Photo courtesy of Monica Orozco

Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.

Following the opening day, the exhibit will be on display until March 12.

Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.

Following the opening day, the exhibit will be on display until March 12.

Michael Queenland explores the relationship between culture, history, and human artifacts through sculpture, photography, and installation. His work engages with themes of identity, memory, dislocation, and the politics of the mundane. In "Rudy’s Ramp of Remainders 2012/2022," Queenland revisits his 2012 site-specific exhibition of the same name, considering a combination of global events that have transpired over the last decade and our relationship to human suffering, which is often mediated and experienced at a distance.

Following the opening day, the exhibit will be on display until March 12.

WHEN

WHERE

Visual Arts Center Art Building
2300 Trinity St.
Austin, TX 78712
https://utvac.org/event/michael-queenland-rudys-ramp-remainders-20122022

TICKET INFO

Admission is free.
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