An Austin musician is giving back to fans and charities with a unique program. On February 9-11 you can pay what you want for Shakey Graves' entire discography, 10 albums of one-man-band folk jams and electric blues hits, for a good cause.
The online release is part of the sixth annual Shakey Graves Day. Once a year local singer-songwriter Alejandro Rose-Garcia adopts a pay-what-you-want model for 72 hours — but this time, instead of pocketing the proceeds, he will donate half to causes concerning science, human rights, and general empathy.
"Every day it seems we awaken to news that some new hole has been slashed in the foundations of everything we've held true concerning science, human rights, and general empathy," he writes.
"I realized that throwing a party and putting some tunes on the internet didn't seem to match up with my desperate yearning I feel to help in some way. So I decided that, from now on, I'm going to donate half the proceeds of the album sales to one or more good causes. These can be charities, think tanks, frozen natives, music programs, homeless shelters, basically anything nice you can think of."
The musician will take suggestions for deserving organizations through his official Facebook page and via email; a list of recipients will be revealed after the three-day period.
The main attraction of Shakey Graves Day is a concert which will take over The Mohawk on February 9 with Rayland Baxter, David Ramirez, Los Coast, and the Snacktown All-Stars. A ticket lottery is current open on the singer's website, but a handful will be available at the door.
Screenwriter Derek Kolstad, who wrote the first three John Wickmovies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.
A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).
A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.
Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.
The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.
After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.
Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.
You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.
