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Photo courtesy of A24

Anybody who’s been married or in a long-term relationship knows that it’s almost impossible to be completely honest with his or her partner. There are always going to be moments – whether for the sake of expediency, in a show of support, or other reasons – when one person withholds their true opinion so as not to hurt the other person’s feelings.

That idea is the central tension point of You Hurt My Feelings, which follows Beth (Julia Louis-Dreyfus), a writer/teacher, and her husband, Don (Tobias Menzies), a therapist. Beth is in the middle of trying to get her first fiction book published, a process that is causing her unceasing anxiety. Don sees a series of patients, including a constantly-bickering couple (played by real-life husband and wife David Cross and Amber Tamblyn), and a few lapses cause him to question his commitment to the profession.

When Beth and her sister, Sarah (Michaela Watkins), accidentally overhear Don telling his brother-in-law, Mark (Arian Moayed), that he doesn’t like Sarah’s new book and is exhausted having to tell her otherwise, it sends Beth into an emotional spiral. The aftermath winds up pulling in not just the two couples, but also Beth and Don’s son, Eliot (Owen Teague), dredging up feelings that all of them normally try to keep hidden.

Written and directed by Nicole Holofcener, the film is a funny and genuine look at how even the best couples can run into pitfalls. By most measures, Beth and Don get along fantastically well, supporting each other unwaveringly and showing their love in a variety of ways. When the story puts them at odds with each other, there’s never a question that they belong together, as even their arguments are tinged with exasperation instead of anger.

Holofcener complements the story of Beth and Don with a nice variety of side plots, including Eliot trying to start his own writing career while working at a weed store; Beth and Sarah’s mom, Georgia (Jeannie Berlin), offering up support and criticism in equal measures; and more. Don’s patients and Beth’s students offer an opportunity to expand the two characters’ personalities outside of their marriage while also adding a few other funny roles.

While perhaps not the most insightful film about marriage that’s ever been made, it is still highly enjoyable thanks to Holofcener’s writing and the strong performances. Filmed in New York City, the particular feel of that urban landscape and the way it affects the lives of the characters also plays a big part in the success of the film.

Louis-Dreyfus, as always, is a delight to watch. A kind of spiritual sequel to her previous collaboration with Holofcener, 2013’s Enough Said, the film gives her plenty of room to show off both her comedic and dramatic skills. Menzies makes for a steady presence, showing good chemistry with Louis-Dreyfus and a preternatural calm in therapy sessions. Watkins, Moayed, Teague, and Berlin all fit in seamlessly.

You Hurt My Feelings is not a world-changing kind of movie, but rather a solidly-told story about how relationships can be complicated. With actors who are easy to like and Holofcener’s reliably great filmmaking, it’s a movie for adults that’s nice counter-programming to the glut of summer blockbusters.

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You Hurt My Feelings is now playing in theaters.

Tobias Menzies and Julia Louis-Dreyfus in You Hurt My Feelings

Photo courtesy of A24

Tobias Menzies and Julia Louis-Dreyfus in You Hurt My Feelings.

Photo courtesy of aGLIFF

aGLIFF presents All Man: The International Male Story

Gene Burkard, a once-closeted Midwesterner and GI, transformed men’s fashion into something cosmopolitan, carefree, and trend-setting when he invented the jock sock, and then created a catalog to sell it. International Male reached gay and straight customers alike as it redefined images of masculinity in American culture - generating revenue and circulation in the millions.

More than outrageous fashions, hunky models, and scandalous undies, All Man is a journey across three decades of the International Male catelog’s lasting impact on fashion, masculinity, and gay rights. For gay men, the images of sensually dressed men were a gateway into a fantasy world providing an escape from the AIDS crisis and widespread homophobia. For straight men and their female admirers, the catelog gave permission to take fashion risks and enjoy a more carefree expression of sexuality without threatening their masculinity and sexual appeal.

The documentary, narrated by Matt Bomer, features an all-star cast of celebrity influencers, and comedic actors including Simon Doonan, Jake Shears, Carson Kressley, and a host of past International Male models.

Photo courtesy of The Collaborative

aGLIFF presents Queer Spectrum: Big Boys

aGLIFF, in partnership with KIND Clinic, presents a screening of Big Boys. An unexpected crush turns a camping trip into a weekend of self-discovery in this heart-warming bear cub-in-training coming-of-age story. Jamie is the kind of 14-year-old who reads Mastering the Art of French Cooking and makes sure to pack a first aid kit. But he’s excited for a weekend in the woods with his brother and beloved cousin Allie, until Allie ruins everything by bringing her new boyfriend Dan along.

At first annoyed by this interloper, Jamie slowly realizes Dan might actually be an okay guy. He can pitch a tent and build a fire, skills Jamie has only read about. He’s open to Jamie’s recommendation (and portable spice collection) to take hamburgers to the next level, and they make a great board game team. So maybe Dan’s not all bad. In fact, maybe Dan is amazing.

Photo courtesy of aGLIFF

aGLIFF presents To Wong Foo, Thanks for Everything! Julie Newmar

aGLIFF presents the special Pride Month screening of the 1995 classic film, To Wong Foo, Thanks for Everything! Julie Newmar, outdoors under the stars. Drag queens Vida (Patrick Swayze), Noxeema (Wesley Snipes), and Chi-Chi (John Leguizamo) bring sunshine, kindness, and lots of style tips to small town America on their way to a big drag contest in California.

Meanwhile's astro turf is quite comfy, but guests should still bring a blanket or a lawn chair. A vast array of beer and wine is available, as well as pizza, tacos, and more food options. Pets and kids are welcome.

Photo courtesy of Disney

Disney's Little Mermaid remake goes swimmingly despite new so-so songs

Movie review

The biggest problem with the majority of the live-action updates to classic Disney animated films is that they haven’t been updates at all, choosing to merely regurgitate the moments audiences know and love from the original in a slightly repackaged form. That’s great for nostalgia, but if that’s all viewers wanted, they’d just go back and watch the original.

The Little Mermaid falls into much the same trap, although the filmmakers get at least a little credit for trying to offer something new. The story, of course, remains the same, as Ariel (Halle Bailey) has a fascination with everything above the surface of the ocean. Her rebellious nature, at odds with strict King Triton (Javier Bardem), leads her to spy on a ship with Prince Eric (Jonah Hauer-King) and his crew, putting her in position to save Eric when the ship crashes into rocks.

Now totally enamored of Eric, Ariel is convinced by the sea witch Ursula (Melissa McCarthy) to give up her voice for a chance to live on land and make Eric fall in love with her. Trouble is, despite the help of Sebastian the crab (Daveed Diggs), Flounder the fish (Jacob Tremblay), and Scuttle the seabird (Awkwafina), Ursula has no plans to let Ariel succeed fair and square.

Directed by Rob Marshall and written by David Magee, the film clocks in at nearly one hour longer than the original, going from 83 minutes to 135. They accomplish this feat with the addition of several songs, including ones “sung” by Ariel while she is without voice, a relatively clever way to get into her thoughts during that long stretch. There are also additional scenes that give Prince Eric more of a backstory, making him more than just a pretty face on which to hang all of Ariel’s hopes and dreams.

The new songs are hit-and-miss; Ariel’s “For the First Time” is a fanciful number that fits in nicely, but “Wild Uncharted Waters,” a solo song for Prince Eric, feels unnecessary, and the less said about “The Scuttlebutt,” a rap performed by Scuttle and written by Lin-Manuel Miranda, the better. What most people want to see are how the original songs are done, and they come off well for the most part. The actors’ voices are uniformly good and the staging is engaging.

Other changes seem half-hearted, at best. A vague environmental theme broached at the beginning is quickly dropped. The cast is very multicultural, but haphazardly so. The film is obviously set on and around a Caribbean island, making it natural for The Queen (Noma Dumezweni), Eric’s adopted mother, and other islanders to be Black. But giving Ariel “sisters from the seven seas,” allowing for mermaids of several different races and ethnicities, feels odd and forced, and a little creepy given that King Triton is supposed to be the father of all of them.

The fact that Bailey herself is Black, while great for representation, is neither here nor there in the context of the film. Bailey has a voice that is equal to everything she is asked to sing, and her silent acting is excellent in the middle portion of the film. McCarthy makes for a great Ursula, bringing both humor and pathos to the role. Hauer-King, who bears a similarity to Ryan Gosling, plays Eric in a more well-rounded manner.

The live-action version of The Little Mermaid, like almost all of the Disney remakes, never truly establishes itself as its own unique thing. Still, it’s a thoroughly pleasant watch with some nice performances, which clears the bar for success for this era of Disney history.

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The Little Mermaid opens in theaters on May 26.

Halle Bailey in The Little Mermaid

Photo courtesy of Disney

Halle Bailey in The Little Mermaid.

Photo courtesy of Freeform

Freeform presents Cruel Summer Season 2 Screening

To celebrate the season 2 premiere of Cruel Summer, Freeform will host a special screening in Austin. At the screening, fans will have a chance to see the first episode of season 2. The event will feature leading talent from the show, who will participate in Q&As, moderated by editors from BDG, and giveaways.

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6 things to know in Austin food right now: Whiskey distillery launches floating bar at "secret" lake locale

News You Can Eat

Editor’s note: We get it. It can be difficult to keep up with the fast pace of Austin’s restaurant and bar scene. We have you covered with our regular roundup of essential food news.

Openings

Getting to the bar just got harder — but way more fun. Fierce Whiskers Distillery is literally launching a new pop-up called the Stubborn Bar, floating off the shores of Town Lake. The location is a secret, but not one too closely kept; Join the mailing list to receive updates and sign up to snag a spot. The bar operates June 3-4, June 17-18, and June 24-25. Visitors' hard work will be rewarded with a chance to taste the new two-year Texas Straight Rye, which the distillery says was very hard to make, and "the first pour should go to those who are just as determined." They're also celebrating the new release on land with a performance by Neil Frances and Thebrosfresh on June 10. Tickets ($30-120) available on Eventbrite.

Carve American Grille (stylized CARVE) has been working on its second location for more than a year, and the date has been moved one last time — hopefully. Instead of opening on June 8, it'll be June 12. It's taking up residence at The Grove (2613 Perseverance Dr.), a mixed-use community covering 75 acres. Carve, sister restaurant to Perry's Steakhouse, is well-known for its creative twists on a classic steakhouse menu, which can often border on austere. So, postpone your visit, but keep Carve on your list.

Other news and notes

Even after Memorial Day, we're all ready for a Fri-yay celebration, and thankfully this week brings another day of observance: National Donut Day. The Salty is ready with a limited-edition mini French toast donut, available only on June 2. This creative donut is made with a 24-hour brioche base, filled with a "homemade French toast filling," and topped with maple treats and mascarpone whipped cream. The shop is also celebrating with a 25 percent merch discount and free delivery to Salty Rewards Members using the app or website.

For those who just can't get enough rosé at brunch, there's the Rosé Dinner at Lost Draw Cellars. On June 3, the winery will open up its new space for a rosé tasting featuring its four new releases, all from 2022. These sips will be paired with a live fire dinner of beef and chicken from Hill Country Beef and Cielito Lindo Farm, respectively, and fresh vegetables from Hat & Heart Farm. Tickets ($85) are available at williamchriswines.com.

Austin wouldn't be Austin without the endless markets, and two more are popping up on June 4. One at Bar Toti gives an excuse to visit the chic space behind one of the city's most talked-about restaurants, Este. This Mercado del Girasol celebrates the Este Garden's third anniversary, with goods by local artisans and creatives, drinks, DJ sets, and more. Three raffles benefit Casa Marianella, which supports displaced immigrants in Austin, and visitors can pick sunflowers and try signature cocktails by Bar Toti. The other establishes a new weekly event at the Hill Country Galleria: the Bee Cave Farmers Market. In addition to the usual farmers' fare (from 40 vendors), these markets will offer live music performances, starting aptly with The Hens.

Starting this week — "as soon as I buy the buttermilk," according to the chef — Radio Coffee & Beer's food truck, Shortwave Diner, will be offering monthly specials centered on fried chicken and burgers. The pending special is a sweet and very crispy tarragon chicken with maple syrup, and the rest is a mystery. The breakfast truck stands at the ready at the popular work site for freelancers and remote workers, serving daily chicken and waffles, smash burgers, and more. Follow Shortwave on Instagram to see when the new series launches.

5 tips to build stunning sand sculptures from 2023 Texas SandFest winners

Fun at the beach

As summer fast approaches, sandy vacations to coastal destinations are on the horizon for many travelers. For those with kids in tow, sandcastle-making might top the list of beach trip must-dos.

But “playing” in the sand isn’t just an activity for children, as proven by the 22 professional sand sculptors from around the world who recently competed in the 26th annual Texas SandFest, held in Port Aransas in April. The internationally recognized event, started by Port A locals in 1997, is the largest native-sand sculptor competition in the nation; nearly 70,000 people attended this year.

Competition entries featured everything from mermaids to the Grim Reaper, all intricately carved, brushed, and chiseled from sand, ocean water, and perhaps a little diluted spray glue that sculptors say helps maintain detail. The competitors work on their masterpieces during the event, allowing spectators to witness their progress from start to finish.

“I do around five international sand sculpting competitions per year. It’s always a great challenge to compete a high level,” says Benoit Dutherage, a competitive sculptor from France who also creates snow sculptures in the French Alps during the winter.

Dutherage took first place in the Duo Masters category, along with his sand sculpting partner Sue McGrew, for their work called “Wish You Were Here.” Comprised of two loving faces (one mystically cut in half), the sculpture was a tribute to Pink Floyd.

“We like to reflect human emotions in our sculptures,” he says. “It is never easy to pick an idea among the thousands of ideas we have.”

Florida resident Thomas Koet, whose sculpture called “The Prospector” won first place in the People’s Choice category, intended to create something with horses and a cowboy as an homage to Mustang Island, where the competition took place. High tides just before the event thwarted his plans.

“The high tide washed away so much of the sand, I had only enough left for a mule or a foal,” he says. “So I decided to make an old prospector with a mule.”

Thinking out of the box when it comes to carving sand is just one of several suggestions Koet has for recreational sand sculptors. (“Who says it has to be a castle?” he says.) He and other winners from the 2023 Texas SandFest say they are always happy to see novices get creative.

Here are five of the pros' top tips for producing a beachfront masterpiece.

1. Think beyond the standard sandcastle
“Design and sculpt outside of your comfort zone,” says Abe Waterman, a sculptor from Prince Edward Island, Canada, who took first place in the Solo Masters division with his sculpture, “Sleeps with Angels.” The mega sculpture featured four angels at four corners holding a blanket carrying a sleeping woman. “While this may not lead to the best sculpture results, one will improve faster by doing this.”

Waterman noted that there are different types of sand depending on location. Some are better suited for detailed work while others work well for verticality. “But something can always be sculpted regardless of the sand quality, the design just may need to be altered,” he says.

Koet recommends picking something that will fit your attention span. “You can make anything you want,” he says. “You can make a cat, a shark, a monster truck, your high school mascot, a sneaker, or a shark eating an ice cream cone.”

2. Use the right tools
Forgo the cheap tourist shop plastic bucket and shovel set. “You definitely need proper tools to get a good result: A solid shovel, a few trowels – not too big – and a wall painting brush to clean your sculpture,” says Dutherage. “You’ll also need buckets.”

Think big painter’s buckets, he says, used to make what’s essentially “sand mud” consisting of lots of water and sand. Which leads to the next tip ...

3. Create a form mold
Consider this the secret to head-turning sand sculptures. Whether it’s a 10-foot-tall wooden box with sides that come off, or a plastic bucket with the bottom cut out, a “form mold” is an open-top vessel used to hold packed sand and water to create a carve-able structure.

“It’s a very useful thing to have in order to get a solid block, and to go high,” says Dutherage. “If you are a handyman, you can build your own forms. But a quick solution is to take a bucket, no matter what size, and cut out the bottom. Then put that bucket upside down on the sand. Add a few inches of sand, some water, mix with your trowel and compact that layer. Repeat until the bucket is full. Then gently pull the bucket up and surprise! You will get a nice block of sand ready for a sandcastle full of windows, arches, and gates.”

The compacted layers of sand and water almost act as cement, creating a sturdy base for carving. Dutherage says folks can easily repeat the form mold process to create multiple bases, either side by side or stacked.

4. Use plenty of water, for the sculpture and yourself
Benoit recommends adding even more water during the sculpting process.

“Bring a plant sprayer,” he says. “Sand needs to be wet to be sculptable.”

Even rain during sand sculpture building isn’t necessarily a bad thing. “One of the biggest misconceptions is that rain will destroy a sand sculpture,” says Waterman. “While this is possible, most often it just textures the surface.”

Water is also essential for the sculptor, as staying hydrated is key during the process, Waterman adds.

Texas SandFest

Texas SandFest

"The Prospector" took first place in the 2023 Texas SandFest People's Choice category

5. Practice, Practice, Practice
“The biggest misconception is that I do anything different than anybody who does it only for the first time,” says Koet, who’s been sculpting sand for 25 years. “Sure, I bring more and bigger tools and I spend much more time shoveling the sand high and mixing it with water. But there is no magic other than years of practice.”

Waterman, who admits sand sculpting has taken over his life, competes in up to 10 contests a year and also creates sculptures for exhibits and corporate commissions.

“Tricks and tips will only get a person so far,” he says. “But ultimately practice and putting the time in will get them a whole lot further.”

Benoit agrees. “Making a sand sculpture requires a lot of work and the more you practice, the better you will get,” he says. “But first of all, you have to enjoy the fun of it.”

New Hill Country farmers market debuts in Bee Cave this month

MARKET BUZZ

Over 40 local farmers and makers will bring their goods to the Hill Country Galleria on Sunday, June 4 for the launch of the new Bee Cave Farmers Market. Visitors can shop at the Central Plaza Lawn from 10 am to 2 pm.

Locally-grown, fresh produce will be sold by Farmer Dave's, Citizen Mushroom, Pedernales River Farm, Persnickety Gardens, and Smyrna Farms. Gift and creative vendors include Auntie Gigi's Dog Treats, Austin Fine Jewelry, B&G Artisan Gifts, Herbal Root Collective, Luminosa Vida, Plant Lady ATX, and many more.

The farmers market doesn't just provide opportunities to shop local: Nonprofits that would like to spread the word about their cause can also find a place at the market with their free booth application.

Organizers have also dedicated an entire row of booths to young entrepreneurs looking to start their own small business, and provide any planning or decorating assistance as necessary, free of charge.

The market will also feature plenty of live music and family-friendly activities. Local bands will perform from 11 am to 2 pm every week in June. The Hens are scheduled to perform during the market's debut on June 4, and Rent Party will perform on June 11. Honeybee Jazz will bring their sultry vocals to the stage on June 18, and The Boss Jaguars will close out the month on June 25.

More information about the Bee Cave Farmer's Market can be found on their website.