For the past two years, artist Brent Pheto’s "Imprinted" series has been utilizing relief monoprints as a vehicle for narrative. Printmaking's replicative nature is invoked to demonstrate how the past recurs in the now. A printstallation activating the entire window space, "Expanded: John Punch" is the artist's first dimensionally immersive piece in the series. The visual aesthetics of game design place the viewer in the position of the titular character. One must then consider the implications of the limited choices laid out before them.
This exhibition is part of PrintAustin’s yearly celebration of print based artworks.
For the past two years, artist Brent Pheto’s "Imprinted" series has been utilizing relief monoprints as a vehicle for narrative. Printmaking's replicative nature is invoked to demonstrate how the past recurs in the now. A printstallation activating the entire window space, "Expanded: John Punch" is the artist's first dimensionally immersive piece in the series. The visual aesthetics of game design place the viewer in the position of the titular character. One must then consider the implications of the limited choices laid out before them.
This exhibition is part of PrintAustin’s yearly celebration of print based artworks.
For the past two years, artist Brent Pheto’s "Imprinted" series has been utilizing relief monoprints as a vehicle for narrative. Printmaking's replicative nature is invoked to demonstrate how the past recurs in the now. A printstallation activating the entire window space, "Expanded: John Punch" is the artist's first dimensionally immersive piece in the series. The visual aesthetics of game design place the viewer in the position of the titular character. One must then consider the implications of the limited choices laid out before them.
This exhibition is part of PrintAustin’s yearly celebration of print based artworks.
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