If you are even remotely plugged into the "scene" in Austin, you have been touched by Miguel Angel. He's either taken your photo at an event or provided the soundtrack to one of your wild and crazy Saturday nights.
Angel, also known as DJ uLOVEi ("I love u" backwards), has made a living creating and capturing moments in Austin as a DJ and photographer. On any given week you'll find him spinning hip hop at the Eastern, Cumbia at Takoba and "booty music" at Barberella. You'll also see him around town taking photos for Tribeza, KLRU and dozens of other organizations. "I love that I get to showcase Austin's unique personality through my music and photography," he says.
For someone so connected to the Capital City, it's hard to believe he's not from around here. Angel, 28, was born in Del Rio, served in the Marines and stumbled across Austin with no real plan. "After I got out of the military I had to find some place to live. I visited Austin a few times and felt like it had the right vibe and style for me," he says. Not only did he move to Austin, he's now part of the vibe and style that attracted him in the first place.
Angel was a photographer for the Marines and added spinning to his skills when he arrived in Austin. After successful shows at SXSW 2010, he decided to take a leap of faith and turn his hobbies into a profession. It meant leaving behind a steady job and income to follow his passion.
"At night everyone was patting me on my back, giving me high fives and buying me drinks," he says. "It was totally different during the day at my tech job where I had people yelling at me to fix their computers and treating me like crap." The only yelling Angel hears now are his fans shouting out requests for songs or trying to get his attention for a photo. He loves honoring both.
"I like to DJ because it allows me to express myself. It feels good to be in control of the music and the party. I also like that I can go to any party with my camera and meet everyone. They remember me and look for me and the photos I take."
Angel prides himself on being inclusive both professionally and personally. You'll find him spinning oldies but goodies for a swanky VIP party one night and then grunge music for a crowd of sweaty hipsters another. Plus, you can't help but notice the Human Rights Campaign logo displayed on his Mac during each show. The HRC is a national civil rights organization fighting for LGBT equality, and he is an advocate. "I don't understand why people's sexuality is still an issue. It makes me mad that people still hate on other people."
With so much going on, the busy DJ admits finding his soul mate has been hard. "Most girls can't handle the texts, photos and late nights," he says, but it's a part of the job he's not ready to give up. While he could easily play and photograph weddings and private parties, his preferred space is out in the community. "Austin is changing so much. I just want to keep the party going and make sure we don't sell out."
The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.
Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.
An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.
Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.
Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.
There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.
Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.
Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.
