"raze" is an exhibition by Ariel Wood centering bodily experiences of installation, deconstruction, extension, alteration, looking, and being seen.
"Raze," as in “to pick clean; to tear down; level to the ground,” becomes directionally complicated when what is being destroyed is below ground level, or perhaps hanging from the ceilings. To bring it to the ground may not be an act of destruction; just as being shaved clean might feel like an act of rebirth.
Wood makes objects and structures evoking plumbing and drainage. This system of infrastructure is inherently physical — its fluidity requires the utmost connection between parts — as well as political. How the human body encounters a bathroom, and more specifically a public restroom, is especially charged as these spaces purport to demonstrate gender, intimacy, privacy, and hygiene. This mix of physical materiality and sociopolitical pressures gives plumbing an implicit set of relationships that Wood works to manipulate, emphasize, and transgress.
Following the opening reception, the exhibit will be on display through October 1.
"raze" is an exhibition by Ariel Wood centering bodily experiences of installation, deconstruction, extension, alteration, looking, and being seen.
"Raze," as in “to pick clean; to tear down; level to the ground,” becomes directionally complicated when what is being destroyed is below ground level, or perhaps hanging from the ceilings. To bring it to the ground may not be an act of destruction; just as being shaved clean might feel like an act of rebirth.
Wood makes objects and structures evoking plumbing and drainage. This system of infrastructure is inherently physical — its fluidity requires the utmost connection between parts — as well as political. How the human body encounters a bathroom, and more specifically a public restroom, is especially charged as these spaces purport to demonstrate gender, intimacy, privacy, and hygiene. This mix of physical materiality and sociopolitical pressures gives plumbing an implicit set of relationships that Wood works to manipulate, emphasize, and transgress.
Following the opening reception, the exhibit will be on display through October 1.
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Admission is free.