Photo courtesy of Bethany Johnson

Reminiscent of geologic formations, and appearing perhaps at home within a cabinet of natural curiosities, the intimate sculptures of "Findings" offer a multi-layered meditation on deep time, material metamorphosis, and the anthropogenic land-scaping of landfills, quarries, and road cuts.

These works take the form of stratified plinths of contrasting materials that are reminiscent of geological core samples, landfill strata, archival stacks and material storage. While the layered compositions strongly evoke land formations and geologic processes, all of the materials are discarded or found waste items, thereby also addressing notions of anthropogenic waste and its entombment.

The works’ satin surfaces evoke the hand-worn patina of worry stones, and the modest scale suggests the intimacy of a beloved keepsake, archived natural specimen, or historically hand-hewn scientific models. Despite their commonplace and otherwise abject component materials, the final results are mysterious and entrancing: the weighty sculptures reveal themselves slowly, asking for close examination and gradual discovery of their origins.

Following the opening reception, the exhibit will be on display until February 13.

Reminiscent of geologic formations, and appearing perhaps at home within a cabinet of natural curiosities, the intimate sculptures of "Findings" offer a multi-layered meditation on deep time, material metamorphosis, and the anthropogenic land-scaping of landfills, quarries, and road cuts.

These works take the form of stratified plinths of contrasting materials that are reminiscent of geological core samples, landfill strata, archival stacks and material storage. While the layered compositions strongly evoke land formations and geologic processes, all of the materials are discarded or found waste items, thereby also addressing notions of anthropogenic waste and its entombment.

The works’ satin surfaces evoke the hand-worn patina of worry stones, and the modest scale suggests the intimacy of a beloved keepsake, archived natural specimen, or historically hand-hewn scientific models. Despite their commonplace and otherwise abject component materials, the final results are mysterious and entrancing: the weighty sculptures reveal themselves slowly, asking for close examination and gradual discovery of their origins.

Following the opening reception, the exhibit will be on display until February 13.

Reminiscent of geologic formations, and appearing perhaps at home within a cabinet of natural curiosities, the intimate sculptures of "Findings" offer a multi-layered meditation on deep time, material metamorphosis, and the anthropogenic land-scaping of landfills, quarries, and road cuts.

These works take the form of stratified plinths of contrasting materials that are reminiscent of geological core samples, landfill strata, archival stacks and material storage. While the layered compositions strongly evoke land formations and geologic processes, all of the materials are discarded or found waste items, thereby also addressing notions of anthropogenic waste and its entombment.

The works’ satin surfaces evoke the hand-worn patina of worry stones, and the modest scale suggests the intimacy of a beloved keepsake, archived natural specimen, or historically hand-hewn scientific models. Despite their commonplace and otherwise abject component materials, the final results are mysterious and entrancing: the weighty sculptures reveal themselves slowly, asking for close examination and gradual discovery of their origins.

Following the opening reception, the exhibit will be on display until February 13.

WHEN

WHERE

grayDUCK Gallery
2213 E. Cesar Chavez St.
Austin, TX 78702
https://grayduckgallery.com/hidden/bethany-johnson-findings

TICKET INFO

Admission is free.
All events are subject to change due to weather or other concerns. Please check with the venue or organization to ensure an event is taking place as scheduled.