Kat Edmonson’s 2009 debut, Take To The Sky, was the sort of jazz vocal record that they don’t really make anymore — a lushly produced spring breeze of an album that wears its Billie Holiday influence on its sleeve even as it features the singer interpreting The Cure’s “Just Like Heaven” and The Cardigans’ “Lovefool” alongside “Summertime” and “Angel Eyes.”
For her follow-up, the just-released-this-week Way Down Low, Edmonson took to Kickstarter to fund an album produced by Al Schmitt (whose credits include records by Frank Sinatra, Ray Charles, and Sam Cooke) and featuring guest spots from vocalists like Lyle Lovett. Now, with that behind her, the part-time Austinite (she moved to New York last year) is set to take the Paramount Theater with the backing of the Tosca String Quartet on Friday night.
Culturemap spoke to Edmonson about working with her heroes, fulfilling her Kickstarter perks, and why Randy Jackson telling her that she didn’t “look like a star” during her American Idol run just brought out the Texan in her.
---
There are countless Austin musicians who put out new albums, but most of them don’t get to headline the Paramount. What’s that like for you?
It's totally thrilling. It's something that I've really wanted to do and the fact that it's all coming together is incredibly exciting. Because when I moved to New York, the largest venue that I played was like, the Elephant Room.
You’ve moved to New York, but you’re still here a lot. How do you split your time?
I go back and forth every month. Especially in the spring right now, there's different things going on in Austin, including SXSW. I go back home to release the album, since that's where I've really grown and developed as an artist. I'm spending as much time as I can in New York gathering inspiration and just learning new things, like a sponge. I've got really big dreams right now and really lofty goals and it seems that this city matches them in size.
What are you big dreams?
I really want to collaborate with as many of my heroes as possible. The people that inspire me to make music in the first place and the people that I meet along the way that are integral in different projects that I'm turned on by. I want to grow as a musician, as a singer and as a songwriter and as a musician… The biggest is always to do this for the rest of my life and do it comfortably. That's a feat in itself.
What musicians are on that list of dream collaborators?
"I really want to collaborate with as many of my heroes as possible."
Oh, my gosh! Tony Bennett. Tom Waits. Some of them, I feel like if I say it out loud it won't come true... Paul McCartney. Burt Bacharach. Willie Nelson, for sure.
A couple of years ago, would Lyle Lovett have been on this list?
Actually, yes! That's been just been a dream come true in itself. I"m already living a lot of my dreams right now, which is thoroughly exciting on a daily basis. In May of 2007, I want to say or maybe 2008, I went to the Paramount to see Lyle play and I never would have believed that all of this would have happened if you had told me that then. He was doing songwriting in the round with all of these other wonderful singers and songwriters. Every time it would come back to him, he would start singing, I just felt like the ceiling opened up and God was singing. It was just the voice — this otherworldly voice. You know when you're in the presence of something like that, it's a presence. It's undeniable.
You raised a ton of money via Kickstarter, and you offered a bunch of interesting perks. One of them involved you performing private shows for people. How did those go?
I performed a private event for Christine Messina. She is the wife of Louis Messina who's a very important promoter in the industry and it was her birthday. Christine purchased that and it was the idea that she would have me sing at her birthday party and it was really fun. Some I have yet to fulfill — there's somebody who doesn't live in Texas, and I'll be flying to his house to perform for him and his wife at a party that they're putting together. I also performed for Lambert’s Barbecue. They got behind me, and that was really nice.
"It never was in decades previous, and I don't think it is today, to have a singer that has to write their own songs."
Another person spent $5,000 to spend the day with you. What was that like?
They actually were incredibly generous and donated the money but didn't have the intention of coming along.
On your first record, you do a lot of covers — standards and more contemporary stuff, like The Cure and The Cardigans. On this one, you mix in some originals.
Only for the reason that I have songs to sing that I've written. I think that's it important to have singers and songwriters, and if the two should meet and you have a singer and a songwriter, that's wonderful — but I don't think it's necessary. It never was in decades previous, and I don't think it is today, to have a singer that has to write their own songs. I think that is an art unto itself, simply interpreting songs. I have such a grand appreciation for that art form and I really look at songwriting as something separate
But it's been incredibly exciting to me to share the music that I write, because I wasn't always comfortable with the idea. I wasn't sure if the songs I was writing were worthy of being shared yet, if they were real songs. But when I started arranging them together with the band and actually playing them, it was like, ‘Wow, these are good songs!’ There's as legitimate as the one that I sing. Arguably not as good as Cole Porter or Carol King, but they're good. They're okay.
You’re from Texas and we're kind of defiant people. How much were you motivated early in your career to prove Randy Jackson wrong?
Not too much. I just flat out didn't agree with him so I didn't even feel the need to prove him wrong. I've never accepted from anyone that I wouldn't [be able to do this]. There've been all sorts of people who have told me that I couldn't, and he was just one of them. The fact that he did it on TVdidn't change things too much. It hurt my feelings that day, for sure. But I've certainly been propelled by different instances in my life where people would say that I couldn't — just in dealing with labels and booking agents and all sorts of people that either don't know where to place me or how to promote me.
It's really those moments where my true Texas nature comes out, and I'm ready to come out swinging because I do have something that I think is totally going to work. I just need the support in getting there. If I can't find it somewhere, I'm going go find it somewhere else. Nothing is going to stop me.
---
Kat Edmondson plays the Paramount on Friday, April 13 at 8 p.m.