In Translation
Making strings sing: ACGS's Austin Pictures interprets art into music
- Jorge Caballero performingPhoto by Jon Shapley
- Photo by Jon Shapley
- Jorge Caballero meeting one of the high school performers.Photo by Jon Shapley
- Jorge Caballero performingPhoto by Jon Shapley
- Photo by Jon Shapley
- One of the members from the Miro Quartet.Photo by Jon Shapley
- Photo by Jon Shapley
- Photo by Jon Shapley
- Photo by Jon Shapley
- Photo by Jon Shapley
ACL Live was filled Saturday night with the lightning fast fingers of some true guitar aficionados. But it wasn't the amped up guitar gods you normally expect here. These were classical guitar students participating in the evening of art, music and film called Austin Pictures.
One hundred Austin Classical Guitar Society (ACGS) students gathered together Saturday in perfect lined rows on The Moody Theater stage before being joined by the nationally renowned Miró Quartet and Austin Symphony's Peter Bey. Together, these 210 pairs of hands brought to life five Austin-inspired pieces of local composer Joseph V. Williams II with names like "Floating on Lady Bird Lake" and "Dance of the Grackles."
Austin inspirations led the evening further with a student film by McCallum High School students Nolan Drake and Alex Hager depicting interviews with 10 young local artists. Each of the painters, chosen from arts programs across the city, based their work off their own reactions to 19th Century pianist Modeste Mussorgsky's suite Pictures at an Exhibition. (Interpretations of work from music interpreting OTHER pieces of work. Genius!) The student's canvas images of Austin were on display outside the theater before and after the show and are all still available via eBay auction to benefit ACGS.
The middle portion of the evening was a strictly impressive strings concert featuring the Miró Quartet and special guest classical guitarist Jorge Caballero. As a tight quintet, Caballero led the charge through an aggressive set consisting of Jorge Morel's Songs and Dances and Luigi Boccherini's Introduction et Fandango. This series was the highlight of the evening for me as the quartet traded leading and supporting roles with Caballero, each attacking their individual parts to lend to the cohesive overall result.
One woman in my row actually began clapping like a child when the musicians started individually conversing with one another in the alien language of their particular instrument. It was the first time I'd ever been inside The Moody and heard absolute silence between musical notes, only breathing and the turning of sheet music. It felt like being invited to sit in with five best friends just improvising some of the most brilliant music you've ever heard.
After a second brief intermission, Caballero came out alone with just a chair and his guitar—no music stand and no accompaniment. After stretching his virtuoso's fingers, Caballero dove directly into Mussorgsky's Pictures himself, bringing to life once again the now-familiar musical pieces that inspired the young painters in Austin Pictures. Each song blended effortlessly into the next, and Caballero never broke a sweat (or a string). With their focus on education in schools, ACGS made a superb choice choosing Caballero in their 2011-2012 season opener. Both paired with the Quartet and on his own, he was the best teacher to everyone in attendance as to the monumental range of possibilities of classical guitar.
In literature, capturing an emotional reaction to a work of art in words is called ekphrasis. ACGS Executive Director Matthew Hinsley accomplished his own version of musical and artistic ekphrasis with Austin Pictures. In the same way Williams created his works from the inspiration of the city's sounds and feelings, the student artists created their works from Mussorgsky's music. Caballero's lightning fast fingers reflexively created each of the artists' inspirational pieces, and his curved, attentive body mirrored the ACGS's students' postures as they played.
The evening subtly but effectively integrated each of the artistic and musical elements of the evening together, reminding us that, while we may speak in different languages, we can all appreciate what is beautiful in our own way.