When it was published in 1725, no one imagined that Vivaldi’s Opus 8, Nos. 1-4, The Four Seasons, would become some of the most frequently heard music of all time. Yet 300 years later, they are among the best-known classical compositions ever.
The Baroque music supergroup Les Arts Florissants, a best-in-class ensemble of period musicians, are joined by violinist Théotime Langlois de Swarte for a program that presents this iconic music in a new light and commemorates its original publication.
The masterpieces are set alongside music Vivaldi would have known in Venice and compositions that were in turn inspired by his bold vision, including additional works by Vivaldi, Monteverdi, and Uccellini. The music invites questions about the fleeting, cyclical nature of our existence, our relationship with nature, and the health of our planet.
When it was published in 1725, no one imagined that Vivaldi’s Opus 8, Nos. 1-4, The Four Seasons, would become some of the most frequently heard music of all time. Yet 300 years later, they are among the best-known classical compositions ever.
The Baroque music supergroup Les Arts Florissants, a best-in-class ensemble of period musicians, are joined by violinist Théotime Langlois de Swarte for a program that presents this iconic music in a new light and commemorates its original publication.
The masterpieces are set alongside music Vivaldi would have known in Venice and compositions that were in turn inspired by his bold vision, including additional works by Vivaldi, Monteverdi, and Uccellini. The music invites questions about the fleeting, cyclical nature of our existence, our relationship with nature, and the health of our planet.
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