ARTE LATINO PARA TODOS

UT Austin’s Blanton Museum launches Latino art initiative with new galleries and exhibitions

Two new gallery spaces dedicated to Latino art will open in March.

Photo courtesy of Blanton Museum of Art

¡Gracias a Dios, más arte latino en Austin! The University of Texas’ Blanton Museum of Art has just announced the launch of their Latino art initiative with two new gallery spaces set to open in March, plus a new exhibition to premiere in spring 2024.

According to a press release, the new initiative is supported by the gift and purchase of 5,650 artworks from former UT staff Dr. Gilberto Cárdenas and Dolores Garcia. An ongoing endeavor for six decades, the Cárdenas/Garcia collection has a large focus on Chicano prints from the 1960s and is one of the largest private collections in the world.

As a former professor at UT, Dr. Cárdenas has first-hand experience supporting Latino artists and promoting their art nationwide. Dr. Cárdenas previously donated to the Blanton in 2017, gifting over 350 prints from community arts center Self Help Graphics & Art.

Blanton Museum director Simone Wicha praised Dr. Cárdenas and Garcia for their continued support of Latino art in museums throughout the decades:

“Latino culture is an essential part of U.S. culture, especially here in the Southwest, and our shared commitment to representing and amplifying Latino history and voices through art prompted me to begin this collaboration with Gilberto and Dolores,” she says. “The new initiative is an important next step for the Blanton, which has been a leader in American contemporary art and holds one of the oldest and most distinguished collections of Latin American art in this country.”

The decision to house their Cárdenas/Garcia collection at the Blanton came from the museum’s long-standing commitment to the field of Latino art. Additionally, the museum will spend the next five years digitizing every artwork from the collection, donating a select number of works to other institutions around the country.

“The Cárdenas/Garcia collection at the museum will provide access to Latino art for the student body and faculty for discovery and research, in addition to serving as a resource for the Austin community,” Dr. Cárdenas and Garcia said in a statement. “We are confident that the research undertaken by the curatorial staff and the exhibitions and publications that result will represent a valuable contribution to the body of knowledge and understanding of this aspect of American art.”

The first rotation in the new Latino art-dedicated gallery spaces, Cara a Cara / Face to Face: Chicano Portraits from the Gilberto and Dolores Cárdenas Collection, will open in March and feature several Chicano artists’ paintings who “use portraiture as a form of personal, cultural, or political affirmation” as described in the release. Works displayed will come from artists like Claudio Dicochea, Esperanza Gama, Yolanda López, Linda Vallejo, and many more.

The Blanton also received a five-year grant from Latino art initiative Advancing Latinx Art in Museums to hire a dedicated associate curator. The curator will serve as an essential aid in documenting and exhibiting the Cárdenas/Garcia collection, while also working directly with faculty to support Latino studies at UT through the development of educational and exhibition programming. The museum will seek to endow the position when the grant expires.

“Importantly positioned within the first Latin American art department to be founded in this country, this new curatorial position will expand the study and presentation of Chicano and Latino art, working closely with the Cárdenas/Garcia Collection,” said Vanessa Davidson, the Blanton’s curator of Latin American art. “The Blanton’s new dedicated gallery spaces will ensure that these artworks, as well Latino art more generally, have a constant, dedicated presence for museum visitors and for scholars who come from far and wide to research this landmark collection.”

A new exhibition in the Blanton’s Paper Vault gallery is anticipated in the spring of 2024, dedicated to the Cárdenas/Garcia collection and representing the significance of Latino artists’ printmaking and photography. Though the exhibit will have a special focus on Chicano artists, works will span several historical periods and cultural communities.

More information about The Blanton Museum’s new Latino art initiative can be found at blantonmuseum.org.

Advancing Latinx Art in Museums Dr. Gilberto Cárdenas and Dolores Garcia Latin American art Latino culture university of texas blanton museum latino art ut austin blanton museum

New

Historic Austin museum will close for more than a year for restoration

Photo courtesy of the City of Austin

The Elisabet Ney Museum will close at the end of 2024 and reopen in mid-2026.

Every building needs some maintenance here or there, and the historic Elisabet Ney Museum needs some extra-special care. Formerly the art studio and residence of its namesake, it's been standing since 1892. It'll spend 2025 in relative solitude, as it undergoes renovation for a year and a half with no visitors allowed.

The museum will close to the public December 30, 2024, and open again in the summer of 2026 if all goes according to plan, a news release from the City of Austin shares. It'll be a quiet period compared to the 21,000 people visiting from around the world each year.

According to a museum overview on the city's website, Elisabet Ney, a European portrait sculptor, bought the property and called her new studio Formosa. She worked on sculptures depicting important Texans like Stephen F. Austin and Sam Houston, and collected works of European contemporaries.

The building at 304 East 44th St. includes 3,700 square feet of museum space, which was converted by Ney's friends after her death in 1907. It retains its unique look that juxtaposes a Neo-Classical main studio from 1892 with a later addition from 1902 including a tower for her husband, Edmund, to write in. It is also on 2.5 acres of land, which has largely been restored to its natural state with native species.

A press release lists these tasks (verbatim) within the scope of the new work, referred to as the Capital Improvement Project (CIP):

Restoration of original exterior wood doors and windows
Upgrades and replacement of the heating, ventilation, and air conditioning system
Replacement of the exhibit and general lighting systems
Repairs to the roof, masonry, plumbing, and interior finishes.

There will also be work to do outside of the building. Workers will replace the pedestrian bridge across Waller Creek, stabilize a 20,000-square-foot portion of the bank, and make the grounds more accessible by adding new pathways.

Funding comes from several sources, according to a release: "the 2012 Bond, Proposition 14, the Parkland Dedication Fund, the Historic Preservation Fund, Partners in Preservation through the National Trust, and contributions from the Friends of the Elisabet Ney Museum."

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