take a look at him now
Phil Collins on his love of Texas history — and his massive collection of Alamoartifacts
Phil Collins is currently suffering from issues with his left hand, but said helooks forward to having a chance to continue concentrating on his writing.The Sun
The legendary Phil Collins sat down with CultureMap Wednesday to discuss hisfirst book The Alamo and Beyond: A Collector’s Journey.Photo by Tyler Rudick
The Alamo and Beyond: A Collector's Journey by Phil CollinsPhil Collins.com
"Yeah, they knew," Collins said about his little-known interest in the Alamo. "Imean Tony Banks liked gardening, you know. It was no big deal."The Hobo's Ride
The History Shop, where Collins conducted an archaeolgical dig in search ofAlamo artifacts. "You can still see the place where we dug," he said. "It's in aportion of store next to this giant model of the Alamo."Google Maps
Throughout his decades-long career as one of the most successful musicians in rock history, legend Phil Collins has maintained a little-known passion . . . for the Alamo.
That's right, the iconic drummer for Genesis and author of solo mega-hits like "In the Air Tonight" and "Sussudio" has held a near-obsession with the Spanish colonial mission since he first saw Walt Disney's Davy Crockett as a 5-year-old London suburbanite.
Now, Collins has written a book about his massive collection of artifacts from the Alamo and Texas Revolution.
CultureMap talked to Collins about the collection, his 2011 retirement from music and his rather unlikely new career as an historian.
Phil Opens Up
The collection is more or less a personal endeavor, Collins explained, and though the entire bottom floor of his house is dedicated to Texas artifacts, only about 20 people have ever seen it.
"I've actually got quite a modest home in Switzerland," he laughs. "There used to be just enough stuff to put around the house and not have it get in the way. Suddenly, I was building display cases and now the basement is pretty much taken up with all of it."
"It's not that I'm hiding it — it's just always been something that's only for me . . . something that's mine," he jokes in a Mr. Burns-style voice, tapping his fingers together. I wanted to know if he kept his hobby a secret from the rest of Genesis.
"It's just always been something that's only for me . . . something that's mine," Collins jokes about his collection in a Mr. Burns-style voice, tapping his fingers together.
"Yeah, they knew," Collins says. "I mean [keyboardist] Tony Banks liked gardening, you know. It was no big deal."
Starting in the early 1970s and on through the mid-to-late '80s, Genesis rehearsed for all its tours in Dallas, where the company that built the band's elaborate stage and lighting designs was based.
"I first went to the Alamo in '73 with Peter Gabriel and our tour manager," Collins recalls, saying that he found it fascinating, but was still far from the knowledgeable aficionado he is today.
"I actually only went there two or three times until 2004 when I did the final farewell tour and we were playing [in Houston]," he says. "I hired a little plane and flew with my wife, my 3-year-old and my assistant for a quick two-hour tour."
The short visit marked a rather dramatic turning point for the musician, who was already considering a turn away from music towards writing.
"I first went to the Alamo in '73 with Pet er Gabriel and our tour manager," Collins recalls, saying that he found it fascinating, but was still far from the knowledgeable aficionado he is today.
"It was such a pivotal trip, because that's when I met James Guimarin who ran the History Shop, this antique shop near the Alamo," Collins says.
The two would bond over their joint borderline obsession with the Battle of Texas and before long, Collins and Guimarin were organizing their own archaeological digs beneath the floors boards of the shop.
"You can still see the place where we dug," he says. "It's in a portion of the store next to this giant model of the Alamo."
After injuring his back playing drums on the last Genesis reunion tour in 2007, Collins noted that he has frequent issues with his left hand and struggles to play music. While he hasn't ruled out the possibility of a full recovery, he said he's enjoying his time away from the music industry and looks forward to having a chance to continue concentrating on his writing.

DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri