The "Of The Land" exhibit explores clay in its varied states, from mud, to raw, to the fired state that turns clay into ceramics. Here, Alejandra Almuelle uses fresh clay to create an installation formed by hand to contrast with a wall piece consisting of a series of discs harvested unaltered from local clay sediment. These two installations with a series of cephalic vessels bring the human presence, not as a protagonist of landscape, but as a commentary of the body as place and receptacle of memory, like the land itself.
Following the opening reception, the exhibit will be on display until September 26.
The "Of The Land" exhibit explores clay in its varied states, from mud, to raw, to the fired state that turns clay into ceramics. Here, Alejandra Almuelle uses fresh clay to create an installation formed by hand to contrast with a wall piece consisting of a series of discs harvested unaltered from local clay sediment. These two installations with a series of cephalic vessels bring the human presence, not as a protagonist of landscape, but as a commentary of the body as place and receptacle of memory, like the land itself.
Following the opening reception, the exhibit will be on display until September 26.
The "Of The Land" exhibit explores clay in its varied states, from mud, to raw, to the fired state that turns clay into ceramics. Here, Alejandra Almuelle uses fresh clay to create an installation formed by hand to contrast with a wall piece consisting of a series of discs harvested unaltered from local clay sediment. These two installations with a series of cephalic vessels bring the human presence, not as a protagonist of landscape, but as a commentary of the body as place and receptacle of memory, like the land itself.
Following the opening reception, the exhibit will be on display until September 26.
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