R&B singer Mélat epitomizes the independent Austin music experience in new album
Canon Metis: Wiser Than Gods and Mortal Men — with an appropriately grandiose title for the R&B singer's prodigal return — is out on September 29, with 14 gooey tracks incorporating everything from trap beats to gospel harmonies. It follows up 2019's After All: Episode One, with similarly spacious orchestrations and a little more confidence this time around on the songwriter's part.
"I feel like [after] going through COVID and all the things that have happened in the past four years ... it's the dawning of a new era for me," says Mélat. "I feel like I've shed a significant amount of fear, and doubt, and all these things that as humans we have to work to get off of ourselves. It feels like a new beginning for me."
The title of this "foundational" album, in Mélat's words, reaches back to two EPs that the singer has since grown out of, but represented a similar feeling of self-definition as her first-ever releases. First was Canon Aphaea, then Canon Ourania; Both referenced Greek goddesses. This time, Metis — Zeus' first wife, a Titan goddess, and the embodiment of wisdom — was the inspiration.
The album cover ties in "Easter Eggs" from Black woman-owned brands: fashion by Savage X Fenty, Black Girl Magic wine by McBride Sisters Wine Company, and an Ethiopian necklace referencing the singer's heritage.Shot by Marshall Tidrick
The subtitle comes from humbler origins than it sounds; probably something she read on Wikipedia, Mélat says, but definitely borrowed nonetheless. The quote also gives a name to a track in which the singer speaks semi-candidly about false idols and the wisdom to duck away from the judgment of "mere mortals."
"I'm like a lot of people in that I can be my worst my own worst critic," she says. "I hate my speaking voice, but I put it on the album [because] my gut was telling me, no, this needs to be said. There are songs that were cut from the album [that were part of] the plan the whole time."
Much of Mélat's local pull comes from her transparency about being an independent artist, which she discusses often on social media and will surely expound upon more when the Austin chapter of Women in Music launches later this year, with her on the leadership team. Nothing about working without a label is foreign to Austin musicians (although the landscape is slowly growing), and the singer confirms that she doesn't "know any other way to do it," but hints of that freedom shine through some tracks.
"Canon Metis," the opening track, pieces together a sort of trailer for the rest of the album with atmospheric synths and spoken announcements by disembodied femme voices — a softly futuristic approach. But "Lambs to Lions" and "The Now" deliver nostalgia via backup vocals and instrumental stylings, while "I.D.M.T.L.Y. (Freestyle)" pares things down to a simple phone recording that the songwriter and her close collaborator, sound engineer, and manager, Pha The Phenom, chose not to develop any further.
No through-lines were questioned. Nothing needed to be justified, except to each other. Both have gotten into meditating, anyway, so it's all about feel.
"I feel like I've gathered all this wisdom," Mélat says. "You can't really trust the quote-unquote gods, which are the shiny things that will distract you ... and you can't really worry too much about the judgment of others, because everybody's just human. I need to do what feels right for me."
There is no tour planned to promote the album yet, but given the singer's track record, it won't be long until something is on the books. A music video for "So Help Me God," incorporates AI technology via Kaiber AI, will be released on October 4.
Listen to Canon Metis: Wiser Than Gods and Mortal Men on your favorite streaming platform.