Comedian Dave Chappelle will perform four shows in Texas, including at American Airlines Center in Dallas on June 29.
Photo courtesy of Dave Chappelle
Comedian/actor Dave Chappelle will soon bring his "Dave Chappelle Live" stand-up comedy show to arenas in four cities in Texas, including the Moody Center in Austin on July 14.
Other dates include the American Airlines Center in Dallas on June 29, the Toyota Center in Houston on July 1, and the AT&T Center in San Antonio on July 12.
Chappelle is a complicated figure who's been celebrated for his trailblazing comedy and vilified for his controversial stances. Chappelle's Show, which ran from 2003 to 2006 on Comedy Central, was widely praised, and Chappelle remained extremely popular despite the abrupt end of the show and him choosing to recede from the spotlight in the following decade.
His re-emergence in the late 2010s brought success in the form of three straight Grammy wins for Best Comedy Album, but also continued jokes aimed at transgender people. He has been the subject of multiple protests over that material, and has even had a show canceled by a venue in Minneapolis after receiving criticism for hosting him.
As if to underscore the contentious nature of his comedy, no cellphones, cameras, or recording devices will be allowed at any of the four shows. All phones and smart watches will be secured in special pouches that can be unlocked at the end of the show. Anyone caught with a cellphone in the venue will be immediately ejected.
Tickets for the four shows will go on sale at 5 pm on June 5 at ticketmaster.com.
Téa Leoni, Will Poulter, Paul Rudd, Jenna Ortega, and Anthony Carrigan in Death of a Unicorn.
Photo courtesy of A24
High-concept movies can be a double-edged sword. On one hand, a film that has a striking and easily communicable idea is easy to sell, both to studios and the moviegoing public. On the other hand, those ideas tend to be very surface level, making it difficult to turn the great idea into a story worth watching for 90 minutes or longer.
The concept of Death of a Unicornis easy to understand: Father and daughter Elliot (Paul Rudd) and Ridley (Jenna Ortega) are on their way to the remote home of billionaire Odell (Richard E. Grant) when they accidentally strike and kill a unicorn. Instead of leaving it on the road, they take it with them, the first of many poor decisions by the film’s characters.
The group gathered at the home — including Odell’s wife, Belinda (Téa Leoni); son Shepard (Will Poulter), and butler Griff (Anthony Carrigan) — discover that the unicorn’s blood has great healing powers. With money on their minds, Odell and his family look to capitalize on this discovery, not anticipating that the parents of the clearly young unicorn will come looking for it — and revenge.
Written and directed by first-time feature filmmaker Alex Scharfman, the film is most notable for its off-the-wall humor. The greed of Odell, Belinda, and Shepard leads them down some clueless roads, especially once the adult unicorns show up. Their unexpected dialogue, along with the bloody rampage that ensues, delivers some memorably funny moments.
The trouble is, a film needs to be more than just moments, and in-between those scenes there’s little that keeps the film interesting. Elliott is a lawyer who originally came to deal with the estate of the dying Odell, but once that plot point becomes moot, so too does his character. Ridley develops a connection with the unicorns, but the character’s most compelling trait is her compulsive use of a vape, a joke that doesn’t wear well.
It’s not easy to ascribe meaning to non-talking mythical creatures, but even so, the film does a poor job at making anyone care about the unicorns. The adults are simply used as props with murderous intentions, with their horns being far from the only deadly element available to them. The story seems to be a slight allegory about man’s mistreatment of nature, but it would have been nice to find out more information about the unicorns than what is given.
It’s a shame that the story is mostly uninteresting as the film features a killer cast. Rudd is a comedy go-to who finds gold in even bad situations, while Ortega has developed into a reliable star, even if she has little to do here. Grant, Leoni, and Poulter all chew the scenery entertainingly, and Carrigan — one of the best actors on the HBO show Barry — gives a dry performance that elevates every scene he’s in.
There is lots of mayhem in Death of a Unicorn, but Scharfman seems content to let the violence be for violence’s sake instead of making us care about those being killed or the creatures doing the killing. There’s room for that kind of storytelling, but it needs to be done in a much better way than it is here.
