fall fashion
Seen on the runway: Ombré, vests, fur and more share the spotlight at TribezaFashion Show
The crowd waits for the show to begin.Photo by Jon Shapley
A look from The Garden Room.Photo by Jon Shapley
A look from Julian Gold.Photo by Jon Shapley
A look from The Garden Room.Photo by Jon Shapley
A look from Service MenswearPhoto by Jon Shapley
A look from Moss.Photo by Jon Shapley
A look from By George.Photo by Jon Shapley
A look from Julian Gold.Photo by Jon Shapley
Closing catwalk.Photo by Jon Shapley
The crowd reception area.Photo by Jon Shapley
Christian Ramirez & Ricky HodgePhoto by Jon Shapley
Jonathan Tieken & Russell ClaytonPhoto by Jon Shapley
Robert Hill & Ryan GonzalesPhoto by Jon Shapley
Rebecca Sanders, Donovan Owens & Tasha BarnesPhoto by Jon Shapley
The magazine's biggest event of the year, Tribeza hosted its annual Fashion Show last night at the The Bob Bullock Museum to a packed house of 750 guests. Austin is often criticized for its lack of opportunities to dress up, sit front row and "see and be seen" in the name of fashion, but Thursday's well-designed event left little room for complaint.
From the chandeliers positioned at the end of the 62-foot runway to the smart, blunt bangs on each model, Tribeza showed just what can be done with the Austin fashion market.
Rather than over-stretching and attempting to keep up with global Fashion Weeks by scouring the city for Spring/Summer 2012 looks (the offerings just wouldn't be there), the fashions shown were fall and winter appropriate and currently available in-store. In other words, the participating boutiques reap the immediate benefit of their merchandise being shown one night and in store the next.
Some boutiques stood out more than the rest—in particular, By George, MOSS & Feathers Vintage, Julian Gold and Kendra Scott. Recently rebranded, By George flexed its modern muscles with a mix of mens- and womenswear by the likes of Dries Van Noten, Celine and Lanvin. The first look sent down the runway by MOSS & Feathers Vintage stole the show, rustling up applause from the crowd when the model took her turn at the end of the runway and exposed the sheer-back of her full-length kimono paired with fringed hot pants.
Julian Gold, often overlooked by the younger crowd as a source of edgy fashion, impressed with several unexpected boho-chic ensembles, including one sheer floor-length, creme embroidered gown by Anna Sui. Perhaps the most surprising portion of the runway show was devoted to Kendra Scott—a jewelry designer. Models walked the runway in understated, monochromatic dresses so as not to distract from the intricate neck, shoulder and back pieces they wore, designed by Scott.
Across the board, outerwear (including capelets), gloves, fur and a huge array of vests stood out as the major trends.
The models—all of Wallflower Management out of Dallas—were given a cohesive look, inspired by the ombré hair-coloring technique that has swept across stylish streets this year. Jose Luis Salon concepted half-wigs with heavy bangs in a contrasting color from the models' natural hair. Brunettes became blondes, blondes turned red, and redheads went raven.
More sequins were seen in the seats than on the runway; attendants didn't dare miss the rare opportunity to gussy themselves up. And through the entirety of the thirty-minute show, the crowd giddily looked on, taking mental notes of where to shop this season, delighted to be a part of such a distinctive, yearly event.

DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
A portal opens...Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri