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Prizer Arts and Letters presents Adrian Aguilera and Betelhem Makonnen: "people the We" opening day

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Photo courtesy of Adrian Aguilera and Betelhem Makonnen

"people the We" is a collaborative exhibition by the artists Adrian Aguilera and Betelhem Makonnen conceived in the wake and on-going aftermath of the Black Lives Matter led uprisings that were reignited in May 2020. Over a series of masked and socially distanced exchanges, mostly in the natural spaces outside both their studios, Aguilera and Makonnen tried to give form to the overwhelming personal and collective emotions of rage, disappointment, exhaustion and bruised hope that they experienced in the last six months.

Cultivating their continuous curiosity about the relationship between symbols and collective identity, transnationality, and diaspora perspectives, as well as history's inextricable hold on the present, Aguilera and Makonnen introduce new multimedia work in conversation with existing work to reflect on this (re)current moment in our country.

How can notions of nationhood be projected as a process, rather than a settled thing, place, or entity? Can symbols prone to discovery, conquest, and subjugation be reimagined as instruments for new forms of social constructions and therefore the creation of futures that acknowledge the personhood of all citizens?

Conflating the past with the future and the analogue with the digital, Aguilera and Makonnen's works propose nationhood as a process that requires translating histories and future ideals through relationality while vigilantly rejecting fixed monolithic reifications. Opening on the eve of the 2020 watershed presidential elections, "people the We" offer text-based, cyanotypes, video, installations and a publication that engage foundational questions and ideas of citizenship – who belongs and who doesn’t? And, whose dreams are whose nightmares?

The exhibition will remain on display through January 3, 2021. The gallery is open by appointment only.

"people the We" is a collaborative exhibition by the artists Adrian Aguilera and Betelhem Makonnen conceived in the wake and on-going aftermath of the Black Lives Matter led uprisings that were reignited in May 2020. Over a series of masked and socially distanced exchanges, mostly in the natural spaces outside both their studios, Aguilera and Makonnen tried to give form to the overwhelming personal and collective emotions of rage, disappointment, exhaustion and bruised hope that they experienced in the last six months.

Cultivating their continuous curiosity about the relationship between symbols and collective identity, transnationality, and diaspora perspectives, as well as history's inextricable hold on the present, Aguilera and Makonnen introduce new multimedia work in conversation with existing work to reflect on this (re)current moment in our country.

How can notions of nationhood be projected as a process, rather than a settled thing, place, or entity? Can symbols prone to discovery, conquest, and subjugation be reimagined as instruments for new forms of social constructions and therefore the creation of futures that acknowledge the personhood of all citizens?

Conflating the past with the future and the analogue with the digital, Aguilera and Makonnen's works propose nationhood as a process that requires translating histories and future ideals through relationality while vigilantly rejecting fixed monolithic reifications. Opening on the eve of the 2020 watershed presidential elections, "people the We" offer text-based, cyanotypes, video, installations and a publication that engage foundational questions and ideas of citizenship – who belongs and who doesn’t? And, whose dreams are whose nightmares?

The exhibition will remain on display through January 3, 2021. The gallery is open by appointment only.

"people the We" is a collaborative exhibition by the artists Adrian Aguilera and Betelhem Makonnen conceived in the wake and on-going aftermath of the Black Lives Matter led uprisings that were reignited in May 2020. Over a series of masked and socially distanced exchanges, mostly in the natural spaces outside both their studios, Aguilera and Makonnen tried to give form to the overwhelming personal and collective emotions of rage, disappointment, exhaustion and bruised hope that they experienced in the last six months.

Cultivating their continuous curiosity about the relationship between symbols and collective identity, transnationality, and diaspora perspectives, as well as history's inextricable hold on the present, Aguilera and Makonnen introduce new multimedia work in conversation with existing work to reflect on this (re)current moment in our country.

How can notions of nationhood be projected as a process, rather than a settled thing, place, or entity? Can symbols prone to discovery, conquest, and subjugation be reimagined as instruments for new forms of social constructions and therefore the creation of futures that acknowledge the personhood of all citizens?

Conflating the past with the future and the analogue with the digital, Aguilera and Makonnen's works propose nationhood as a process that requires translating histories and future ideals through relationality while vigilantly rejecting fixed monolithic reifications. Opening on the eve of the 2020 watershed presidential elections, "people the We" offer text-based, cyanotypes, video, installations and a publication that engage foundational questions and ideas of citizenship – who belongs and who doesn’t? And, whose dreams are whose nightmares?

The exhibition will remain on display through January 3, 2021. The gallery is open by appointment only.

WHEN

WHERE

Prizer Arts and Letters
2023 E. Cesar Chavez St.
Austin, TX 78702
http://www.prizerartsandletters.org/

TICKET INFO

Admission is free.
All events are subject to change due to weather or other concerns. Please check with the venue or organization to ensure an event is taking place as scheduled.
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