The buzz got loud this week over proposed changes to the 2012 Formula One racing schedule. Formula One releases provisional schedules pretty regularly so changes are not unexpected. The race teams and host cities then have a chance to comment (and lobby) before the F1 governing body formally votes to ratify the schedule.
Reports say F1 titan Bernie Eccelstone wants to move the Austin race to late November, as the penultimate race of the season. Along with that change, the Bahrain race would be moved later to allow for more political stability there.
We hate to gloat, but CultureMap's Jake Dirr predicted this would happen, even getting the new date right. Dirr reported in July that Austin's Circuit of the America's track had a wildly optimistic construction schedule that would be near impossible to meet. Further, Dirr suggested the reason for the early date had everything to do with getting $25 million dollars in state money. That money cannot be paid more than one year before the event is held. Texas State Comptroller Susan Combs planned to make the first payment this week, no payments have been made yet.
There are about 110 reasons to like the change to a November race date — as in degrees fahrenheit. The weather is about 30 degrees cooler in November. The November 18th proposed date also looks to coincide with a Longhorn away date against Kansas State. Further, a race at the end of the season could have chanpionship drama attached to it.
U.S. Grand Prix officials had little comment about the proposals which are again pretty much business as usual for F1. According to the Austin American Statesman, the USGP is continuing to prepare for the original June race date. No doubt they would love a little extra time to get the track ready though.
Written by and starring Jared Bonner, "Pickleheads" is a mockumentary about Austin's favorite sport: pickleball.
A deeply unserious new mockumentary out of Austin is memorializing the city's obsession with pickleball. Pickleheads— a sports comedy directed by Josh Flanagan and written by and starring Jared Bonner— premiered in fall 2025 at the Austin Film Festival. Now the film has dropped an official trailer ahead of its Los Angeles premiere March 1 at the TCL Chinese Theatre.
Pickleheads follows disgraced ping pong champion Barney “The Butcher” Bardot (Bonner), whose spectacular fall from grace, involving an on-court bodily betrayal and personal tragedy, sends him into hiding for nine years.
“Everyone says trust your gut,” Barney intones in the beginning of the film. “But what happens when your gut betrays that trust? It murders your mom.”
Yes, it’s that kind of movie.
Barney is to find redemption in an unlikely place: pickleball, the paddle sport that has loudly taken over Austin. His brother attempts to chronicle the comeback by creating a film about it.
The cast blends recognizable faces with the film's indie energy. Harvey Guillén (Guillermo in What We Do in the Shadows) pops up as a debt collector in a small but scene-stealing role. John O'Hurley (J. Peterman in Seinfeld) appears as himself in a mock sports media setting. Kristine Froseth, Pej Vahdat, Adrianne Palicki, Eric Nelsen, Ryan Cooper, and Lindsey Morgan round out the ensemble.
Viewers may also recognize comedian and disability advocate Zach Anner in a supporting role. Anner, known for his offbeat humor and online presence, fits neatly into the film’s chaotic energy.
Harvey Guillén, Kristine Froseth, Jared Bonner, Ryan Cooper, and Pej Vahdat are just some of the cast in Pickleheads. Photo courtesy of Pickleheads
Bonner, who moved to Austin four years ago, found his inspiration the same way many locals did: by picking up a paddle. After wrapping his previous mockumentary, Dance Dads, he started playing obsessively.
“I just went out to the park and played with strangers every day, and just played nonstop,” he says. “I was looking for my next mockumentary, and I was like, how ridiculous is this sport? … I wanted to capture the boom of a grassroots sport.”
The result is a film that leans into the absurdity of backyard tournaments and neighborhood turf wars, including a running joke about tennis players infiltrating pickleball courts.
Shot over 12 days in and around Austin, Pickleheads features familiar sights for locals: sweeping shots of the 360 Bridge, suburban courts and houses out in Dripping Springs, and distinctly Texas features, like an armadillo sanctuary. The production also staged its climactic tournament at a North Austin pickleball facility, underscoring Bonner’s claim that Austin is “the capital of pickleball.”
Improv, Bonner says, was key to the film's tone.
“There’s so much freedom compared to 'stand in this light and deliver the line,'” he says. “To see them kind of open up and explore the character ... it just was an absolute dream.”
That looseness translates into a meandering and silly comedy packed with deadpan interviews, rivalry melodrama, and escalating nonsense — including a hostage subplot and a final pickleball tournament showdown.
Despite the absurdity, Bonner insists there’s a sincere goal beneath the jokes. With minimal profanity and a broad comedic style that swings from physical gags to mock-serious sports commentary, Pickleheads aims to be as inclusive as the sport itself.
“I really want to bring in everybody to just laugh at a movie,” he says. “There’s too much dividing us.”
Bonner says the film's reception at the Austin Film Festival was “electric” with “laughter every seven seconds.” Right now the team is courting distributors, with hopes of landing on a major streaming platform later this year, and certainly some sort of pickleball-themed viewing party here in Austin.
As the details coalesce, Bonner advises folks to follow along on Instagram to find out where they can watch the movie at home, or perhaps, at a pickleball court here in Austin for its launch.