For many years, it seemed like '80s singer Adam Ant had dropped off the face of the earth. With a just-announced North American tour that stops in 36 cities, including Austin (and Houston and Dallas), it appears Ant is making a bid to regain his pop cultural relevance.
Ant's visit to Austin on July 26 at The Belmont will actually be a return trip, as he also played Emo's East in September 2012 to rave reviews.
However, that was before he had officially released his latest album — the first in nearly two decades — which has the enigmatic title of Adam Ant Is the Blueblack Hussar in Marrying the Gunner's Daughter. The title is a partial reference to the character Ant created for his performances, a military figure he conjured by painting a signature white stripe across his face.
Before last year's 16-date mini-tour, Ant hadn't toured in the United States since the 1990s. The upcoming tour, with his new band The Good, The Mad & The Lovely Posse, will mark his largest tour on this side of the pond in almost 20 years.
Even though he's touring in support of his new album, fans of his early work with Adam and the Ants needn't fret. He promises to play all of his big hits, including "Goody Two Shoes," "Stand and Deliver" and "Prince Charming."
The cover of Adam Ant's latest album, Adam Ant is the Blueblack Hussar in Marrying a Gunner's Daughter.
Photo courtesy of Adam-Ant.com
The cover of Adam Ant's latest album, Adam Ant is the Blueblack Hussar in Marrying a Gunner's Daughter.
Neil Diamond — a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold — is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue — named after Diamond’s 1972 hit song — serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.
Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.
Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.
Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth — gives every performance his all.
What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.
Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight”? The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.
Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.
While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.