When disgraced Penn State football coach Joe Paterno died Sunday at the age of 85, many observers took interest in which legacy would be emphasized in the obituaries — his 46-year tenure as a well-loved head coach, or his failure in the eyes of many to appropriately respond to the reported sexual abuses of assistant coach Jerry Sandusky.
But Paterno's death — particularly the misinformed early reports that began streaming in early Saturday evening, hours before the death was confirmed Sunday — revealed as much about the outlets doing the reporting as the man being reported on.
The news of Paterno's death was first falsely reported by a Penn State student-run online publication (the editor of which later quit over the incident) and then spread widely across reputable news sources before being denied outright by the Paterno family.
The rapid spread of misinformation has raised questions about the perils of being first at the cost of being right, and brought the Slow News movement again to the forefront.
Said Penn State student paper managing editor Devon Edwards of the mistake: "In this day and age, getting it first often conflicts with getting it right, but our intention was never to fall into that chasm."
The rapid spread of misinformation has raised questions about the perils of being first at the cost of being right, and brought the Slow News movement (no relation to Slow Food) again to the forefront.
With some experts arguing that the future of investigative journalism, at least, lies in perhaps the slowest medium ever — non-fiction publishing — does Paterno's death make a case for slowing things down?
As former washingtonpost.com editor Jim Brady put it, "If you’re right and first, no one remembers. If you’re first and wrong, everyone remembers.”
Tell us: Do you expect your news organizations to have the news first, or to have it right?
Written by and starring Jared Bonner, "Pickleheads" is a mockumentary about Austin's favorite sport: pickleball.
A deeply unserious new mockumentary out of Austin is memorializing the city's obsession with pickleball. Pickleheads— a sports comedy directed by Josh Flanagan and written by and starring Jared Bonner— premiered in fall 2025 at the Austin Film Festival. Now the film has dropped an official trailer ahead of its Los Angeles premiere March 1 at the TCL Chinese Theatre.
Pickleheads follows disgraced ping pong champion Barney “The Butcher” Bardot (Bonner), whose spectacular fall from grace, involving an on-court bodily betrayal and personal tragedy, sends him into hiding for nine years.
“Everyone says trust your gut,” Barney intones in the beginning of the film. “But what happens when your gut betrays that trust? It murders your mom.”
Yes, it’s that kind of movie.
Barney is to find redemption in an unlikely place: pickleball, the paddle sport that has loudly taken over Austin. His brother attempts to chronicle the comeback by creating a film about it.
The cast blends recognizable faces with the film's indie energy. Harvey Guillén (Guillermo in What We Do in the Shadows) pops up as a debt collector in a small but scene-stealing role. John O'Hurley (J. Peterman in Seinfeld) appears as himself in a mock sports media setting. Kristine Froseth, Pej Vahdat, Adrianne Palicki, Eric Nelsen, Ryan Cooper, and Lindsey Morgan round out the ensemble.
Viewers may also recognize comedian and disability advocate Zach Anner in a supporting role. Anner, known for his offbeat humor and online presence, fits neatly into the film’s chaotic energy.
Harvey Guillén, Kristine Froseth, Jared Bonner, Ryan Cooper, and Pej Vahdat are just some of the cast in Pickleheads. Photo courtesy of Pickleheads
Bonner, who moved to Austin four years ago, found his inspiration the same way many locals did: by picking up a paddle. After wrapping his previous mockumentary, Dance Dads, he started playing obsessively.
“I just went out to the park and played with strangers every day, and just played nonstop,” he says. “I was looking for my next mockumentary, and I was like, how ridiculous is this sport? … I wanted to capture the boom of a grassroots sport.”
The result is a film that leans into the absurdity of backyard tournaments and neighborhood turf wars, including a running joke about tennis players infiltrating pickleball courts.
Shot over 12 days in and around Austin, Pickleheads features familiar sights for locals: sweeping shots of the 360 Bridge, suburban courts and houses out in Dripping Springs, and distinctly Texas features, like an armadillo sanctuary. The production also staged its climactic tournament at a North Austin pickleball facility, underscoring Bonner’s claim that Austin is “the capital of pickleball.”
Improv, Bonner says, was key to the film's tone.
“There’s so much freedom compared to 'stand in this light and deliver the line,'” he says. “To see them kind of open up and explore the character ... it just was an absolute dream.”
That looseness translates into a meandering and silly comedy packed with deadpan interviews, rivalry melodrama, and escalating nonsense — including a hostage subplot and a final pickleball tournament showdown.
Despite the absurdity, Bonner insists there’s a sincere goal beneath the jokes. With minimal profanity and a broad comedic style that swings from physical gags to mock-serious sports commentary, Pickleheads aims to be as inclusive as the sport itself.
“I really want to bring in everybody to just laugh at a movie,” he says. “There’s too much dividing us.”
Bonner says the film's reception at the Austin Film Festival was “electric” with “laughter every seven seconds.” Right now the team is courting distributors, with hopes of landing on a major streaming platform later this year, and certainly some sort of pickleball-themed viewing party here in Austin.
As the details coalesce, Bonner advises folks to follow along on Instagram to find out where they can watch the movie at home, or perhaps, at a pickleball court here in Austin for its launch.