Laura Lynch was a founding member of The Dixie Chicks in Dallas.
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EL PASO, Texas (AP) — A man has been sentenced to 15 years in prison after admitting his reckless driving caused a head-on collision in rural West Texas that killed Laura Lynch, a founding member of the country music group now known as The Chicks, prosecutors said.
Domenick Chavez, 33, pleaded guilty to manslaughter in connection with December 22, 2023, crash in Hudspeth County, according to a news release from El Paso County District James Montoya, who also oversees nearby Hudspeth County.
The release said Chavez was driving a truck westbound when he tried to pass four vehicles on a two-way undivided highway and collided head-on with Lynch's eastbound truck. Lynch, 65, of Dell City, was trapped in her vehicle and died. Prosecutors said Chavez was traveling between 106 mph (170 kph) and 114 mph (183 kph).
Prosecutors said alcohol wasn't a factor in the crash but that Chavez was driving on a suspended license, which had been revoked due to his failure to comply with DWI-related surcharges and penalties from convictions in 2014 and 2017.
Lynch, along with Robin Lynn Macy and sisters Martie Maguire and Emily Strayer, formed the Dixie Chicks in Dallas in the late 1980s. Lynch and Macy eventually left the band and Natalie Maines joined the sisters. The trio hit commercial fame with their breakthrough album Wide Open Spaces in 1998 and have won 13 Grammys. In 2020, the band changed its name to The Chicks.
In a social media post after Lynch's death, The Chicks said Lynch had “infectious energy and humor” and was “instrumental" in the band's early success.
Callum Turner and Monica Barbaro in One Night Only.
Coming up with new ways to tell a romantic story is difficult, which is part of the reason why the genre has mostly retreated to streamers, where originality doesn’t matter much. The new film One Night Only borrows liberally from both previous romantic movies and other sources, but at least it’s trying to give moviegoers something they haven’t seen before.
That something is the high-concept premise of the story taking place in a world where, due to a draconian law passed by U.S. legislators, all single people are only allowed to have sex one night a year (yes, The Purge, but for sex). As the “night” (really a 12-hour period from 7 am-7 pm that includes daylight on both sides) begins, Owen (Callum Turner) is attempting to have a romantic evening with his girlfriend, Malika (Maya Hawke), while Allie (Monica Barbaro) is prepping for a fun time with her friend, Jacinta (King Princess).
When Malika says she wants to sleep with someone else and Jacinta quickly finds a person to hook up with, both Owen and Allie are left to their own devices. As each of them wanders around New York City in halfhearted attempts at finding their own partner, fate has them run into each other on multiple occasions. As disaster after disaster befalls each of them, they start to realize that they might belong together.
Directed by Will Gluck and written by Travis Braun, the film is about as unsubtle as you can get, by design. With nearly everybody on screen either having or trying to have sex, that leaves little room for nuance or romance. Consequently, every joke told in the movie is on the nose without an ounce of cleverness. What little ingenuity exists in the film is on the signage the characters pass, which detail the dos and don’ts for single people every other day of the year, as well as many ads for brands trying to capitalize on the event.
The situations that Owen and Allie find themselves in get increasingly ridiculous as the night goes along, with none of them rising above chuckleworthy. For an R-rated film that could conceivably get as crazy as it wanted, most of the scenarios are relatively tame, with little outrageous or lewd behavior. Most of the time, the end of a particular scene can be seen coming a mile away, so there are no surprises to be had.
What’s most interesting about the film is the road it doesn’t take. It’s explained in bits and pieces why the government has restricted sex to such a degree (basically Puritanical views held by conservatives), and it’s hard not to think that the filmmakers are making a commentary about the current administration. But they don’t ever make that viewpoint overt, even in a funny way, and so the thread is left dangling, never to be fully addressed.
Both Turner (The Boys in the Boat) and Barbaro (an Oscar nominee for A Complete Unknown) are rising stars, but neither of them are great comic actors. Each of their characters is supposed to be relatively awkward, a trait that is masked by their objective attractiveness. The film has a slew of cameos, including Molly Ringwald, LeVar Burton, and Julia Fox, but there’s barely time for any of them to make an impact. Images of Glen Powell and Sydney Sweeney, who starred in Gluck’s Anyone But You, pop up in a fun way.
There were a lot of directions that One Night Only could have gone in, but the version chosen by Gluck and Braun is close to the worst one. A film that could have been uproaringly funny or super sexy or very romantic winds up being none of those things, with each element getting the basic treatment and nothing more.
