Of all the various comic book characters to get their own showcase during the superhero era, Venom has to be one of most unlikely.

The character first popped up as a villain in 2007’s Spider-Man 3 with Topher Grace as Eddie Brock/Venom but made little impact because of the quality of the film and Grace’s performance. Tom Hardy took over the role in 2018’s Venom, a poorly reviewed but hugely successful film that took in $856 million worldwide.

That box office — and an end credits teaser featuring Woody Harrelson — ensured there would be a sequel, which now arrives with the somewhat clunky title Venom: Let There Be Carnage.

After unsuccessfully trying to purge the symbiote Venom from his system in the first film, Eddie Brock spends his days mostly trying to satisfy the never-ending hunger of Venom. He halfheartedly accepts an assignment to interview Cletus Cassidy (Harrelson), a murderer who’s set to be executed.

That visit proves disastrous, however, as an altercation allows Cletus to get a bit of Eddie’s blood, transforming him into Carnage. Cletus/Carnage proceeds to escape and go on a destruction spree, all while searching for his long-lost love, Frances/Shriek (Naomie Harris), who spent time with him in an institution. Naturally, only Eddie/Venom will be able to protect the city and those he loves, including former fiancée Anne (Michelle Williams), from the vicious pair.

Directed by Andy Serkis and written by Kelly Marcel, the film is an incoherent mess from beginning to end. It’s clear that Venom is supposed to be a funny character, with his insatiable appetite and inappropriate comments, but the way he’s presented is far from entertaining.

Much of this has to do with the god-awful CGI; perhaps having a being that’s constantly coming out of and surrounding the lead character was always going to be tough to present, but it’s still shocking just how bad it is.

Even worse than the imagery is the complete lack of an interesting story. Hardy has a story credit and serves as one of the producers for this film, so he was clearly invested in trying to make it good. But he, Marcel, and Serkis failed miserably, serving up a bland, confusing storyline and allowing Harrelson and Harris to overact shamelessly. Save for a couple of mildly humorous one-liners, the script does nothing to liven things up either.

It’s strange that Hardy was chosen to play this role, as he doesn’t seem to have the energy that Eddie is supposed to have. Hardy has mostly been known for his intensity in films like Inception, The Dark Knight Rises, and Mad Max: Fury Road. Watching him try to be reserved, twitchy, and a little goofy is painful, as his natural demeanor is not a good fit for those traits.

As previously mentioned, Harrelson and Harris go way over the top in their respective roles, and even though they’re the villains of the film, their lack of restraint is galling. Williams — who, it should be noted, is a four-time Oscar nominee — is once again wildly out of place, and even she can’t save her nothing of a role.

Venom: Let There Be Carnage is even worse than the dog of a film that was the original. I’d love to say that this is the last we’ll see of the character, but an end-credits teaser strongly hints at a return very soon. Maybe that appearance will make him enjoyable, but I doubt it.

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Venom: Let There Be Carnage is running in theaters now.

Tom Hardy in Venom: Let There Be Carnage.

Photo courtesy of Sony Pictures

Tom Hardy in Venom: Let There Be Carnage.

For those on the right side of the political spectrum, there has been one word used to demonize people on the left in recent years: socialist.

Politicians like Senator Bernie Sanders of Vermont and Congresswoman Alexandria Ocasio-Cortez of New York are the two most prominent members of the Democratic Socialists of America, a group which, among other things, is working to push the Democratic Party further to the left to secure things like Medicare for All, the Green New Deal, and more.

The new documentary The Big Scary “S” Word, directed by Yael Bridge, attempts to explain and defuse socialism by demonstrating that it has long had a home in the United States. Capitalism, as the film shows, has been held up as the ideal for the economic and political well-being for American citizens since the country’s founding. But instead of being a system that allows everyone to flourish, it is one in which the money continually flows to the top, perpetuating a cycle of poverty and greed.

Socialism, its proponents and the film argue, can break that cycle, giving power to all of the people instead of just those at the very top.

To illustrate that point and the history of socialism, Bridge includes interviews with a litany of economic and political science professors from different universities. Each of them dutifully explain the benefits of socialism and provide plenty of examples of socialists throughout America’s history, including Theodore Roosevelt, Albert Einstein, and Martin Luther King Jr. The interviews with the professors are, to put it mildly, very dry, giving the feel of a college lecture.

Bridge tries to put a personal face on the issue by following a few people, including Oklahoma teacher Stephanie Price, who warms to the idea of socialism thanks to a teacher strike in the state in 2018; and Virginia state delegate Lee Carter, who became the lone Democratic Socialist in the Virginia House of Delegates in 2018. While they provide a bit of balance to the droning of the professors, neither of their stories is overly compelling, at least in the context of promoting socialism.

Two people who aren’t interviewed are the ones viewers probably want to hear from most, Sanders and Ocasio-Cortez. Both of them appear in the film, but only in news footage or in a speech Sanders gives in support of Carter’s reelection bid. If Bridge had been able to actually sit down with Sanders or Ocasio-Cortez, it would have livened up the film appreciably.

A film like The Big Scary “S” Word needs to be one that not only fires up people who are already inclined to believe its message, but one that’s convincing enough to persuade those who aren’t. Unfortunately, the film fails on both ends, winding up in a place where the only ones who will likely care about it are those who were personally involved in its making.

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The Big Scary “S” Word is available via video on demand platforms.