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Movie Review

The new Ghostbusters is a bust, but don’t blame the female leads

Alex Bentley
Jul 14, 2016 | 4:22 pm

Leading up to its release, most of the discussion behind the Ghostbustersremake has been focused on the decision to go with an all-female main cast — Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones. Despite these women being four of the funniest comedians out there, a vocal minority insisted the movie would bomb merely because of their presence.

So, it’s somewhat ironic that, indeed, the movie isn’t that good, but for reasons that have little to do with the fact that it stars women. Wiig and McCarthy lead the way as Erin Gilbert and Abby Yates, two professors who previously collaborated on a book exploring the paranormal.

When ghosts start popping up around New York City, Erin, Abby, and Abby’s kooky co-worker Jillian Holtzmann (McKinnon) are called upon to investigate. One call is made by Patty Tolan (Jones), a subway worker who soon joins the group to provide knowledge of the city, transportation, and, well, because the group needs a fourth person.

The first, and ultimately largest, mistake writer/director Paul Feig and co-writer Katie Dippold make is hanging the film’s plot on a human villain, especially one as underwhelming as Rowan North (Neil Casey). A movie called Ghostbusters should always have its focus on the apparitions that the protagonists have to fight; anything else just undercuts the whole idea.

Feig trying to turn the movie into a blockbuster compounds that mistake. The smartest course of action would have been to let the women let the funny fly, and have everything else complement that. Instead, the movie gradually becomes bigger and bigger, until it culminates in an incoherent, special effects-filled finale that buries any and all humor.

There are also a slew of smaller issues that, combined with the bigger ones, make the film seem worse than it actually is. There are several jokes directly addressing the complaints about the all-female cast; these are meta-funny in the moment but come off as too defensive the more you think about them. Editing problems also plague the film, as multiple scenes are chopped up to the point of unintelligibility.

The sad thing about the movie’s glitches is that they detract from what are good performances by the foursome. Wiig and McCarthy play to their well-established types, but in an effective manner. Anyone who watches Saturday Night Live knows McKinnon is best when she acts the craziest, and her wild-eyed performance is the best thing in the film. Jones, unfortunately, is mostly overshadowed, but she takes advantage of her few moments to shine.

One character that should have been excised completely is Chris Hemsworth’s receptionist, Kevin. The stupid-but-handsome role is supposed to be a twist on the normally female part, but Hemsworth can’t pull it off. He ends up being a major distraction in a movie that already has way too many flaws.

It’s disappointing that the failure of Ghostbusters will give ammunition to those claiming women can’t headline a film such as this. If the filmmakers’ ambitions had been a bit smaller, it would have given the women the showcase they deserve.

Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones in Ghostbusters.

Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones in Ghostbusters
Photo by Hopper Stone
Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones in Ghostbusters.
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Movie review

The Good Nurse flatlines as a great serial killer movie despite Oscar-winning stars

Alex Bentley
Oct 26, 2022 | 4:01 pm
The Good Nurse flatlines as a great serial killer movie despite Oscar-winning stars
Photo by JoJo Whilden / Netflix

Eddie Redmayne and Jessica Chastain in The Good Nurse

It could be argued that American audiences and content makers have an uncomfortable obsession with serial killers. That fixation has only grown through years with the proliferation of true crime podcasts and streaming shows, each of which has returned to mass murderers repeatedly. A relatively recent killer with an unusual method is showcased in the new Netflix film, The Good Nurse.

But anyone expected a dark and gritty film may be disappointed, as the film shifts focus from the killer, Charlie Cullen (Eddie Redmayne), to one of his co-workers, Amy Loughren (Jessica Chastain). A nurse at Parkfield Memorial Hospital in New Jersey in 2003, she becomes quick friends with Charlie after he starts there as a night nurse.

Their bond, one which becomes tighter after Charlie helps hide the fact that Amy has a debilitating heart condition, keeps her from understanding that Charlie is killing patients, poisoning them by injecting insulin into random IV bags in the hospital’s storage room. It’s only when an internal hospital investigation triggers a police inquiry led by detectives Tim Braun (Noah Emmerich) and Danny Baldwin (Nnamdi Asomugha) that Amy starts to have her doubts.

Directed by Tobias Lindholm and written by Kristy Wilson-Cairns, the film is well done, but never achieves the gravitas that would transform it into something great. Part of this is because the filmmakers never show Charlie as having any outward signs of being evil. He has a bland niceness about him that conceals his lurid impulses; that’s an effective way of showing that you can never know what’s happening in another person’s mind, but an ineffective way of building drama in a film.

The telegraphed nature of Amy and Charlie’s friendship takes on the feel of a slightly higher-class Lifetime movie, one that doesn’t quite fit the expectations brought by two Oscar winners in the lead roles. What ends up being more compelling is the hospital administrators, led by Linda Garran (Kim Dickens), covering up Charlie’s crimes for unknown reasons, and the doggedness of the two detectives trying to discover what exactly is happening.

On another note that’s admittedly a minor quibble, the film’s title does the story no favors. Using The Good… as the start of a title is a vastly overused crutch. Recent examples on both TV and in movies have included The Good Doctor, The Good Fight, The Good Wife, The Good Place, The Good Boss, and The Good House. Sometimes a film can overcome the plainness of such a title, but The Good Nurse is hampered by it.

Chastain and Redmayne each give respectable performances, but they’re nowhere near the award-worthy ones they’ve put on in the past. The most notable actor in the film winds up being Asomugha, a former NFL player who’s been inching into the entertainment industry over the past decade. He’s flat-out great in this role and could use it as a springboard to bigger and better parts.

The Good Nurse has its fair share of interesting moments and accomplished actors to bring them to life, but it falls short of being a must-watch. It’s a serial killer movie that mostly omits the killing, taking most of its reason for being with it.

---

The Good Nurse is now streaming on Netflix.

Eddie Redmayne and Jessica Chastain in The Good Nurse

Photo by JoJo Whilden / Netflix

Eddie Redmayne and Jessica Chastain in The Good Nurse

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Palatial pampering

Austin's acclaimed destination spa unwraps exclusive $1,000 Swiss facial for 25th anniversary

Stephanie Allmon Merry
Oct 26, 2022 | 12:49 pm
Austin's acclaimed destination spa unwraps exclusive $1,000 Swiss facial for 25th anniversary
Photo courtesy of Lake Austin Spa Resort

A red light mask is part of the $1,050 Regal by Valmont facial.

When the Lake Austin Spa Resort went shopping for a 25th-anniversary gift for guests, it aimed higher than traditional silver and picked treatments that incorporated gold, diamonds, and caviar. As a result, the dreamy destination spa now offers some of the most opulent, exclusive, and — at upwards of $1,000 — most expensive facials in the world.

In anticipation of its milestone anniversary in 2022, the Lake Austin Spa Resort’s LakeHouse Spa partnered with Swiss luxury skincare brand Valmont to introduce the new facials, which are as cutting-edge as they are indulgent.

Creme de la creme among them is The Regal by Valmont, which costs a jaw-dropping $1,050. The Regal was designed in Switzerland exclusively for LakeHouse Spa, and Austin is the only place in the world to get it.

“It’s definitely a once-in-a-lifetime experience for a lot of people,” says Becky Bence, Lake Austin Spa Resort lead esthetician. “And it’s definitely worth it.”

The 135-minute facial begins with the high-tech deep cleanse of the HydroFacial and proceeds with seven masks, including four collagen masks, a papaya enzyme, and a medical-grade LED light mask. Every single product from Valmont’s ultra luxe “masterpiece collection” called l’Elixir des Glaciers is used; some products are made with an uber anti-aging essence of gold sturgeon fish. All are applied using a Valmont signature “butterfly” motion that helps to lift and sculpt the face.

What puts the Regal over the top, though, are 35 minutes of choreographed massage, including a 500-year-old technique called “kobido,'' developed for the empress of Japan. Touted as a “surgical facelift as a massage," Bence says, kobido was once reserved only for nobility and the empress, then later handed down from masters to disciples.

So rarified is the Regal facial, that just six of the 21 LakeHouse Spa estheticians are trained to perform it. They learned at a weeklong “bootcamp” conducted by two Valmont experts who flew in to Austin from Switzerland.

“It was kind of like the Navy Seal program of facials,” Bence says. “It was kind of like being handed down something from a true master.”

The $1K price tag hasn’t kept people away. Since the Regal was introduced several months ago, guests have come from all over the world — and from all corners of Texas — to experience what the spa calls “the ultimate in anti-aging perfection and cellular renewal.” (After all $1,000 is still far less than an actual facelift or even regular nick-tuck-plump-ups by a cosmetic surgeon.)

Why reach all the way to Switzerland for the palatial new treatments? After emerging from COVID shutdowns, Bence says, LakeHouse Spa personnel “auditioned” just about every single skincare line out there. The estheticians voted, and Valmont won.

“We wanted to add something really special, something luxurious but yet something out-of-this-world amazing that truly benefited the skin,” Bence says. “Something almost to replace Botox and fillers …that gave you basically a natural face-lift without being invasive but still being relaxing.”

In addition to the Regal, other new Valmont facials introduced in this 25th anniversary year include:

  • The 150-minute Gold & Diamond Trifecta Facial that involves three massages, four masks, infra-red LED, and a hydrogel mask with micronized gold and diamonds, which costs $990.
  • The Golden Aura Rose & Caviar Facial, a 100-minute treatment that incorporates marine products containing caviar extract and Diamond Collagen, costing $790.
  • Energy of the Glaciers, a 90-minute facial that features rare ingredients from Switzerland and deep, structural massage of the face, stimulating muscles to tone and lift; $750.
  • Luminosity of Ice Facial, a 90-minute treatment described as a “toxin-flushing, facial reflexology-inspired facial” that uses a cocktail of seven plants organically cultivated at high altitudes; $650.

The spa also has a complete menu of non-Valmont facials and dozens of other signature treatments.

Luxe but laid back
Lake Austin Spa Resort’s Dallas-based co-owner, Mike McAdams, says the new facials are indicative of how high the spa wanted to aim for its 25th anniversary.

“Our guest demands a luxurious, more refined experience, and Valmont helps us deliver on that objective,” he says.

And yet, Lake Austin Spa Resort remains a place where robed guests can emerge from a $1,000 facial and step over geckos skittering along the sidewalk while a speedboat whizzes by pumping Beyonce through the speakers. It’s upscale but unpretentious, luxurious but laid-back — almost like “spa camp.”

“We never wanted to create the ‘zen’ spa with stark lines and absence of color – we aimed to create just the opposite,” McAdams says. “Your surroundings absolutely have an impact on how your wellness journey can unfold and influence your daily life. The colors and textures that surround you mimic the vibe of the Texas Hill Country and pay homage to nature.”

The top-rated spa and resort is a far cry now from the place McAdams purchased on January 1, 1997. Located along the shores of scenic Lake Austin in the Texas Hill Country, the property had lived previous lives as a fishing camp, nudist enclave, rodeo ranch, and diet camp.

McAdams — at the time a commercial real estate developer for Dallas-based Trammell Crow — experienced a personal work-life-balance crisis that's wholly relatable in today's post-pandemic, "great-resignation" world two-and-a-half decades later.

“I was living on a plane, traveling a lot. It was high stress, and high energy and I loved it,” he says. “In 1984, I found a place that changed my life — the Ashram in Calabasas, California. It was a true bootcamp, with physical activities and dietary restrictions that were very intense… This experience forced me to come down from my hectic lifestyle of traveling, eating, drinking, and not exercising."

After adopting healthier habits in his own life, he and an LSU fraternity brother, Billy Rucks, seized an opportunity to buy and transform the Lake Austin Spa Resort; they still co-own it today. “It was a diamond in the rough," McAdams says.

More 25th anniversary offerings
One of the biggest challenges running the spa the last 25 years (besides navigating a global pandemic), McAdams says, has been continually evolving in an industry dominated by fleeting fads and headline-grabbing gimmicks.

“The changes in the last 25 years in the spa industry have been monumental,” McAdams says. “The global wellness industry is now a $4.5 trillion economy, with ‘spa’ being one small part of the bubble. We are all seekers looking for ways to look and feel our best, and I think the growth is due to a demand in wanting to take our health into our own hands.”

One of the resort’s newest touts (proudly stated on their home page) is that they’re Texas’ only destination spa on a lake. Recently they’ve introduced a full range of water activities, including a water taxi that transports guests to the spa and back.

“When we bought Lake Austin Spa Resort in 1997, our guests would put a toe in the water — but we’ve also evolved and now understand the power of being near a moving body of water and how it affects your health, happiness, and even alleviates depression,” McAdams says.

Along with the new fancy facials and lake programming, the resort has also added new classes and activities and upgraded amenities for its 25th anniversary. Befitting its location in the “live music capital of the world,” Austin-area musicians now entertain guests nightly around s’mores pits. There’s new artwork around the campus, too.

“My favorite part of celebrating our 25th anniversary this year has been to watch a very special piece of commissioned art be installed in the first few months of the year,” McAdams says. “A local Austin artist created a 64-foot long, 400-square foot abstract mural of stone, glass, and tile designed to honor our magnificent natural location on Lake Austin.

"Within the creation, I wanted to honor all of the amazing past and present people who helped get to where we are today. Their names are included in this mural, discreetly placed within this homage to nature. Because of these special people, Lake Austin Spa Resort has enjoyed many wonderful accolades through the years.”

---

To mark its 25th anniversary, Lake Austin Spa Resort is offering 25 percent off stays of at least two nights or more, through January 31, 2023. Reservations must be booked by October 31. Some packages include generous spa credits, but sadly, the $1,050 Regal facial is not 25 percent off. Find more information at www.lakeaustin.com.

Red light mask, facial

Photo courtesy of Lake Austin Spa Resort

A red light mask is part of the $1,050 Regal by Valmont facial.

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Third Child

Newest location of healthy casual restaurant Flower Child blooms in Westlake

Brianna Caleri
Oct 26, 2022 | 10:44 am
Trio of dishes from Flower Child
Photo courtesy of Flower Child

Flower Child will open in Westlake on November 1.

Nine months after Fox Restaurant concepts announced a new Flower Child in the works, the new Westlake restaurant is ready to open on Tuesday, November 1. The Arizona-based concept is in 10 states and D.C.; the new location is the third Flower Child in Austin and the 11th in Texas.

The fast-casual restaurant specializes in holistic food made from scratch, which visitors order at the counter. Almost everything on the menu is dotted with at least one of three diet indicators — vegetarian, vegan, and gluten free — and the website points out a blanket tendency to keep paleo, keto, low-sugar, and other dietary considerations in mind.

Stylistically, it just gets wider from there. A cauliflower rice becomes “risotto” with the addition of maple coconut cream. Chicken enchiladas live in harmony with spicy Thai wraps with tofu and veggies. More Mediterranean treats like hummus, or a Greek yogurt and feta dip, join the American Cobb salad.

A new spot at 3300 Bee Caves Rd. situates the eatery among several others: both large fast food chains and smaller, but still casual restaurants. Flower Child is very similar to Modern Market Eatery, directly across the street, which serves similar “clean, nourishing and delicious food."

Where Modern Market seems to focus more on bowls, sandwiches, salads, and pizzas with straightforward American flavors, Flower Child digs deeper into more complicated flavors and an entrées-and-sides approach. Both rely on modular foods that are easy to customize and create quickly.

Flower Child’s other Austin locations are at Domain Northside (between Sephora and RH), and downtown on West 2nd Street. Despite the industrial genre conventions of fast-casual restaurants, these restaurants are homey and not identical to each other. As the name might suggest, Flower Child brings the outside in, with lots of plants and woven patio seating that close the gap between a quick meal in the middle of running errands to a warm catch-up with a practical friend.

The Westlake Hills Flower Child will open to the public on November 1. More information is available at iamaflowerchild.com.

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