ch-ch-changes
Austin music podcast tackles Ticketmaster, climate, and more in new season

Pause/Play hosts Elizabeth McQueen (left) and Miles Bloxson (right) are embarking on a fifth season, this time about change.
Not to shock anyone, but the music here in the Live Music Capital of the World doesn't play itself. A performer's stage persona is often only a sliver of their full reality — and unless they're taking breaks between songs to proselytize, many issues that affect their careers daily never meet the public eye.
Pause/Play, a podcast collaboration between public radio stations KUT and KUTX, is entering its fifth season of uncovering these backstage experiences. This season, which launched April 17, tackles topics that loom large in music industry debates as well as ones that don't seem explicitly connected at a glance.
Some marquee topics are abusive ticketing platforms, climate change, affordability in Austin, AI, abortion, and gender affirming care. Most, if not all (but who's counting?), were listener ideas — a common practice on Pause/Play, and one that helps the hosts know they're representing Austin's real interests. The overarching theme of the season, however, is "change."
Besides having a broader scope, this season was also different because co-hosts Miles Bloxson and Elizabeth McQueen held pre-recording interviews. Of course, it's nearly impossible for any artist, venue owner, or other industry player to be affected by only one of the above topics, so these pre-interviews resulted in more threads than usual running through the season — and hopefully, more of a chance to get to know each local respondent.
Guiding listeners through the grievances and hopeful musings throughout the season is Bloxson's therapist, Bella Rockman. One of the first speakers in the first episode, Rockman talks about the individual and collective trauma following in the wake of COVID-19 shutdowns — drawing a full circle back to the origin of Pause/Play, or "The Pause," as the pilot episode is titled.
"With Bella Rockman being along [for] the ride, you also start to learn ... that all change is not bad," says Bloxson. "Change allows you to grow as a human. Sometimes we're so against changes, and we don't want it, and it causes anxiety ... but at the end of the day, it propels us forward as well."
Indeed, change has been hot on our heels since time immemorial, and it doesn't slow down for podcasters.

In 2023, the American Civil Liberties Union counted 510 anti-LGBTQ bills, including drag bans, introduced in state legislatures — nearly three times as many as in 2022. (As of April 19, 2024, it's tracking 487.) In March, more than 100 artists pulled out of their South by Southwest (SXSW) showcases to protest the festival's military ties, the disproportionate killing in Gaza, and unfair pay for performers. On April 15, news broke that the Department of Justice is planning to sue Ticketmaster's parent company, Live Nation, on anti-trust grounds.
Bloxson, a reporter focusing on Black life in Austin and pop culture, and McQueen, a radio host and former Asleep At The Wheel singer, have been around the Austin industry for long enough to remember when tickets cost a few dollars extra with tax, and misplacing them meant simply no longer having tickets. They've been around for the ups and downs of SXSW, and are gathering personal anecdotes from speakers as well as the history — of ticketing, paying performers, and more — that got us to where we are now.

These topics and more shape the always-changing season. The co-hosts have prepared a scripted outline and collected quotes, but they're still fitting pieces in and trying to keep up with the news.
"But we do a fair amount of exposition, and so that's where if [news] comes in ... we can still research it and talk about it," says McQueen. "We started this podcast during the pandemic, and literally week-to-week, we would have something totally in the can, and then we'd come in the day before it was going to go up and they would have changed the masking rules, or changed the something. So we're pretty familiar with how to bob and weave when the news changes."
Although all the episodes will be forward-thinking, one toward the end will ask current industry players to take a look back at their careers and offer advice to folks starting out now. McQueen hopes to provide a "roadmap" to New Austin, and Bloxson asks questions about what success means nowadays.
As for this podcasting duo, they're still feeling the change since the beginning of the show. As McQueen grapples with the idea that her weekends are now more for relaxing than for going to shows, Bloxson is living like every city show is her last — and hoping it's not.
"I'm rarely saying no [to invitations] these days, because I want to see what's out there, and I want to enjoy the scene that we have — because I don't know how much longer we're going to have it, to be quite honest," she says. "I know that people think that that's so far fetched, but the numbers don't lie, and a lot of people are moving outside of Austin. Maybe people won't have to come back to Austin to get money for shows anymore, because they've developed their communities. So I'm just trying to take it all in and do as much as I can right now."
Whatever changes are in store for Austin musicians, Pause/Play will be covering them. Tune in at npr.org. Austinites with ideas or questions can contact the podcast via Instagram messages or kutkutx.studio.

DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri