Instead of a title, the album featured four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents.
It was yesterday in 1971 that Led Zeppelin released its fourth album. The eight-song album came unnamed, but soon became known as Led Zeppelin IV, ZOFO, or Zep IV.
If you were growing up in the early 70s, the importance of this album cannot be understated. It would be hard to argue against "Stairway to Heaven" being the greatest rock song of all time. You would also be hard pressed to find an album with the incredible mix of songs. From the hard driving "Rock n' Roll" to the mystical "Battle of Evermore," Led Zeppelin IV captures the brilliance and diversity of one of the all-time great bands.
If you were growing up in the early '70s, the importance of this album cannot be understated. It would be hard to argue against "Stairway to Heaven" being the greatest rock song of all time.
Did radio overplay many of the songs found on the album? You bet, but don't blame the band for that. It was more a result of radio researching songs to death and then shoving the most popular down the consumer's throat. It should not diminish or take away from the greatness of whatLed Zeppelin IV was—and still is.
The album was released at a time when FM radio was just taking off and many stations went to a rock format. Imagine DJs picking the songs they wanted to play. What an amazing rush it must have been for DJs to cue up "Stairway to Heaven" for the first time!
Some records are called great because record labels market them as such while others are called great because they stand the test of time. ZOFO falls into the later category.
See the video of "Stairway to Heaven":
Led Zeppelin IV album cover; the album actually had no name
Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.
Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).
A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.
Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.
Unfortunately, more often than not, they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.
It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.
Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.
Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.
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Five Nights at Freddy's 2 opens in theaters on December 5.
