The early election season is in full swing and you know what that means: Cutting political satire on Saturday Night Live.
The season premiere featured Alec Baldwin as host and opened with an 11-minute send-up of the endless GOP debates. There were some choice moments (Jon Huntsman sliding into "person taking phone orders at Chinese restaurant" mode, Bobby Moynihan doing anything as Newt Gingrich) but Tina Fey as Sarah Palin this wasn't.
Our biggest problem is the second-rate portrayal of Texas governor Rick Perry by Baldwin. How is it that Baldwin, a New York native, can accurately nail the peculiar Boston patois but descend into Foghorn Leghorn territory in interpreting Perry's Texas twang? And while Baldwin is an attractive man in his own right, it turns out not everyone can rock the Perry coif with flair, and Baldwin looked jowly in comparison.
What a Perry imitator needs is that macho swagger and a cocksure smile that holds up even if the words coming out of it don't make any sense, like Will Ferrell's spot-on impression of George W. Bush. Actually, give Ferrell a better wig, a gun and a less squinty posture and he's got Rick Perry in the bag. Come on, Will, America (or at least SNL) needs you!
When it comes to playing Texan candidates, relative newbie Paul Brittain as Ron Paul rocks it, capturing Paul's cadence and body movements with a comically large head.
As a host, Baldwin was only a one-off Perry impersonator — at least I hope. What did you think of the impression? If the Perry campaign continues, who on Saturday Night Live should step into the governor's cowboy boots?
It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.
The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which is led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film, who were just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.
The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds — and with the help of some morphine — Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.
DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.
Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.
The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.
O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.
Releasing The Bone Temple in January was not a great sign, given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.
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28 Years Later: The Bone Temple opens in theaters on January 16.