Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.
Following the opening day, the exhibit will be on display until March 12.
Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.
Following the opening day, the exhibit will be on display until March 12.
Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.
Following the opening day, the exhibit will be on display until March 12.
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