trans life.

Another work, by Tala Madani, uses projection and collage to depict a “mother” wandering through a meticulous Tehran home and smearing herself (a “shit mom,” physically composed accordingly) on furniture. Considering the recent protests in Iran, this is one of the most saliently current works in the gallery, although perhaps the ennui represents more of a universal, multicultural feeling than what drives action today. Similarly, "Latitudes," a work by El Paso-born artist Adriana Corral, displays embossed copies of the United Nations’ Universal Declaration of Human Rights in various languages. The white-on-white text is nearly impossible to read.

“[Holzer’s] work prompts people to revisit the ideas they hold, and invites them to act for change,” said curator curator Robin K. Williams in a press release about the mural. “Our hope is that presenting this text in the heart of downtown Austin, seven blocks from the Texas capitol building, will do the same. The message is simultaneously critical, reflective, and inspiring.”

The mural can be viewed now by anyone passing by on East 7th Street. The corresponding exhibit has been open to the public since September 17, and will remain open until February 12, 2023. Tickets ($0-10) are available via The Contemporary Austin.

Photo courtesy of the St. Elias Mediterranean Festival

Join an 88-year dabke line at Austin's Mediterranean Festival this fall

Weekend By The Sea

Believe it or not, the Mediterranean is not that far away. It’s quite a hike to get there, but it’s nearly identical in latitude — a great predictor of harmonious culinary styles and ingredients. Austin and Cairo are less than a quarter of a degree apart.

The 88th annual St. Elias Mediterranean Festival is closing that gap longitudinally on September 30 and October 4, with food, cocktails, and more. The open-air festivities are loud and certainly not as reserved as many would guess at an Orthodox church. “He’s Baptist, so he’s not supposed to be drinking,” says a festival attendee in a video from 2012, arm around the giggling rule-breaker.

Along with food vendors, who in past years have represented Lebanon, Palestine, Greece, Eritrea, Russia, Romania, and likely many more countries, other craft vendors will run their own bazaar. It’s all set to live music, with both performed and social dancing (like dabke, the Middle Eastern line dance in which participants hold hands), something incredibly rare to run into for Austinites who aren’t regularly involved in these communities.

Nothing is truly Mediterranean without wine, and the festival is known for its wide and sometimes exotic selections. Cocktails will be provided by Absolut and Aperol — the aperitivo maker most associated with the citrusy, bubbling spritz from Italy — and no one is allowed to get tired of dancing with Arabic coffee nearby.

A press release quotes a member of the family that owns and operates Twin Liquors, a current sponsor that has worked with the festival since it started in the 1930s. “Medfest is more than a tradition for our family, it’s ingrained in our culture,” said David Jabour. “We’re honored to continue to play a role in the festivities this year, and look forward to seeing friends and families celebrate with food, cocktails, music, and dancing.”

The nearly 90-year-old tradition has garnered a reputation in its hometown for its uniqueness and high spirits, and is welcoming to anyone interested in the culture. Kids are welcome, and encouraged to join with photos from past years including face painting and a bouncy house.

The 88th annual St. Elias Mediterranean Festival will take place on September 30 from 6 pm to 11 pm, and on October 1 from noon to 11 pm. Tickets ($5 donation) will be sold at the door at St. Elias Orthodox Church on East 11th Street, except for opening to 4pm on Oct 1, which is free.

Photo courtesy of Marufuku Ramen

7 things to know in Austin food right now: San Francisco ramen shop noodles into town

News You Can Eat

Update: The opening date for Marufuku Ramen has been moved to Wednesday, October 12.

Editor’s note: We get it. It can be difficult to keep up with the fast pace of Austin’s restaurant and bar scene. We have you covered with our regular roundup of essential food news.


One of the most popular of many San Francisco ramen restaurants, Marufuku Ramen, just announced it is coming to Austin on October 12, making this the second Texas location after Frisco. This franchise specializes in Hakata-style Tonkotsu ramen, made with bone broth and thinner-than-usual noodles. Serving sizes also appear slightly smaller than the gut-busting bowls currently found around Austin. The menu extends to other grilled and fried items such as karaage (fried chicken) and chashu (pork belly) buns. More information about the Mueller restaurant (1900 Aldrich Street Suite 180) as it becomes available at marufukuramen.com.

Other news and notes

Readers may have heard by now that food magazine Bon Appétit selected a cool 50 restaurants to represent the best new restaurants in the United States, but one Austin hot shot made it all the way to the Top 10. Canje, the Carribean restaurant by star Austin pastry chef Tavel Bristol-Joseph, was recognized for its complexity in incorporating “layers” of ethnic influence. “Even before the coconut-milk-soaked tres leches cake hits the table, you’ll understand exactly what makes Canje one of the best new restaurants in the country,” writes Hilary Cadigan.

Mini East Austin eatery compound Bento Picnic is wringing every drop from this season with its "Late Summer Harvest Party," a collaboration with Farmshare Austin, Vermillion Farms, Lightsey Farms, and Greener Pastures Chicken. Saba San’s, the wine shop inside Bento Picnic, is handling wines with help from Summer Revival Wine Co. The guided pairing menu is just a suggestion, and guests can visit stations at their own pace while getting to know farmers and winemakers. Tickets ($18-76) available at sabasans.com.

Farmhouse Delivery, a grocery service that focuses on Texas products, is now delivering beer and wine along with its produce, meat, baked goods, prepared meals, and more. Deliveries of brands like Austin Beerworks, Wine for the People, Meanwhile Brewing, and Southold Farm & Cellar will be available starting September 16. On September 29, to celebrate and get Austinites familiar with the catalog, Farmhouse Delivery is visiting the Austin Beerworks taproom with samples. RSVP on Eventbrite for a free beer when you get there.

A collaboration between Japanese-inspired cocktail bar Watertrade and heavily-topping laden ice cream shop Bésame creates a special shaved ice treat called kakigōri. The Watertrade Wild Weekend (WWW) combines almost too many flavors to keep track of: yuzu-lemon and ginger ice cream, fuji apple, and mint-shiso kakigōri build a base. They’re topped with a sake byproduct paste, white boba pearls, Japanese molasses syrup, and roasted soy bean powder. Matcha Pocky Sticks and mint leaves tie it all together. Anyone ready to tackle this behemoth can do so at the Bésame trailer at Meanwhile Brewing, September 17 and 18 from 12 pm to 9 pm.

Mexican Independence Day is coming up on September 16, coinciding with the start of Hispanic Heritage Month, and Fonda San Miguel is celebrating both. Chefs Blanca Zesati and Carlos Monroy are breaking out a traditional, seasonal dish that is hard (but not impossible) to find around Austin. These chiles en nogada are usually stuffed with meat, candied fruits, and nuts, smothered with a walnut cream sauce, and topped with pomegranate seeds. Reserve one for September 17 by calling (512) 459-3401.

For September’s Xolovino Wine Club, Nixta Taqueria is hosting Jorge Gaviria of Masienda, a gourmet store selling everything in the tortilla-making process from whole kernels to comales, to baskets to carry them in. Gaviria is celebrating the launch of his cookbook, MASA: Techniques, Recipes, and Reflections on a Timeless Staple. Of course, the night’s four-course menu centers on masa paired with wine selections. BookPeople will join to sell copies of the book. Tickets ($100) for the 8:30 slot are still available on Tock; act fast to reserve a few remaining spots.

Rendering courtesy of Electric Shuffle

The London bar that revolutionized shuffleboard is electrifying Austin

Shuffled Board

Shuffleboard isn’t usually the focus of the evening — or anything, really — but that’s the point: It’s unobtrusive enough to schedule just about any outing around it. Electric Shuffle, a bar and games venue out of London, is coming to Austin to hold that space and more this fall.

Electric Shuffle seems like a paradox, as shuffleboard is an antique activity, not really something people are racing to innovate. But the London bar did it, implementing custom-built “high-tech shuffleboard” with cameras to track and map each puck, keeping score for up to two dozen people, and making tournaments especially easy. Despite the arcade-ification of this classic bar game, it still seems to work the same mechanically, so analog experts need not worry.

“We are so excited for Austin to be the next spot we call home,” said Electric Shuffle USA CEO Gene Ball in a press release. “The city is a hub for innovation and hospitality with a deep love of good vibes and great music while being home to some of the coolest and weirdest concepts in the world. We cannot wait for Electric Shuffle to be a part of this community and culture while adding our own little piece of uniqueness to the city.”

The Austin bar will reside where an upscale, retro bar games spot gone high-tech makes sense: Rainey Street. It will be housed in The Quincy, a mixed-use complex between The Fairmont and the Hotel Van Zandt.

The bar itself is visually stunning — at least it is in Dallas, the closest and only other United States location — with an eclectic mix of art deco lighting, exposed brick, floor-to-ceiling bookshelves, and colorful velvet seating. While dive bars can be plenty of fun for late night games, this is not one. The Austin location is not just the second in Texas; it’s the fourth city in the entire chain, which is operating in London, Dallas, and Leeds coming this fall.

The elevation reaches through the decor and into the kitchen, which sends out a long list of snacks and even full meals to share, including roasted shishito peppers, sampling platters, seven types of pizza, and more.

It’s not just good for an evening hang, either. Electric Shuffle serves an over-the-top brunch with a bottle of prosecco for each guest (or a nonalcoholic alternative), other cocktails, live DJs, a charcuterie-like “Ultimate Brunch Board,” and bacon jam pizza. Huge parties are more than welcome, with reservations available for four to 24 guests, and opportunities for private events of up to 250.

More information about Electric Shuffle, including details on the Austin location, is available at electricshuffleusa.com.

The game tables by Electric Shuffleboard keep score with cameras, so tournaments have never been easier.

Rendering courtesy of Electric Shuffle
The game tables by Electric Shuffleboard keep score with cameras, so tournaments have never been easier.
Photo by Steve Rogers Photography

State rep staffer goes Over the Lege with stage show about life at the Capitol

Grand Ole Texas Lege

Stephanie Chiarello might be out of a job if the wrong person reads this. Not to alarm you, reader; this chief of staff to a state representative has been putting on her satirical play about the Texas legislature for seven years now, and she’s been thinking a lot about risk lately. She’s decided it’s worth it, just in time for the new season September 16 through 18 at the Long Center.

“If I get fired from my state job for a theater show that I consider as freedom of speech, that's a pretty good badge of honor,” says Chiarello. “I don't want that to happen at all, but maybe I could fundraise off that.”

The live sketch comedy show Over the Lege exists to keep the legislature in check, even if the legislative body at large doesn't know about it. Chariello and her team spin scenes off of actual events at the Capitol to help staffers blow off some steam, and to make sure Texans have an accessible shot at understanding the decisions being made.

2022 is an interim year, meaning that legislation is not being passed, but the committees are “homework,” as Chiarello explains. Over the Lege runs in the fall to coincide with election season, and she points out this is an especially important year due to redistricting, which placed every statewide office, senator, and representative on the ballot. The next legislature starts in January of 2023.

Chiarello first pitched the show to the Institution Theater in 2015, the year of the 84th legislative session, while working for then-Senator and former Austin mayor Kirk Watson. Even besides watching overtly distressing lawmaking decisions at council meetings and floor debates, she was witnessing more than her fair share of “juvenile” behavior.

One member asked an Asian-American speaker to change his name so she could pronounce it better; another member teased a heavy legislator with a cookie. Chiarello wondered why it seemed that no one was paying attention to these, or even more egregious offenses.

“Senators represent about a million people in Texas and representatives are, like, 220,000 people. You mean so much more here on this level than you do to the President of the United States,” says Chiarello. “People can tell you who the president is — and bless Ted Cruz’s heart, people seem to know who he is now — but no one right now, who's not involved in the Texas lege, could tell you who their state senator or their state rep are. And that's what I wanted to change.”

Unlike the legislative members Chiarello skewers, she and her writers try to keep their ribbing to what individuals have earned. She tries to stick to policy, unless certain members have consistently transgressed on the side of bad policy. State Representative Briscoe Cain bought his ticket from relative protection to a children of the corn comparison with sensationally hardline policy goals, public name-calling, and, in fairness, a lot of pictures in fields.

Over the Lege is a nonpartisan show, at least in theory, but Chiarello finds it harder to make fun of Democrats — not for lack of material, but weakness of punchlines. “I try,” she says. “I promise I try so hard, but the show is really about punching up to power, and Democrats have no power.”

One sketch from 2019 takes the form of a game show called “How Red Is It?” The first contestant is a handsy Pisces from Austin who cannot name any gubernatorial candidates besides Greg Abbott, but pledges “100 percent” of her support to whoever his opponent is. She snaps at a “white male” on her way offstage.

Games shows are the basis for the Over the Lege podcast, which is active in between live shows, much more frequently, and returning for its fourth season in October. Episodes contain radio-style game shows (like Wait Wait… Don’t Tell Me!) with local comedians as contestants and interviews with “legislative celebrities.” The most recent episode, released on June 2, 2022, features comedians Aaron Salinas and Shana Merlin, plus Travis County Tax Assessor-Collector and Voter Registrar Bruce Elfant.

The Long Center show for the 2022 season features one special guest per showing: Senator Sarah Eckhardt, State Representative Gina Hinojosa, and Democratic campaign consultant James Aldrete, in order.

Aside from guests, the show keeps multiple writers busy, especially head writer Amy Knopp, who does advocacy work and Chiarello calls “Capitol-adjacent.” Other writers and actors affiliated with Over the Lege were either invited in an open call early in the show’s life, or have since joined through word of mouth.

Chiarello is also responsible for all the administrative work, booking shows, and buying costumes — basically, anything that comes up. As much as the sketch show is an outlet, it is financial baggage. She hopes that the show will one day support itself, so it at least breaks even. For now, she considers it her “civic duty.”

“I justify [the personal risk] by saying … 80 percent of what's in the show is real. It's really happened. It's a real policy. It's a real conversation. It's [really] something in someone's past,” says Chiarello. “So if a legislator is proud of the work they do, they should fear not of this show. And if they're not proud, then that's the whole point.”

Over the Lege is available as a podcast wherever podcasts are. Tickets for the Long Center show ($17-25) on September 16, 17, and 18 are available at thelongcenter.org.

Over the Lege draws from real Texas politics, and the unreal drama they create.

Photo by Steve Rogers Photography
Over the Lege draws from real Texas politics, and the unreal drama they create.
Courtesy of WAX

Tallest high-rise in Texas to tower above Austin in late 2026

Up, up, and away

Texas’ tallest building is set to grace the Austin skyline three years from now.

At 74 stories tall and 1,022 feet high, the downtown mixed-use project – carrying the new name of Waterline – is scheduled to open in late 2026. Construction is underway at 98 Red River St., near the Austin Convention Center.

Developers of Waterline released specifics about the project September 6. Word surfaced in June 2020 that the Red River site would be home to the state’s tallest building, but the developers hadn’t confirmed the height.

The height of Waterline will eclipse that of Texas’ current titleholder by 5 feet. Houston’s 75-story JP Morgan Chase Tower stands 1,002 feet tall, making it the state’s tallest high-rise.

Of course, Waterline also will reign as Austin’s tallest building. The 66-story, 875-foot-tall Sixth and Guadalupe tower under construction in downtown Austin will temporarily hold the title of Austin’s tallest building.

In verifying the height of the building, developers Lincoln Property Co. and Kairoi Residential, along with investment partner PSP Investments, also unveiled details of Waterline such as:

  • 700,000 square feet of office space.
  • 352 high-end apartments.
  • 251-room 1 Hotel Austin, the first Texas location for hospitality company SH Hotel Resorts’ sustainability-focused 1 Hotels brand.

“Downtown Austin offers one of the most dynamic markets and skylines in the nation, and we’re excited to help drive its ongoing transformation,” Seth Johnston, senior vice president of Lincoln Property, says in a news release. “Waterline marks a new milestone for downtown not only because of its height but also because of the positive impact this project will have on improving connectivity, enhancing public amenities, and attracting more people to this beautiful area of downtown.”

Developers say Waterline will serve as a new gateway from the Central Business District to the Rainey Street entertainment district. The developers will add two pedestrian bridges over Waller Creek from the west, as well as three pedestrian and bicycle access points to Waterloo Greenway from the east.

The development team is contributing $1 million to the Waterloo Greenway initiative to help pay for improvements to the 1.5-mile trail connecting the University of Texas to Lady Bird Lake.

Designed by renowned architecture firm Kohn Pedersen Fox, Waterline will feature floor-to-ceiling windows, warm textures, and native stone.

“Waterline will offer a truly unique experience with unrivaled views, world-class amenities, and a thoughtful design that connects the building’s interior with the project’s unique natural surroundings throughout the building,” says Michael Lynd Jr., CEO of Kairoi Residential. “We’re thrilled to introduce Austin’s next iconic project.”

The building’s ground floor will offer 24,000 square feet of retail and restaurant space overlooking Waller Creek and the Waterloo Greenway.

1 Hotel Austin will occupy the next 13 floors, with a ballroom and meeting spaces on the 14th floor, and a rooftop pool with food and beverage service on the 16th floor.

The office portion of the tower will occupy 27 stories, with a 14th-floor amenity deck offering 24,000 square feet of landscaped outdoor space along with a bar and lounge, indoor meeting spaces, and a prep kitchen for special events.

The apartments will take up the top 33 stories. Residents will enjoy access to two pools on the 41st floor, along with a lounge, bar, kitchen, and co-working space. A movement studio, workout studio, and steam room will be one floor above, in addition to soaking tubs, hammocks, a barbecue pit, and a dining area.

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H-E-B unveils merch for super fans, plus more hot Austin headlines

Hot Headlines

Editor’s note: It’s that time again — time to check in with our top stories. Here are five articles that captured our collective attention over the past seven days.

1. H-E-B unveils merchandise for brand super fans, available exclusively at one store. Kerrville was chosen to launch the company's new line of H-E-B-branded merchandise in celebration of its 117th anniversary.

2. Austin bar transforms into a magical winter wonderland this holiday season. Don your favorite elf socks and meet the lovely citizens of “Tinseltown.”

3. Draft 'Vision Plan' for Zilker Park unveils land bridge and more possibilities. Austinites are invited to comment on a vision plan that will inform the future of Zilker Park.

4. Austin ranks among world’s 100 best cities in prestigious new report. Austin is the No. 43 best city in the world, according to a new study. (And yes, we beat Dallas.)

5. Austin airport launches new SkySquad travel assistants in time for the holiday rush. Austin-Bergstrom International Airport is keeping lines moving during a period of heavy travel with a new team of airport assistants.

Steven Spielberg opens up personal history in The Fabelmans

Movie Review

For over 40 years, director Steven Spielberg has been delivering some of the most popular blockbuster movies of all time as well as a bevy of Oscar-quality dramas, a combination that’s unique to him. For his latest, The Fabelmans, he’s decided to go more personal than ever, telling a thinly-veiled version of his own childhood.

Sammy (played mostly by Gabriel LaBelle) is one of four children – and the only son – of Mitzi (Michelle Williams), a concert pianist, and Burt Fabelman (Paul Dano), a computer engineer. From an early age, Sammy is enthralled by the art of filmmaking, first remaking a train crash sequence from The Greatest Show on Earth, and gradually moving on to more adventurous stories.

Burt’s advancing career, which moves the family from New Jersey to Arizona to California, causes stress for various members of the family, most notably Sammy and Mitzi. Sammy must deal with anti-Semitic bullies, while Mitzi falls deeper into a mental health crisis. Sammy’s movies continually offer a respite for the family, though, giving him a creative outlet and the rest of them a chance to forget their troubles for a while.

Written by Spielberg – his first writing effort since 2001’s A.I. Artificial Intelligence – and Tony Kushner, the film is heavy on emotions but presented in a way that those feelings don’t always translate. Spielberg is no stranger to depicting fraught family situations in his long career, but in showing ones from his own family, it feels like he pulled back, not wanting the scenes to be overwrought or schmaltzy.

The result is a story that isn’t as universal as some of his other films. As the film is told from Sammy’s perspective, it’s easy to get caught up in his pursuits and various discoveries as he gets older. The mindsets of the rest of the family are less clear, even though his parents and sisters are ever-present. Mitzi’s state of mind is a concern from the start, but it’s not always treated as such by other important characters.

Just as Sammy’s movies are an escape for his family, so too are they some of the best parts of the film. Sammy figuring out the process and secrets of filmmaking is informative and often thrilling, especially if you’re a cinephile. Spielberg has been considered a master for so long that watching him revisit the days when he was learning as he went is catnip for movie lovers.

In addition to being a dead ringer for a teenage Spielberg, LaBelle is a fantastic actor. It’s no easy feat to carry a movie on your shoulders, and LaBelle makes the assignment look easy. Williams’ performance will likely be more polarizing; she employs a very mannered speech pattern that works in some situations, but not all. The film also includes memorable short appearances by Seth Rogen, Judd Hirsch, and David Lynch.

Spielberg has provided the moviegoing public with such pleasure over the years that he deserves to have a movie that’s mostly for him. The initial viewing of The Fabelmans left this critic wanting, but perhaps it will gain more traction on a second screening.


The Fabelmans is now playing in theaters.

Photo by Merie Weismuller Wallace/Universal Pictures and Amblin Entertainment

Gabriel LaBelle in The Fabelmans

Texas billionaire Tilman Fertitta acquires award-winning California resort

tilman goes laguna

Fans of Tilman Fertitta's nationwide hospitality brands are in for a treat. The Billion Dollar Buyer has just secured an award-winning, 30-acre resort in sunny Southern California.

Fertitta has purchased the acclaimed Montage Laguna Beach Resort Hotel, a premier beachfront property in the sunny SoCal getaway destination. Notably, the Montage Laguna Beach Resort Hotel is one of only six hotels in the U.S. to score the Forbes Triple Five-Star hotel status. The Montage has also been included among Travel + Leisure’s Top Hotels in the World.

Image courtesy of Montage Laguna Beach

Fertitta's newest purchase overlooks the ocean in Laguna Beach.

“I am truly thrilled to acquire this world-renowned property and add one of America’s most iconic trophy resorts to our luxury hotel portfolio,” Fertitta noted in a statement. “I have been traveling to Laguna Beach for over 30 years. It is one of my favorite places to visit and one of the most beautiful areas in the world. The Montage is a stunning oceanfront property and one of the premier hotel brands in the world.”

Press materials didn't list the property purchase price, but Law360 reports that the deal is in excess of $660 million.

The Craftsman-style resort sits on a coastal bluff overlooking the Pacific Ocean. Impressive amenities are highlighted by the 20,000-square-foot Spa Montage, which offers eucalyptus steam rooms, dry redwood saunas, ocean air whirlpools, fireplace lounges, a state-of-the-art fitness center, a movement studio, and a lap pool.

More outdoor fun includes two pools and direct beach access, a museum-quality fine art collection, and more than 20,000 square feet of indoor and outdoor meeting space, per press materials.

Every resident space — the 260 guestrooms, including 60 suites, beach bungalow-style rooms, and multi-bedroom villas — boast stunning views of the Pacific.

Dining destinations offer chef-driven interpretations of coastal California flavors inspired by region. The property is designated and included in the distinctive Legend Collection of Preferred Hotels & Resorts Worldwide.

“We are thrilled that Tilman is the new owner of this one-of-a-kind property and welcome him into the Montage family,” said Alan Fuerstman, founder, CEO, and chairman of Montage International. Mary Rogers, the Montage's GM added, “The staff is thrilled to be working with Tilman. Everyone here at the property is tremendously excited about his purchase and look forward to continuing to provide a world-class experience to all of our guests."

Aside from his palatial Post Oak Hotel in Houston, Fertitta also owns 14 other hotel properties around the country, including the award-winning San Luis Resort in Galveston, plus five popular Golden Nugget casino and hotel locations.

Another feather in Fertitta’s luxury portfolio cap is the iconic Huntting Inn, one of the most charming and historic locales in East Hampton, New York.

No stranger to California, Fertitta's presence there includes Catch Seafood and Catch Steak, Mastro’s Ocean Club and Mastro’s Steakhouse, Morton’s The Steakhouse, Del Frisco’s Double Eagle Steakhouse, The Palm, and more — all part of his 60 brands and more than 600 concepts nationwide.