Fun Fun Fun Fest did it again: another epic weekend of music, comedy, taco cannons and random celebrity sightings (Val Kilmer cutting his hair!).

As you recover from the 7th annual fest, relive the best moments from FFF Fest's takeover of Auditorium Shores, as selected by CultureMap's staff and contributors.

Bob Mould

My favorite four minutes was Bob Mould, late in the set. After 45 minutes of Sugar tunes with very little banter in the hot weather, a beet-red Mould simply said: "I love this song. It's new. 'The Descent.'" He then succinctly proved that his new work was the equal of his past, which was precisely the point. The crowd wasn't massive for that set, but I suspect Mould grabbed a lot of new fans on Friday.

- Tom Thornton, Contributor

Bosnian Rainbows

I was never able to catch At The Drive-in during the band's reunion tour, so I jumped at the chance to see Omar Rodriguez-Lopez play with his newest project, Bosnian Rainbows. Seriously, I could watch him vibe and move with his guitar for hours. Between that and frontwoman Teri Gender Bender's "interpretive" dance (read: often imitating the stance of a gorilla) coupled with her insane attractiveness, I couldn't peel my eyes offstage — and that's not even talking about the music, which was psych-funk infused rock 'n roll that wasn't too far out to grasp.

- Caitlin Ryan, Editor-in-Chief

Santigold

I tend to steer toward the metal/punk side of FFF Fest, but this year I did my due diligence at the Orange Stage, and was rewarded with Santigold's dance-heavy Friday night set. Even with a few early technical bumps and a late start, the Philly beauty's performance had all the ass-shaking components and curious-at-times choreography one could want. Santigold's set warmed me up for a Run DMC reunion show, and seriously got me reconsidering my back-up dancer dreams.

- Arden Ward, Managing Editor

Sharon Van Etten

Sharon Van Etten's set on Friday afternoon was a perfect intro to the fest, if you didn't get there right when the gates opened to catch the Midgetmen kick off the entire thing with their "Weird Al" Yankovic tribute fest, that is. Van Etten has grown considerably as a songwriter since the days one could catch her in Austin playing living room shows off of Manor Road, but the most impressive thing about her set at Fun Fun Fun Fest has to be the fact that, while she's still writing intimate, "I wrote this in my bedroom" style songs, she and her band play them as big-time rockers.

As an early introduction to a festival that's always a bit unpredictable, one could have done a lot worse than listening to the big, tight rock band that plays under the name Sharon Van Etten right now.

- Dan Solomon, Contributor

Omar Rodriguez-Lopez sightings

Fun Fun Fun is a different kind of festival, where it's not strange to see performers walking around checking out other acts and talking with fans. Seeing Omar Rodriguez-Lopez hanging out a few feet away from me enjoying the fest and then seeing him perform was a huge highlight for me. Santigold was also really fun, and her backup dancers killed it.

- Jessica Pages, Photo Editor

Project Loop skate ramp

Every year at FFF their setup has been getting bigger and better — they really outdid themselves this year. I remember four years ago all they had was a tiny, rickety mini ramp, and to see how far they've come on the art, design and the scale of the ramp echoes what the festival is all about. My favorite part was seeing skaters and BMX-ers ride the Project Loop ramp.

- Bill Sallans, Photographer

Yellow Stage comedy

I geeked out pretty hard at the Yellow Stage (presented by Moontower Comedy Festival) all weekend. I was lucky enough to get an artist badge for hosting an event on the stage on Sunday, and I took advantage of it. On Saturday afternoon, Friday's headliner, Hannibal Buress, and the Sunday night headliners, Eugene Mirman and Doug Benson, came to watch David Cross and Wyatt Cenac perform.

For about half an hour backstage, five of the biggest names in comedy were all hanging out, taking photos and catching up with one another. All of their shows had amazing turnouts, and they all delivered incredible sets. Big ups to the folks who organized this year's lineup.

- Michael Graupmann, Senior Editor

Santigold’s Friday night Fun Fun Fun Fest set had the potential to be a show-stealing performance. Give her this: the woman knows how to use the stage to create a spectacle that’s both visually fascinating and sonically exciting.

The costumes (Santi appeared in a dramatically-printed, frilly dress, while her dancers wore what might be best described as tuxedo rompers) and props (those same dancers swung hammers and twirled umbrellas as the song called for it; at one point, members of her three-piece band appeared in a two-man horse costume) were the stuff of a headliner, bold and interesting, and the set list – drawn heavily from her outstanding recent album, Master Of My Own Make-Believe – was on-point, setting up a guitar-heavy dance party.

And while she delivered the dance party, and the visuals, there was also an element of things feeling rushed. That’s because they were, to be certain: Santi and her band emerged just after 8 p.m. for a set scheduled for 7:40 p.m. (Run-DMC were slated to go on at the same stage at 8:35 p.m.). When they did finally appear, some unknown technical glitch meant that the first thirty seconds of the normally-propulsive Master Of My Own Make-Believe opener “GO!” were silent, the song only becoming audible midway through.

Give Santi, the band, and the dancers credit for never flagging in energy despite the difficulties (based on this, and the fact that she had to interrupt the set immediately after the song to address a mic problem, one can assume that the late appearance was tech-related, rather than French-onion soup-based). It all had the effect of making a set built on precision — the timing of the dancers, the flow of the songs, and the setup of the stage — feel imprecise.

But that’s only a shame in the sense that some potential was probably lost. Santigold still brought it, calling for the audience to join her onstage to dance during “Creator” — forty-plus people took her up on the offer — and inspiring even the bros way in the back past the soundboard to sway with the music. Her voice is still perfect, a versatile instrument capable of switching from bubblegum rapping to the full-on belting of “GO!”’s bridge to the hushed tones at the end of “Say Aha.”

For Santi, the power of her music has always been in its ability to shift gears and surprise, and she’s every bit as capable of leading with her voice to do that in a live setting as she is on a record.

Before closing the set, which ran just a shade under 40 minutes, Santi addressed the crowd: “Unfortunately, we’ve only got one more, so we’ve gotta do this one real big,” she said before launching into “Big Mouth.” And she definitely did it big.

The only real disappointment to Santigold’s set, was that if it had gone down the way that it was drawn up — with the perfect fist-pumping opening of “GO!” working precisely and leading to the 50-minute tour of all of the styles that Santi’s comfortable working in that we can assume was scheduled — it would have been one of those unforgettable Fun Fun Fun Fest moments.

Instead, it was just really, really good. And it’s a testament to how much we’ve come to expect from Santigold that “really, really good” is something of a disappointment.

Fun Fun Fun Fest is back again, taking over Auditorium Shores for the weekend, transforming an outdoor cityscape into a three-day hub for metal, indie and rap reunions.

Aside from music and general oddities (Veggie hot dog eating contest!), Fun Fun Fun Fest is a chance to explore some of Austin's finest offerings in the form of food, art and local organizations.

While you're at the Shores, take a break from the music to dive into the rest of what the fest has to offer.

Fun Fun Fun Food

This year's festival food includes an extended menu with additions like Whole Foods Market and express Indian food trailer, NaanStop. But don't fret: Your FFF foodie favorites have stuck it out. Beloved purveyor of hot dogs (and cold beers), Frank, is back again to meet your artisan dog needs.

Also on this year's menu is barbecue from new(ish) North Lamar haunt, Styles Switch BBQ. Any way you dice it, there's plenty to keep you fueled throughout the fun.

Poster Art and Merch

If you find a lull in your preferred festival lineup (and that will be difficult), take a few minutes to dig into the API poster show. With work from the talented folks who turn music into art, the show features some of Austin's most loved poster artists, as well as exhibits from artists beyond the Texas border.

You can also make any necessary stage-specific wardrobe changes while sifting through retail vendors on site. San Francisco-based Chrome Bags is on hand with their iconic commuter bags, along with local favorites like Buffalo Exchange and Prototype Vintage.

Non-Profits

Fun Fun Fun Fest brings more to the landscape than just hip bands and underground artists. The festival also incorporates the local non-profits that keep Austin's music legacy alive. AMP (Austin Music People), HAAM, the SIMS Foundation and the Gram Parsons Foundation are all on hand at Auditorium Shores to spread the good word of how we can keep Austin's music culture growing.

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Fun Fun Fun Fest takes place at Auditorium Shores through Sunday, Nov. 4.

Fun Fun Fun Fest always likes to throw a couple of unexpected nostalgia pieces into the festival. Whether it's Hum, The Dead Milkmen or The Descendents, FFF is always reliable for fans of noisy guitar rock. This year, in addition to the coup of having X perform Los Angeles, FFF hosts Bob Mould for a rare performance of the classic 1992 Sugar album Copper Blue.