Hot on the heels — or wheels — of the Hello Kitty Cafe Truck comes another timely pink rolling shop. Actually, this truck will beat the Sanrio version to Austin on October 7.
The Barbie Truck will stop in Austin on its 2023 "Dreamhouse Living Tour," which celebrates the 60th anniversary of Barbie's ever-more popular property, and will give visitors a chance to spice up their own homes.
Although this is all about the house, there are only a few homewares: things like coasters, glass tumblers, a glass mug, a throw blanket, and an "accessories cup." Visiting Barbies have more opportunities to take home wearable and on-the-go items like graphic tees, hoodies, and denim; a baseball cap; embroidered patches; and keychains.
Photo courtesy of the Barbie Truck Dreamhouse Living Tour
Most people who have been awake and on social media in the past year have learned that Barbie's Dreamhouse has a more empowering history than many girls realized while orchestrating drama between the dolls.
A release announcing the arrival of the truck reminds fans (and detractors) that when the Dreamhouse came out, only a tenth of a percent of young women were independent homeowners, and states that someone buys a Dreamhouse every minute.
Photo courtesy of the Barbie Truck Dreamhouse Living Tour
The truck stocks plenty of fashion and home accessories.
The Barbie Truck will be in Austin on Saturday, October 7. from 10 am to 7 pm at The Domain. Arrive early in case of long lines.
These Barbies will hit six other Texas cities on the tour:
Music biopics never seem to go out of style, although they’re rarely very good because most of them tend to tell the same story. A musician/band gets discovered, rises to popularity, experiences trouble at their peak due to (insert sex/drugs/alcohol/ego), and either finds a measure of redemption once they’ve been sufficiently humbled or dies due to their lack of control.
Paradoxically, what few music biopics fail to do is properly showcase the music that made the person popular in the first place, a mistake that A Complete Unknown doesn’t repeat, becoming a smashing success in the process. The film follows Bob Dylan (Timothée Chalamet) over a roughly four-year period from when he first arrived in New York City in 1961 to his then-revolutionary electric set at the Newport Folk Festival in 1965.
Dylan seeks out well-known folk singers Pete Seeger (Edward Norton) and an ailing Woody Guthrie (Scoot McNairy) when he first arrives, with Seeger taking him under his wing. Dylan starts to establish himself in the local club scene with his unique songwriting voice, meeting fellow singer Joan Baez (Monica Barbaro), with whom he starts an on-and-off relationship. As his popularity grows, his reaction is antithetical to what’s expected, as he rarely engages with fans and focuses on his next song(s) instead of the ones for which he became known.
Directed by James Mangold (Walk the Line) and written by Mangold and Jay Cocks, the film may not be much of a revelation for Dylan superfans, but for casual fans or those who know nothing about him, it is one of the most effective music biopics in recent memory, if not ever. Not only does Mangold track the musical evolution of Dylan, but he gives the full context of the people who influenced him most, including Guthrie, Seeger, Baez, and more.
The film is not a musical in the traditional sense, but the amount of music in it makes it the next best thing. Rarely does more than a few minutes go by before someone is singing, either on stage, for someone close to them, or as part of the songwriting process. Whether you’re a folk music fan or not, the way the genre is showcased in the film will make you believe in its power and why it was so popular at that particular point in time.
Dylan is famous for his enigmatic personality, and Mangold does a great job of maintaining that elusiveness while still exploring what drove Dylan early in his career. His relationships with Baez and the fictional Sylvie Russo (Elle Fanning) give him some dimension, but why he continually went back-and-forth between them (or why they put up with him) is only lightly explored. The film keeps most of the drama focused on the music, and it’s this decision that makes it as compelling as it is.
Chalamet has been “The Next Big Thing” since his Oscar nomination for Call Me By Your Name, but the combination of the Duneseries, Wonka, and now this has firmly established him as the star he is. His Dylan impersonation (including singing) is subtle-yet-clear, and he has the cool factor that makes him completely believable in the role. The supporting cast is also off-the-charts good, with Norton and Barbaro making the best cases for awards notice.
While 2024 has had its fair share of great movies, A Complete Unknown — in this critic’s opinion — should now be the favorite to win Best Picture at next year’s Oscars. It bucks the trend of mediocre music biopics by giving moviegoers the transporting feeling of what it was like to experience Dylan’s meteoric rise, and why his early songs remain so indelible.
Photo courtesy of the Barbie Truck Dreamhouse Living Tour
