austin fashion week
A review: Did Austin Fashion Week really showcase Austin's best and brightest?
After a week of participating in the glitz and glam of local fashion, I am sad to announce that Austin Fashion Week has officially come to a close. And with its conclusion comes a perplexing question I want answered: “How successful was this thing, anyway?”
The event served as a great bridge between local designers and an unaware but interested public. I, for example, would not have found out about half the designers were it not for AFW. But I still cannot help but wonder how effective this thing really was at showcasing Austin’s best and brightest.
Take the nighttime events at the Driskill. These were the main shows, the VIP-only admissions, the most highly funded, but whom did they showcase? The headliners: Betsey Johnson, blank, blank and blank. Betsy Johnson started out in Austin? No, she did not. None of them did. That’s because no Austin designers were admitted into these selective time slots.
One might assume that Austin Fashion Week would reserve the most prestigious venues for, oh I don’t know, the best Austin designers. But that was not the case. The result of only selecting national designers for these headline events left all Austin designers to participate in the free events – the ones at various locations strewn out across random points in the city.
This made it incredibly difficult for an interested member of the fashion community to see all that many events in one day. After all, not too many people can attend a Domain event at 4 p.m., and then make it to south of downtown by 6 p.m.
The scheduling suggests, then, that the Austin community privileges nationally renowned designers over Austin ones. So the event that is supposed to promote, prop up, and empower Austin artists does just the opposite by headlining already well-known national artists.
Now I admit that hosting Austin designers at such locations did introduce me to places I’d have never known to visit otherwise. And a few of these events had quite a bit of foot traffic – guaranteeing at least a small chance that a now more knowledgeable public might return later. But nonetheless, AFW does a disservice to local artists by pushing their shows to the fringes.
Considering these Austin designers don’t participate in the main stage shows, I also have to wonder how much clout AFW has in the national community. Does anyone in New York or Los Angeles take Austin Fashion Week seriously?
I noticed while searching for some answers to this question that there is an Omaha Fashion Week. No offense to any Nebraskans out there, but really? Omaha Fashion Week? Do any big designers really get picked up in Omaha and then contracted out to some New York buyers?
Then I thought that perhaps national audiences view Austin Fashion Week the same way. Like something along the lines of, Really, Austin? Yeah, right. That’s cute. I mean, wasn’t Austin just voted in the 20 worst dressed cities in the United States?
So whom do we expect to take us seriously? How can we gain national and international clout when we only headline already well-known designers and leave the only Austin designers at the bad venues on the other side of town that can only fit 20 people at a time.
It seems to me that while perhaps we are increasing Austin designers’ engagement with the Austin community, we are also simultaneously preventing these Austin designers from engaging with the national community.
For after AFW, Austinites do know of more local and independent bars, shops, food and drink companies, and designers to visit and support. And that’s great for increasing the local economy, forming a more intimate buyer base, and giving a shout out to local business. But this does nothing to ensure that these businesses develop outside of Austin.
Anyone disagree? I’d love to hear more thoughts, opinion, and/or critiques of this event. Post them below and let’s get a dialogue going to ensure that events like these are increasing both Austin and national engagement.
---
Ed. note: The Kick Off also included a full runway show of 21 looks from Austin Fashion Week Mash Up Teams which included Austin and Central Texas based talent and designers. The list of teams is attached.



DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
A portal opens...Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri