Given its historic nature and the fact that it had the highest ticket sales in 2019 of any Austin theater, it would be difficult for any locale to upstage Bass Concert Hall — except maybe the legendary venue itself.
Austin’s largest performing arts venue, Bass Concert Hall is undergoing a $3 million renovation that will bring the 40-year-old theater into the 21st century. The privately funded makeover follows several recent renovations, one in 2009 that expanded the venue’s lobby space and improved the building’s front façade, and one in 2013 that involved replacing orchestra-level seats.
The new renovations will focus on improving the safety and experience of theater-goers, according to Texas Performing Arts at the University of Texas at Austin, which operates Bass Concert Hall. Renovations are scheduled to be completed by May, just in time to host graduate-recognition ceremonies for UT’s class of 2021.
As part of the new changes, the 261,517-square-foot theater will get upgrades to its aisle lighting so patrons can more easily navigate among the venue’s more than 2,900 seats, and the lobbies and auditorium will be spruced up with new carpet.
Significant renovations at Bass Concert Hall include:
- Upgrades to the theater’s seats and balcony sightlines. The original 1,241 balcony seats, dating back to 1981, will be recycled and replaced, and the balcony’s side sections will be rebuilt to improve theater-goers’ sightlines to the stage. Seating rows in those sections that previously faced the proscenium walls will be updated to curve toward the stage, providing a full stage view from all balcony seats. Additionally, TPA notes, “Accessibility and sightlines for performance-goers who use wheelchairs and their companions will be especially improved.”
- The audio/visual components will be upgraded to expand artists’ and designers’ capabilities. That includes relocating the house sound mixing spot and adding a new audio/video infrastructure to support recording and streaming.
- The lobby will undergo a “creative reconfiguration” that will allow for more circulation space and help reduce crowding.
And considering that in the immediate pre-pandemic year Bass Concert Hall welcomed 285,809 theater attendees, attention was also given to the venue’s ventilation system, which has been upgraded to provide better air filtration throughout the concert hall.
“Our resilience during this devastating time for the performing arts will come from acting on opportunities to come back better than before,” says Bob Bursey, executive director of Texas Performing Arts and a Tony Award-winning producer who was appointed to the position in January 2020. “This major renovation takes full advantage of the silver lining the pandemic has provided and sets the tone for our ambitions going forward.”
The upgrades will include replacing the theater's original balcony seats.
DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
A portal opens...Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri