After two years in business, Papi Tino's announced today that it will be shutting its doors on Saturday, December 28. The news was announced on Facebook by Papi Tino's owner Alan Gonzalez Garcia. Writes Garcia, "It's been an honor to serve and get to know each and every one of you. If you'd like to say hello and/or goodbye, we will all be there this Friday and Saturday starting at 6."
While no details were given as to the future of the bungalow-turned-cantina, Garcia has previously hinted on the restaurant's website that something else may be in the works.
Papi Tino's closing is a fitting end for what has been a year of change for East Sixth Street. Earlier this month, the LGBTQ-friendly dive Cheer Up Charlie's announced that it was moving, making way for the owners of the ritzy Bar Congress to take over its spot. Along with Cheer Up's moving came the news that the adjacent trailer park (home to Veracruz All Natural, Spartan Pizza and Way South Philly — just to name a few) would also be moving to make way for what it is expected to be a hotel.
In March, Nuevo Leon, the Mexican restaurant that called East Sixth home for more than three decades shuttered (and the plot of land was snatched up the Wal-Mart-owning Walton Enterprises). Just a few months later, the city block-sized plot of land adjacent to what is now the Wright Bros Brew & Brew was blasted to make way for the Corazon condos.
Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.
Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.
Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.
Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.
When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.
The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.
McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.
Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.
