Austin artist Daniel Cavazos snapped portraits of Jana Horn, Emily Wolfe, Jess Williamson and Dana Falconberry four Austin women taking the music world by storm.
Photo by Daniel Cavazos
Editor's note: Austin photographer Daniel Cavazos has built a reputation on creating evocative and interesting portraits of the people that help make up the cultural fabric of our city. For this piece, he looks at four Austin musicians who are making it big. Jana Horn [https://www.reservationsband.com] Like many singer songwriters, Jana Horn started as a solo artist. She began writing songs on a guitar handed down to her by her father and was immediately drawn to the intimate and introspective components of folk music, particularly the music of Leonard Cohen. Using the master wordsmith as her inspiration, Horn began writing her own songs. After performing under her name for several years as a solo artist, Horn recruited the help of local musicians Paul Price and Jason Baczynski to flesh out her sound. The result was Reservations, a more dynamic version of what Horn had been working on over the last several years. In April of 2013, the band released their self-titled EP, Reservations, a dreamy six-song adventure through the mind of Horn. Her sound has been described as poetry set to music and, while her songs are folk at the core, Reservations leans more towards Mazzy Star than Leonard Cohen. The band is currently in the studio recording their debut LP due out sometime in the next few months.
Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.
Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).
A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.
Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.
Unfortunately, more often than not, they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.
It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.
Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.
Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.
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Five Nights at Freddy's 2 opens in theaters on December 5.
