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Photo by Jono Foley

The sounds of Texas are as varied as Willie's guitar and the cooing of a roadrunner. (Contrary to popular belief, it is a coo rather than an old fashioned car horn). Even as Texas has become more urban, it'd be silly to separate its musical heritage from the wide open spaces that inspired so much art to come. One album this fall explores and commemorates musical identity in the Lone Star State from its past, its present, and the from Texas wild, which happens to lend its name to the project. And the first single, out May 2, kicks things off in a fittingly hybrid style that will delight listeners of all genres.

Texas Wild is part of the 100 Years of Texas State Parks Celebration, which has inspired a long string of onsite (and offsite) events in Texas parks all year. The party is now bringing the whole state together for one united musical endeavor (released by Texas Parks and Wildlife Foundation (TPWF) in partnership with Rambler Sparkling Water). So far, 16 artists from around the state have covered tracks from older Texas artists that influenced some of the state's defining genres: blues, cumbia, country, hip-hop, R&B, electronica, and possibly more.

The first single gives the Houston treatment to a San Antonio classic, "(Hey Baby) Que Paso." Originally written by members of the Sir Douglas Quintet, the bouncy Tex-Mex track was popularized by Tejano group Texas Tornados, and retains much of its good-natured inquisitiveness (que paso?) when sung by rapper Fat Tony. The instrumentation is much funkier, but this cover is about as faithful as they come without being direct copies — until the rap verses hit. Paul Wall joins in and the "San Antonio national anthem," in Doug Sahm's words, is fit for any summer block party across the state 40 years later.

While Paul Wall reps Houston, more big names on the record include Shakey Graves (Austin), and Ray Wylie Hubbard (Dallas), and even the smaller fish in this particular pond are making big waves in the industry. Although the album is regionally well-balanced among big cities, there's only so much the Live Music Capital can do to keep from pulling focus.

Many of the contributions are by Austin artists, including the overall production headed by local singer-songwriter Walker Lukens, who has faithfully proved his skill in bringing retro sounds sincerely to life. Other Austin contributions in both performance and songwriting come from Sir Woman, Adrian Quesada, Daniel Johnston, Willie Nelson, and more — not to mention those who shared their talent largely in Austin without spending their entire career, like the legendary Townes Van Zandt.

"Texas Wild is an album that encompasses that wild, untamed spirit for which Texas is best known," said TPWF executive director Anne Brown in a press release. "Incredible artists from across the state have come together to put their unique stamp on Texas classics, resulting in an exciting playlist that music fans will want to play on repeat. We're thankful for the many talented artists who made this extraordinary album possible."

If this first track is any indication, this album should appeal to many of its contributors' fans regardless of their interest in Texas history or local pride. Still, Texans heard it first, and should look out for two more singles in June and July, followed by the entire album in digital or vinyl formats in the fall. Texas illustrator Mishka Westell created the cover art featuring Texas wildlife, and sales will benefit TPWF.

Tracks announced so far on Texas Wild:

  • Fat Tony featuring Paul Wall — “(Hey Baby) Que Paso” (Original Track: Sir Douglas Quintet)
  • The Texas Gentlemen — "(That's Right) You're Not From Texas" (Original Track: Lyle Lovett)
  • Shane Smith and The Saints featuring Hayes Carll — "Pancho and Lefty" (Original Track: Townes Van Zandt)
  • LUNA LUNA — “Si Una Vez” (Original Track: Selena Quintanilla)
  • Ryan Bingham — "Possum Kingdom" (Original Track: The Toadies)
  • The Suffers — "My Maria" (Original Track: B.W. Stevenson)
  • Shakey Graves featuring Jess Williamson — "True Love Will Find You In The End" (Original Track: Daniel Johnston)
  • Sir Woman featuring Ray Wylie Hubbard — "Texas Sun" (Original Track: Khruangbin and Leon Bridges)
  • Adrian Quesada featuring US and The Soul Supporters — "Say My Name" (Original Track: Destiny’s Child)
  • Sarah Jaffe — "Flying Too Close To The Ground" (Original Track: Willie Nelson)
  • The Toadies — "Since You've Been Gone" (Original Track: Kelly Clarkson)
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Rock star Bono's daughter makes her own sweet music in Flora and Son

Movie Review

The new Apple TV+ film Flora and Son centers on a single mother and her teenage son, a situation that typically calls for an uplifting story about the mother’s struggles trying to support the two of them, and the bond that develops between them as go through the troubles together. While that element exists somewhat here, it goes down a much different path that’s both saltier and equally as rewarding.

Eve Hewson and Oren Kinlan in Flora and Son

Photo courtesy of Apple TV+

Eve Hewson and Oren Kinlan in Flora and Son.

Set in Dublin, Ireland, the film follows Flora (Eve Hewson), a single mom to Max (Oren Kinlan), who gets in a fair bit of trouble. She shares custody with her ex, Ian (Jack Reynor), and their antagonistic relationship, along with Max being a teenager, likely has an effect on how Flora and Max get along. A typical interchange between mother and son has them calling each other all sorts of bad names, although there rarely seems to be any true animosity behind their arguments.

When a guitar Flora refurbishes for Max goes unappreciated, she instead starts taking online lessons herself with an American named Jeff (Joseph Gordon-Levitt). She’s no less brash with him, but her sincere interest in learning how to play and in finding out more about Jeff’s music opens a new door for Flora. Soon, a discovery that Max is making music of his own on his laptop helps them communicate better than they have in a long time.

Flora & Son is the latest music-focused film from writer/director John Carney (Once, Sing Street), and he once again finds the sweet spot in telling a personal story enhanced by song. Flora has more than a few rough edges, making her a less-than-ideal protagonist, but the heart of the character shines through precisely because she has no filter. Once music is added to the equation, it become that much easier to see the type of person she is and why you should root for her.

Both Hewson and Gordon-Levitt are charming actors, so they establish a connection through a screen well. Fortunately, though, Carney chooses not to leave it at that, adding a slight fantasy element to some of their scenes by having Flora imagine Jeff in the room with her. A romantic element naturally arises, but it’s the unexpected way in which two lonely souls find each other from across the world that makes them the most interesting.

There are a couple of decent songs that come out of the process of all of the music-making, but nothing that you could truly call an earworm. Instead, it’s the feeling you get seeing the characters interact when they’re sharing music with each other that makes the film sing. Only one character could be classified as a professional musician, with the rest of them making music for the pure joy of it, an emotion Carney translates well in his storytelling.

Hewson (the daughter of U2’s Bono, in case you were unaware) is having a moment after 15 years in the business. She has a boldness that serves her as well in this role as it did in the recent Apple TV+ limited series, Bad Sisters. This is Kinlan’s first major part, and he acquits himself well. Both Gordon-Levitt and Reynor are seasoned actors who know how to make the most of their limited scenes.

The depiction of a mother/child relationship in Flora and Son is atypical, but it still winds up in a great spot thanks to the power of music and some fine performances. Carney’s love for both songs and filmmaking has yielded some memorable movies over the years, this one included.

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Flora and Son opens in select theaters and on Apple TV+ on September 29.

10 restaurant and bar openings — including a pop-up — top Austin's tastiest food news

News You Can Eat

Editor’s note: We get it. It can be difficult to keep up with the fast pace of Austin’s restaurant and bar scene. We have you covered with our regular roundup of essential food news.

Openings and closings

ICYMI: Buckle in for tons of openings this week. During our busy week we covered the opening date for Radio/East, which is the highly anticipated expansion of Radio Coffee & Beer; the arrival of Tarbox & Brown, a San Marcos restaurant with lots of cultural influences, led by a chef with South African and Chinese roots; and the debut of Bacalar, a Mexican restaurant that marks the return of a former Top Chef winner to the Austin food scene. We also heard about a secretive new speakeasy, Trona, from an entrepreneur with a very cool track record. But there's more we haven't told you about yet.

First-year Texas Longhorn player Deandre Moore just got a check for his "name, image, and likeness," and used that money to open the Jive Turkeyfood truck (1637 E. Riverside Dr.). And even cooler — he hired his mom. Taleea Moore is cooking up lots of turkey dishes, inspired by the family's athletic at-home eating that has long subbed out poultry for beef. There are only three regular menu items so far: a turkey burger (of course), a Thanksgiving-inspired cornbread comfort bowl, and a deep-fried turkey taco. The rest are seasonal treats.

Austin could always use more cool cocktail spots — they book up fast on the weekend — so people are excited to welcome Daydreamer, a "cocktail and champagne bar." (That's not to be confused with Daydreamer Coffee, which opened last year.) There's lots to dream about, but most appealing is that this venture comes from the minds of a whole bunch of industry vets from very cool spots all around Austin. Follow your dreams to 1708 E. 6th St.

Longtime Austin establishmentJuliet Italian Kitchen, also known for dreamy vibes thanks to pretty interior design and a great location in the Zilker area, is expanding into Georgetown. The stylish vibes will continue at 701 S. Main St., in Georgetown's Old Masonic Lodge Building, which was built in 1900. This will be the restaurant's third location, and will include an upstairs bar and dining area, plus a patio, seating 188 guests in total.

The team behind Drinks Lounge just launched Drinks Backyard, bringing even more casual vibes to South Austin — where they'll really be appreciated. Located at a former liquor store (6328 S. Hwy. 183), this bar takes advantage of the two acres around it with a stage, covered lounge seating, and a 14-foot TV for sports and movies. The bar and patio are open now, but the backyard is still getting ready. Eventually, it will welcome guests under 21 and pets. Smokin' Brew-B-Q is the first food truck onsite, with more coming soon.

We focused on other things last week, but two casual chains shared news we don't want to gloss over. Graze Craze, a charcuterie shop, has opened its first location in the Austin area, in Lakeway (2127 Lohman’s Crossing Rd., Ste. 304). The company takes its meat-cheese-and-other-snacks curating very seriously, and these gargantuan charcuteries are sure to impress large parties.

Similarly, Seattle-based Eastern European pie-maker Piroshky Piroshky is making its Texas debut — but in this case, they're not sticking around. Catch the pop-up in Austin on October 6 to see why this bakery is popular enough to pull off a national tour. The team is posting locations as they go on Instagram.

Radio Coffee brings the brews to new East Austin shop and music venue in October

going live in the fall

When it comes to expanding the influence of coffee connoisseurs in Austin, there's room for everyone on the East Side.

One East Austin coffee shop just changed hands for a fancy rebrand, and another recently expanded out of the area into Buda. Cosmic Coffee, a South Austin staple, blew everyone out of the water with a gorgeous, sprawling industrial complex on East 4th Street, and now another neighboring coffee and beer combo is following suit.

Radio/East, a second location spun off from the original music-loving Radio Coffee & Beer, will open its doors at 3504 Montopolis Dr. in East Austin on Wednesday, October 18.

The new family- and dog-friendly space sprawls across two acres, which is divvied up among a 1,200-square-foot indoor coffee shop, indoor and outdoor live music stages, and a food truck park. Guests will be able to order their favorite drinks from the indoor counter, or they can choose to order from either of the two outdoor windows that open to the grand shaded backyard. And we can't forget one of the more rare features: plenty of parking for customers.

Radio's founding father-son duo Jack and Greg Wilson brought on two new partners — Trey Hudson and Nine Mile Records owner Rick Pierik — in the hopes of developing and maintaining this new spot as a community-focused space, much like the beloved original.

“With the new space, we’ve been able to create a through line to the existing concept of Radio,” said Hudson in a release. “With Radio/East we tried to listen to what the Montopolis community needed and we hope that we can be as central to this neighborhood as we have been to the area around Menchaca.”

Pierik will be the driving force behind Radio/East's musical events. Local musicians and touring bands will all get their chance to take the stage with four nights of performances planned indoors and outdoors beginning on Thursdays.

With Austin's wide-ranging music taste, Pierik will seek to reflect the city's musical diversity with every show.

"Jack Wilson and I are looking to bring together diverse programing from every corner of the music industry, booking up-and-coming national and international acts alongside all of the amazing Austin talent we've known and admired for years," said Pierik. "We're especially committed to helping local artists develop their fanbases through quality concert experiences and eclectic bills."

A list of events following Radio/East's grand opening is as follows:

  • October 19 – Sunrosa with Guma and Feeling Small
  • October 20 – Redbud with Mockjaw, Tearjerk, and Creekbed Carter Hogan
  • October 21 – Peachfuzz 10th Anniversary Party featuring The Texas Gentleman, Brown Burlesque, Lady Dan, and a to-be-announced special guest
  • October 28 – First Annual Radio/East Chili Cook Off and the Austin Flea, featuring Mother Neff, The Push & Shove, and Sour Bridges
  • October 31 – A Rocky Horror Halloween featuring A Giant Dog with Trouble in the Streets
  • November 11 – A Free Lunch Benefit featuring Caroline Rose and BRUCE
  • November 17 – Money Chicha with The Tiarras

Tickets for the upcoming shows can be purchased online beginning Friday, September 29.

In addition to keeping Radio/East music-focused, visitors can expect to see some classic beverages on the menu, with a few new twists to keep customers coming back. The new location will have two tap towers with eight craft beer taps, four rotating specialty draft cocktails, and plenty of wine to go around.

Radio/EastGet a local favorite beer on draft, or try a new specialty draft cocktail.Photo by Renee Dominguez

Bar Manager Jacob Biggie has been hard at work to develop new creative cocktails for the new location, including Phantom Mood (Still Austin Gin, hibiscus, lime, and cucumber with soda) and Sensitive Artist (Senza Maeso hybrid spirit, Aperol, St. Germain, lime juice). Guests can also try the new seasonal non-alcoholic highball, dubbed the Chai-ball.

The lineup of food vendors at the new East Austin digs include Veracruz All Natural with its binge-worthy tacos; organic pizza slices from Side Eye Slice (a sister concept to Side Eye Pie); and Radio's own food truck – Shortwave Diner – offering classic American diner fare and comfort food such as smash burgers, fried chicken sandwiches, hot dogs, chicken and waffles, and more.

Following the grand opening at 7 am on October 18, Radio/East's operating hours will be 7 am to 1 am Monday through Saturday, and 7 am to 10 pm on Sundays.