As the dust settled upon the grounds of Zilker on October 12, festival-goers checked off another successful Austin City Limits Music Festival. The final weekend brought the heat both metaphorically and physically, with buzz-worthy bands like Rainbow Kitten Surprise, and the voice behind every millennial and Gen Z’ers favorite middle school dance moments, T-Pain.
This go-around really brought out the hardcore music lovers, and they definitely brought the good vibes with them. One of the best parts of capturing the festival is seeing die-hard fans at the barricades for their favorites, whether it was Pierce the Veil, The Strokes, or someone just starting to find their core audience. Dust or no dust, ACL Fest must go on.
For more details on our favorite sets from Weekend Two — and who we think it's worth buying tickets to see in the future — check out our list here.
Tony Perry of Pierce the Veil kept the crowd on their toes with his lively stage presence and killer lead guitar riffs. Photo by Kenn Box
Barricaders are a band's best hype people. Photo by Kenn Box
Weekend Two was full of memorable moments for Strokes fans. From Julian Casablancas shouting out Sabrina Carpenter, to him abiding by the crowd's request to play “Ode to the Mets,” The Strokes' set was everything a fan could wish for. Photo by Kenn Box
Japanese Breakfast closed out the BeatBox stage with a bang of the gong. Photo by Kenn Box
As the sun sets to the left of the T-Mobile stage, the ACL Fest Box frames up the perfect portrait. Photo by Kenn Box
A full look at T-Pain's ensemble; he brought the whole saloon over to the American Express stage with a larger-than-life set design, campy costumes, and background dancers showing off killer moves. Photo by Kenn Box
Rainbow Kitten Surprise truly is for everyone. The fan-favorite band was all the rage on Sunday, with festival-goers spreading the word that they're a must-see.Photo by Kenn Box
Pride is not just holding up a flag; it’s loving yourself enough to let go, be yourself, and have fun.. Photo by Kenn Box
With an even larger crowd for Weekend Two, The Dare continued the party he started a week before with crowd favorites like “Girls,” off of his debut album, What’s wrong with New York?Photo by Kenn Box
Fujji Kaze's set was like a magnet for homemade signs and DIY accessories. He made this towel an accessory through sheer force of will.Photo by Kenn Box
Where would we be as festival-goers without the ACL volunteers? Here one captures an Insta-worthy shot.Photo by Kenn Box
Joey Valance and Brae threw an absolute rager of a set. In classic JVB fashion, the duo had the crowd opening up a pit by the third song. Photo by Kenn Box
Lawn chairs offer both a refuge and a challenge when enduring a long day in the Texas sun. Photo by Kenn Box
Always expect good vibes and a fun time at an Olivia Dean set. The English singer-songwriter played at 2:30 pm on the American Express stage before returning later in the evening to be the “Juno” arrestee at Sabrina Carpenter’s headlining set. Photo by Kenn Box
Gregory Alan Isakov played a perfect closing set for the BeatBox stage, with a beautiful light show and a starry backdrop.Photo by Kenn Box
Nothing beats putting your hands in the air with your pals.Photo by Kenn Box
The best way to get through the fest traffic isn’t by golf cart. It’s by shoulders. Photo by Kenn Box
Indie darlings Car Seat Headrest rocked the T-Mobile stage with cool visuals and great tunes. Photo by Kenn Box
Adorned in denim and rhinestones, Dizzy Fae made her festival debut on the BMI stage on Saturday. Photo by Kenn Box
The 360-degree mirror decor had fashionable folks getting all the right angles.Photo by Kenn Box
Royal & The Serpent’s energetic performance on Sunday was the perfect way to revive the audience's stamina after three days in the park. Photo by Kenn Box
On the final day of ACL Fest, the best place to be is underneath the iconic festival flags. Photo by Kenn Box
Written by and starring Jared Bonner, "Pickleheads" is a mockumentary about Austin's favorite sport: pickleball.
A deeply unserious new mockumentary out of Austin is memorializing the city's obsession with pickleball. Pickleheads— a sports comedy directed by Josh Flanagan and written by and starring Jared Bonner— premiered in fall 2025 at the Austin Film Festival. Now the film has dropped an official trailer ahead of its Los Angeles premiere March 1 at the TCL Chinese Theatre.
Pickleheads follows disgraced ping pong champion Barney “The Butcher” Bardot (Bonner), whose spectacular fall from grace, involving an on-court bodily betrayal and personal tragedy, sends him into hiding for nine years.
“Everyone says trust your gut,” Barney intones in the beginning of the film. “But what happens when your gut betrays that trust? It murders your mom.”
Yes, it’s that kind of movie.
Barney is to find redemption in an unlikely place: pickleball, the paddle sport that has loudly taken over Austin. His brother attempts to chronicle the comeback by creating a film about it.
The cast blends recognizable faces with the film's indie energy. Harvey Guillén (Guillermo in What We Do in the Shadows) pops up as a debt collector in a small but scene-stealing role. John O'Hurley (J. Peterman in Seinfeld) appears as himself in a mock sports media setting. Kristine Froseth, Pej Vahdat, Adrianne Palicki, Eric Nelsen, Ryan Cooper, and Lindsey Morgan round out the ensemble.
Viewers may also recognize comedian and disability advocate Zach Anner in a supporting role. Anner, known for his offbeat humor and online presence, fits neatly into the film’s chaotic energy.
Harvey Guillén, Kristine Froseth, Jared Bonner, Ryan Cooper, and Pej Vahdat are just some of the cast in Pickleheads. Photo courtesy of Pickleheads
Bonner, who moved to Austin four years ago, found his inspiration the same way many locals did: by picking up a paddle. After wrapping his previous mockumentary, Dance Dads, he started playing obsessively.
“I just went out to the park and played with strangers every day, and just played nonstop,” he says. “I was looking for my next mockumentary, and I was like, how ridiculous is this sport? … I wanted to capture the boom of a grassroots sport.”
The result is a film that leans into the absurdity of backyard tournaments and neighborhood turf wars, including a running joke about tennis players infiltrating pickleball courts.
Shot over 12 days in and around Austin, Pickleheads features familiar sights for locals: sweeping shots of the 360 Bridge, suburban courts and houses out in Dripping Springs, and distinctly Texas features, like an armadillo sanctuary. The production also staged its climactic tournament at a North Austin pickleball facility, underscoring Bonner’s claim that Austin is “the capital of pickleball.”
Improv, Bonner says, was key to the film's tone.
“There’s so much freedom compared to 'stand in this light and deliver the line,'” he says. “To see them kind of open up and explore the character ... it just was an absolute dream.”
That looseness translates into a meandering and silly comedy packed with deadpan interviews, rivalry melodrama, and escalating nonsense — including a hostage subplot and a final pickleball tournament showdown.
Despite the absurdity, Bonner insists there’s a sincere goal beneath the jokes. With minimal profanity and a broad comedic style that swings from physical gags to mock-serious sports commentary, Pickleheads aims to be as inclusive as the sport itself.
“I really want to bring in everybody to just laugh at a movie,” he says. “There’s too much dividing us.”
Bonner says the film's reception at the Austin Film Festival was “electric” with “laughter every seven seconds.” Right now the team is courting distributors, with hopes of landing on a major streaming platform later this year, and certainly some sort of pickleball-themed viewing party here in Austin.
As the details coalesce, Bonner advises folks to follow along on Instagram to find out where they can watch the movie at home, or perhaps, at a pickleball court here in Austin for its launch.