Lone Star Grammy Noms

Texas artists score big in 2015 Grammy Award nominations

Texas was well-represented in the latest round of nominations for the National Academy of Recording Arts & Sciences 57th annual Grammy Awards. Beyonce, Miranda Lambert and Lecrae topped the list of 24 Texas-born or -based musical acts who earned 35 nominations for music released during the eligible period between October 1, 2013, and September 30, 2014.

Beyoncé's self-titled album Beyoncé earned nods for Album of the Year and Best Urban Contemporary album. The Houston pop star's single "Drunk In Love" (featuring husband Jay Z) was nominated for Best R&B Song and Best R&B Performance. She was also nominated for Best Music Film for Beyoncé & Jay Z: On The Run Tour.

Longview-born Miranda Lambert received four nominations, including Best Country Album for Platinum, and two nominations for the single "Automatic" including Best Country Solo Performance and Best Country Song. She was also nominated for Best Country Duo/Group Performance for "Somethin' Bad" (with Carrie Underwood).

Houston's Lecrae earned three nominations, including Best Rap Performance for "All I Need Is You"; Best Gospel Performance/Song for "Help" (with Erica Campbell); and Best Contemporary Christian Music Performance/Song for "Messengers" (featuring For King & Country).

Austin nominees
Austin artists include a team who worked on The Rise & Fall of Paramount Records, Volume One (1917-27): Dean Blackwood, nominated for Best Boxed or Special Limited Edition Package (with Susan Archie and Jack White), and Scott Blackwood, for Best Album Notes.

Ruthie Foster was nominated for Best Blues Album for Promise of a Brand New Day, and Eliza Gilkyson was nominated for Best Folk Album for The Nocturne Diaries. Craig Hella Johnson, conductor of Conspirare, was nominaed for Best Choral Performance for "The Sacred Spirit Of Russia."

Dallas-Fort Worth nominees
Dallas native Edie Brickell was nominated for Best American Roots Song for "Pretty Little One" (with Steve Martin and the Steep Canyon Rangers); Brickell and Martin performed in Dallas in October at the Winspear Opera House.

Dallas native and rising star St. Vincent was nominated for Best Alternative Music Album for her self-titled album St. Vincent. Her climb to fame got a major boost when she performed with Nirvana in April 2014 during their induction into the Rock and Roll Hall of Fame.

Dallas-residing producer Tim O'Heir received a nomination for Best Musical Theater Album for Hedwig and the Angry Inch (with Justin Craig and Stephen Trask). O'Heir also was nominated for a Tony.

Arlington a capella group Pentatonix was nominated for Best Arrangement, Instrumental or A Cappella, for "Daft Punk."

Houston nominees
Robert Glasper Experiment received two nominations: Best Traditional R&B Performance for "Jesus Children" (featuring Lalah Hathaway and Malcolm Jamal Warner), and Best R&B Album for Black Radio 2.

Houston gospel acts included Aaron W. Lindsey, nominated for Best Gospel Performance/Song for "No Greater Love" (with Smokie Norful), and the Walls Group, for Best Gospel Performance/Song for "Love On the Radio."

Houston jazz musicians included Everette Harp (with Jeff Lorber and Chuck Loeb), nominated for Best Contemporary Instrumental Album for Jazz Funk Soul, and Jason Moran, nominated for Best Jazz Instrumental Album for All Rise: A Joyful Elegy For Fats Waller.

Texas-born legends up for Grammy Awards include Johnny Mathis, a native of Gilmer, nominated for Best Traditional Pop Vocal Album for Sending You A Little Christmas; Johnny Winter, originally from Beaumont, nominated for Best Blues Album for Step Back; and Jacksonville-born Lee Ann Womack, nominated for Best Country Album for The Way I'm Livin'.

Mariachi Los Arrieros Del Valle of McAllen were nominated for Best Regional Mexican Music Album (Including Tejano) for Alegría Del Mariachi. And Pepe Aguilar of San Antonio was nominated Best Regional Mexican Music Album (Including Tejano) for Lastima Que Sean Ajenas.

Two Christian acts received nominations as well. MercyMe of Greenville was nominated twice: for Best Contemporary Christian Music Performance/Song for "Shake," and for Best Contemporary Christian Music Album for Welcome To The New. And Waco act Crowder was nominated for Best Contemporary Christian Music Performance/Song for "Come As You Are."

The Grammy Awards air February 8, 2015, on CBS.

Grammy Award nominees Edie Brickell toured with Steve Martin during the summer of 2014.

Paul Simon, Edie Brickell, Steve Martin at Houston Symphony concert July 2014

Photo courtesy of Houston Symphony

Grammy Award nominees Edie Brickell toured with Steve Martin during the summer of 2014.

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Movie Review

Highly anticipated Wicked movie adaptation deserves to be popular

Photo courtesy of Universal Pictures

Cynthia Erivo and Ariana Grande-Butera in Wicked.

The musical Wicked is indisputably the biggest Broadway smash of the 21st century, having grossed more $1.6 billion in New York alone and achieving the rare feat of running for over 20 years. All of which is to say that the long-awaited movie adaptation of The Wizard of Oz prequel will most likely be a massive success whether it lives up to what longtime fans envisioned or not.

Part one — yes, this 2 hour and 40 minute film is merely the first act of the musical; part two arrives a year from now — introduces Elphaba (Cynthia Erivo), the green-skinned witch who goes on to become Dorothy’s nemesis, and G(a)linda (Ariana Grande-Butera), the pink-garbed “good” witch, as they meet at Shiz University in Oz. Glinda is the ultra-popular one with sycophantic hangers-on, while Elphaba is shunned by almost everyone, sometimes including her disabled sister Nessarose (Marissa Bode), who’s desperate to make her own space away from Elphaba.

Her mistreatment by others leads Elphaba to get angry, which manifests itself in uncontrollable magic. Madame Morrible (Michelle Yeoh) notices this and takes a personal interest in her, giving her one-on-one instruction in hopes of harnessing her power. In the meantime, Elphaba and Glinda attempt to go from forced roommates to actual friends, although Glinda’s entitled personality is more of an obstacle than anything else they encounter.

Directed by Jon M. Chu and written by original book writer Winnie Holzman and Dana Fox, the film does a great job of distinguishing itself from the stage version while still remaining true to what made it so beloved. As Chu showed in his last film, In the Heights, he has an innate feel for how to tap into the essence of the source material while expanding it into something befitting the scope of a blockbuster movie.

In this case, he finds a way to give even greater emphasis to the bigotry that Elphaba faces simply because of her green skin; the fact that she is being played by a Black woman drives home the point even more. The story remains light and fluffy for the most part, but the ostracization/otherness that Elphaba feels is delivered in a powerful way, as is her empathy for talking animals like Dr. Dillamond (voiced by Peter Dinklage), who are facing their own persecution.

Of course, the highlight of the film is Stephen Schwartz’s music, and while not all of the songs are equal in impact, they still make for a cohesive whole. The number of songs and order they appear in the first act is identical to the stage musical, with the standouts remaining “The Wizard and I,” “Popular,” and “Defying Gravity.” While there is some superfluous action and cutaways added to certain numbers, it’s not enough to distract from what makes the songs effective.

Oddly, the progression of the friendship between Elphaba and Glinda works better on stage when the timeline is accelerated, but Erivo and Grande-Butera make up for this slight lack with their fantastic performances. The emotion each brings to their characters fits them almost perfectly, and there’s simply no denying the strength of each of their voices. Bode, Jonathan Bailey as Fiyero, Ethan Slater as Boq, and more make for a solid supporting cast.

The well-known ending of the first act of Wicked is a huge high point that is so good that it almost makes up for the fact that audiences won’t see the second film for a long time. But if part one is any indication, part two should turn out to be another great musical theater adaptation in a decade that has already seen its fair share.

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Wicked opens in theaters on November 22.

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Lone Star Grammy Noms

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Movie Review

Highly anticipated Wicked movie adaptation deserves to be popular