Described by Paul Thomas Anderson as an “anti-musical,” Punch-Drunk Love pairs the dazzling technicolor of Robert Elswit’s cinematography with the surrealistic jazz-pop of genius composer/producer Jon Brion (Fiona Apple, Kanye West) in a film so brimming with life that one expects Sandler to belt out in a song at any moment. Anderson’s most touching film and an ode to the wave of emotions brought upon by finding one’s true love.
Described by Paul Thomas Anderson as an “anti-musical,” Punch-Drunk Love pairs the dazzling technicolor of Robert Elswit’s cinematography with the surrealistic jazz-pop of genius composer/producer Jon Brion (Fiona Apple, Kanye West) in a film so brimming with life that one expects Sandler to belt out in a song at any moment. Anderson’s most touching film and an ode to the wave of emotions brought upon by finding one’s true love.
Described by Paul Thomas Anderson as an “anti-musical,” Punch-Drunk Love pairs the dazzling technicolor of Robert Elswit’s cinematography with the surrealistic jazz-pop of genius composer/producer Jon Brion (Fiona Apple, Kanye West) in a film so brimming with life that one expects Sandler to belt out in a song at any moment. Anderson’s most touching film and an ode to the wave of emotions brought upon by finding one’s true love.
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