Well, we can add this to the list of unpredictable consequences of the federal government shutdown.
An Arkansas woman is recovering in an El Paso hospital after getting lost in Big Bend Ranch State Park. Cathy Frye, an award-winning reporter for TheArkansas Democrat-Gazette, and her husband, Rick McFarland, a photographer for the same newspaper, were making their annual anniversary trip to Big Bend National Park (they were married there) when the feds announced that all national parks would be closed as part of the greater government shutdown.
Forced to improvise, the couple ended up at the still-open Big Bend Ranch State Park with only with a simple map of the unfamiliar terrain. Their journey began on Tuesday; by late Wednesday, it was clear they were lost. Armed with only a few water bottles and fanny-pack of food, the couple walked around for hours before finding a live spring to replenish their water supplies.
According to The San Antonio Express-News, Frye and McFarland would spend another two days wandering aimlessly in search of help before Frye became too weak to walk. In an interview with ABC News, Frye said, "I didn’t want to die by myself. I knew we had to do something.”
And so on Friday, the couple decided to separate. Left alone as her husband searched for the car, Frye spent two days with little water sitting under a small tree for shade. Her husband found their vehicle on Saturday, but it would take 37 rescue volunteers another day to finally spot her.
By the time rescuers found her on Sunday, she was near death, suffering from dehydration and sunburn, with cactus needles embedded in her body.
Frye is recovering and listed in fair condition. McFarland was treated and released.
Written by and starring Jared Bonner, "Pickleheads" is a mockumentary about Austin's favorite sport: pickleball.
A deeply unserious new mockumentary out of Austin is memorializing the city's obsession with pickleball. Pickleheads— a sports comedy directed by Josh Flanagan and written by and starring Jared Bonner— premiered in fall 2025 at the Austin Film Festival. Now the film has dropped an official trailer ahead of its Los Angeles premiere March 1 at the TCL Chinese Theatre.
Pickleheads follows disgraced ping pong champion Barney “The Butcher” Bardot (Bonner), whose spectacular fall from grace, involving an on-court bodily betrayal and personal tragedy, sends him into hiding for nine years.
“Everyone says trust your gut,” Barney intones in the beginning of the film. “But what happens when your gut betrays that trust? It murders your mom.”
Yes, it’s that kind of movie.
Barney is to find redemption in an unlikely place: pickleball, the paddle sport that has loudly taken over Austin. His brother attempts to chronicle the comeback by creating a film about it.
The cast blends recognizable faces with the film's indie energy. Harvey Guillén (Guillermo in What We Do in the Shadows) pops up as a debt collector in a small but scene-stealing role. John O'Hurley (J. Peterman in Seinfeld) appears as himself in a mock sports media setting. Kristine Froseth, Pej Vahdat, Adrianne Palicki, Eric Nelsen, Ryan Cooper, and Lindsey Morgan round out the ensemble.
Viewers may also recognize comedian and disability advocate Zach Anner in a supporting role. Anner, known for his offbeat humor and online presence, fits neatly into the film’s chaotic energy.
Harvey Guillén, Kristine Froseth, Jared Bonner, Ryan Cooper, and Pej Vahdat are just some of the cast in Pickleheads. Photo courtesy of Pickleheads
Bonner, who moved to Austin four years ago, found his inspiration the same way many locals did: by picking up a paddle. After wrapping his previous mockumentary, Dance Dads, he started playing obsessively.
“I just went out to the park and played with strangers every day, and just played nonstop,” he says. “I was looking for my next mockumentary, and I was like, how ridiculous is this sport? … I wanted to capture the boom of a grassroots sport.”
The result is a film that leans into the absurdity of backyard tournaments and neighborhood turf wars, including a running joke about tennis players infiltrating pickleball courts.
Shot over 12 days in and around Austin, Pickleheads features familiar sights for locals: sweeping shots of the 360 Bridge, suburban courts and houses out in Dripping Springs, and distinctly Texas features, like an armadillo sanctuary. The production also staged its climactic tournament at a North Austin pickleball facility, underscoring Bonner’s claim that Austin is “the capital of pickleball.”
Improv, Bonner says, was key to the film's tone.
“There’s so much freedom compared to 'stand in this light and deliver the line,'” he says. “To see them kind of open up and explore the character ... it just was an absolute dream.”
That looseness translates into a meandering and silly comedy packed with deadpan interviews, rivalry melodrama, and escalating nonsense — including a hostage subplot and a final pickleball tournament showdown.
Despite the absurdity, Bonner insists there’s a sincere goal beneath the jokes. With minimal profanity and a broad comedic style that swings from physical gags to mock-serious sports commentary, Pickleheads aims to be as inclusive as the sport itself.
“I really want to bring in everybody to just laugh at a movie,” he says. “There’s too much dividing us.”
Bonner says the film's reception at the Austin Film Festival was “electric” with “laughter every seven seconds.” Right now the team is courting distributors, with hopes of landing on a major streaming platform later this year, and certainly some sort of pickleball-themed viewing party here in Austin.
As the details coalesce, Bonner advises folks to follow along on Instagram to find out where they can watch the movie at home, or perhaps, at a pickleball court here in Austin for its launch.