Dwain Kelley’s sculptural assemblages are about discovery. Using a palette of old wood, metal, gold leaf, cloth, glass, rocks, and other materials these works are grounded in the unearthing of another time—attempting to re-create the excitement of a kid reading about the discovery of Machu Pic¬chu in Peru by Hiram Bingham in 1911; King Tut’s Tomb in Egypt by Howard Carter in 1922; the uncovering of the history of the first Native Americans or the countless other archaeological discoveries from around the world.
Following the opening reception, the exhibit will be on display through April 29.
Dwain Kelley’s sculptural assemblages are about discovery. Using a palette of old wood, metal, gold leaf, cloth, glass, rocks, and other materials these works are grounded in the unearthing of another time—attempting to re-create the excitement of a kid reading about the discovery of Machu Pic¬chu in Peru by Hiram Bingham in 1911; King Tut’s Tomb in Egypt by Howard Carter in 1922; the uncovering of the history of the first Native Americans or the countless other archaeological discoveries from around the world.
Following the opening reception, the exhibit will be on display through April 29.
Dwain Kelley’s sculptural assemblages are about discovery. Using a palette of old wood, metal, gold leaf, cloth, glass, rocks, and other materials these works are grounded in the unearthing of another time—attempting to re-create the excitement of a kid reading about the discovery of Machu Pic¬chu in Peru by Hiram Bingham in 1911; King Tut’s Tomb in Egypt by Howard Carter in 1922; the uncovering of the history of the first Native Americans or the countless other archaeological discoveries from around the world.
Following the opening reception, the exhibit will be on display through April 29.
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