On March 13, SXSW revealed its highly anticipated Outdoor Stage lineup. Running March 15-17, the free outdoor concert series features both local and national acts and has become a capstone for the 10-day mega festival.
The music begins on Thursday, March 15, with longtime Los Angeles rockers Los Lobos headlining. Thursday's lineup also includes El Freaky Colectivo & Friends, Centavrvs, and a yet-to-be-named guest. El Freaky Colectivo kicks off the music at 5:15 pm, with Los Lobos taking the stage at a very reasonable 8:30 pm.
The party continues on Friday, March 16, with Nathaniel Rateliff & The Night Sweats and Austin's own Shakey Graves, as well as former Strokes guitarist Albert Hammond Jr. and Caamp. Friday night's performances begin at 6 pm and end with Rateliff's set at 8:45 pm.
And not to be outdone, Saturday, March 17, promises to be one spectacular finale to SXSW. Roky Erickson, Shinyribs, A Giant Dog, Night Drive, and Bidi Bidi Banda round out Saturday's impressive lineup.
Hosted at Auditorium Shores, SXSW Outdoor Stage is open to all festival badge and wristband holders, as well as the general public, who can gain entry by registering for a free SXSW Guest Pass.
In addition to Outdoor Stage shows, the SXSW Guest Pass also grants entry to other free events, such as Flatstock 65, Job Market, SXSW Wellness Expo, SXSW Marketplace, and the SXSW outdoor film screenings.
To see the full SXSW Outdoor Stage lineup and exact set times, please go here.
Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.
Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).
A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.
Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.
Unfortunately, more often than not, they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.
It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.
Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.
Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.
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Five Nights at Freddy's 2 opens in theaters on December 5.