Sono Osato's work for the past 35 years has been inspired by the confluence of geological and anthropological history; the connection between terrain and symbolic thought. When Osato works, she doesn’t think within the brackets of her lifespan. It is more being inside a sense of time that is indifferent to her and that has a cadence she can only imagine and incant. The inherent pattern of how all the works in her output interconnect over time is a web, not a line, and "Silent Language #13" is a good point of entry for anyone who is unfamiliar with her work.
Following the opening reception, the exhibit will be on display until April 11.
Sono Osato's work for the past 35 years has been inspired by the confluence of geological and anthropological history; the connection between terrain and symbolic thought. When Osato works, she doesn’t think within the brackets of her lifespan. It is more being inside a sense of time that is indifferent to her and that has a cadence she can only imagine and incant. The inherent pattern of how all the works in her output interconnect over time is a web, not a line, and "Silent Language #13" is a good point of entry for anyone who is unfamiliar with her work.
Following the opening reception, the exhibit will be on display until April 11.
Sono Osato's work for the past 35 years has been inspired by the confluence of geological and anthropological history; the connection between terrain and symbolic thought. When Osato works, she doesn’t think within the brackets of her lifespan. It is more being inside a sense of time that is indifferent to her and that has a cadence she can only imagine and incant. The inherent pattern of how all the works in her output interconnect over time is a web, not a line, and "Silent Language #13" is a good point of entry for anyone who is unfamiliar with her work.
Following the opening reception, the exhibit will be on display until April 11.
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