For Ingrid Tremblay, humans and objects press up against each other leaving imprints, like fingers in moist dough. The mutually affective interactions between humans and the material world are intimate, illogical, suffused with eros. In another sculpture, "Salty Feel," Tremblay has mixed up a batch of homemade play-dough to construct a small-scale replica of Mont Blanc, the highest peak in the Alps. Its title makes reference to the strange coincidence of multiple levels of sensory perception with personal memory.
Following the opening reception, the exhibit will be on display through July 8.
For Ingrid Tremblay, humans and objects press up against each other leaving imprints, like fingers in moist dough. The mutually affective interactions between humans and the material world are intimate, illogical, suffused with eros. In another sculpture, "Salty Feel," Tremblay has mixed up a batch of homemade play-dough to construct a small-scale replica of Mont Blanc, the highest peak in the Alps. Its title makes reference to the strange coincidence of multiple levels of sensory perception with personal memory.
Following the opening reception, the exhibit will be on display through July 8.
For Ingrid Tremblay, humans and objects press up against each other leaving imprints, like fingers in moist dough. The mutually affective interactions between humans and the material world are intimate, illogical, suffused with eros. In another sculpture, "Salty Feel," Tremblay has mixed up a batch of homemade play-dough to construct a small-scale replica of Mont Blanc, the highest peak in the Alps. Its title makes reference to the strange coincidence of multiple levels of sensory perception with personal memory.
Following the opening reception, the exhibit will be on display through July 8.
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