Austin's newest music festival just got even more fun. Sound on Sound Fest has announced a lineup of late-night shows that will take place Thursday, November 3, throughout the Red River Cultural District.
Late Knights (an homage to SOS Fest's Sherwood Forest Faire location) will bring some of the fest's top acts to Austin's best music venues for an intimate kick-off to the festival weekend. The shows are free and available to all badgeholders; those with VIP passes will get priority access. The bill is as follows:
Barracuda: White Fang, Shannon and the Clams, No Parents, Birth Defects, Qua Pasa Beerland: American Sharks, War on Women, Body Pressure, Los Viejos Empire Control Room & Garage: Empress Of, Run The Jewels DJ Set, Trackstar, Kid Slyce, HUNNY, Black Books The Mohawk: Guided by Voices, Diet Cig, Slow, Residual Kid The Sidewinder: Chipper Jones, Cursive, Creepoid, Jess Williamson
SOS Fest also released details on kid-oriented programming at the festival, where children under 10 get in free with a badge-holding adult. The Kid's Kingdom will include dress-up games and activities from Austin Reptile Show, Creative Action, Toy Joy, and Austin Bat Cave. The Come & Tyke It Stage will feature the likes of Calliope Musicals, Koo Koo Kanga Roo, Telephone Company, Thor & Friends, Hey Lolly Brass Band, and Jad Fair throughout the weekend.
SOS Fest, from Graham Williams, founder of Fun Fun Fun Fest, takes over Sherwood Forest Faire, a 23-acre Renaissance-themed village in McDade, Texas, November 4-6. Big-name acts scheduled for the inaugural fest include Beach House, Explosions in the Sky, Phantogram, Run the Jewels, Tim Heidecker, Joe Mande, and more.
Three-day passes are on sale for $169; single-day tickets are $85, and VIP passes are $445. Add-on camping passes are also up for grabs, starting at $75.
Annabelle Chairlegs fell into a concept album this time...or did she wake up to it?
Austin-based singer-songwriter Lindsey Mackin, a.k.a. Annabelle Chairlegs, is coming to consciousness and greater prominence with her third LP, Waking Up, out January 30. The dreamy album is appropriately hard to pin down but easy to listen to, a continuation of what the local artist has become known for over her 12 years in Austin so far.
Waking Up contains four singles — "Heavy Sleeper," "Concrete Trees," "Ice Cream On The Beach," and "Patty Get Your Gun" — six more regular tracks, and two bonus tracks for 12 in total. This release is her first with Todo Records, which is based in Austin with photographer Pooneh Ghana as well as New York City with Simon and Meesh Halliday.
This album cover was collaged in real life and shot in floating layers, a video shared on social media revealed.Album cover of Annabelle Chairlegs
"This is the first time I've ever released anything with a label, and it's interesting to have perspective," says Mackin. "They all voted for ["Heavy Sleeper"] as a single. And I was like, 'No way!' ... That's one of the oldest songs I've written on the album. So I think I just had a lot of space from it, and I was kind of forgetting about her a little bit."
It seems fans partially have the label to thank for the stylistic diversity of this album, but it's also Mackin's calling card. Los Angeles guitar savant Ty Segall surely had something to do with it, too, as the album's producer. Experimental moments like a stiltedly panned vocal intro in "Waking Up," the opening track, and an electrical insectoid buzz in "Shoo Fly" are scattered throughout, making the sweeter side shown in tracks like "Above It All" and "Sally" all the more surprising.
"Ice Cream On The Beach," one of those gentler tracks, recalls late-aughts indie rock and dream pop, ushering in a nostalgic feeling early in the record. Mackin says it's "a very different track than I've ever released before," and she enjoyed the "hard turn" into "Concrete Trees," which memorializes friends and family who have passed away. For "Heavy Sleeper," the songwriter was picturing racing cars and Quentin Tarantino films.
Hardly any artist escapes replicating styles from earlier times, but Annabelle Chairlegs — on this album in particular — seems to consciously wink at decades of music history while fusing, but not fully blending them: a grimy hipster take on 60s pop, something sonically descended from The Go-Go's in the 80s.
Mackin attributes this sensibility to studying acting in college and developing a love for musical theater, in an explanation where she charmingly slides 10 years at a time from talking about Vaudeville to 90s grunge.
"I love, love, love girl groups — like, 50s, 60s girl groups, and things like that," she says.
With all these touchstones, the visual imagery, and the album's evocative title and cover art, it's hard not to call it a concept album. She also talks about wanting to "color or paint" her home state of New Jersey using sound.
"I had recorded a full album a few years ago ... and then as I wrote other songs, I was like, 'Oh, these are all starting to make sense in this world together,'" Mackin explains. "So I scrapped the other album and sort of ripped it in half. [I took] the same-world songs and put them together, and then the other half the album is some other [theme]."
The proto-album was called Heavy Sleeper, and in newer songwriting, more positive themes started emerging from the "more dreamy and dark" primordial abyss. Waking Up, then, was the natural evolution. "It kind of turned into more of a concept as time went on," Mackin says. "It's fun to think about that now."
Fans have a couple of weeks to soak up the album before the release show at Mohawk on February 13. Annabelle Chairlegs will also play a show in-store at Austin's Waterloo Records on February 4, and another at Austin Psych Fest on May 9. After that, she'll embark on a European tour.
Waking Up is available to purchase on vinyl or as a download via Todo Records at todomusic.net. It is streaming on major services, and music videos or a visualizer for all four singles are available on YouTube.