Last year was an exciting year for Austin-made films at the Sundance Film Festival. Nine feature films and three shorts were made by Texans, with nine of the twelve being shot in Austin or directed by Austin-based filmmakers. Though this year's Sundance lineup has a lighter Texas load, there are still a number of films with Austin ties to keep an eye on.
Boyhood — Announced as part of the Sundance lineup at the last minute, this Richard Linklater film, shot over a twelve year period, stars Ethan Hawke, Patricia Arquette, Lorelei Linklater (the director's daughter) and Ellar Salmon. Shot in and around Austin every year since 2002, this innovative film, which was and still remains somewhat shrouded in secrecy, follows the story of a divorced family and the "emotional and transcendent journey of childhood to adulthood."
Hellion — The feature version of Austin director Kat Candler's 2012 Sundance short of the same name, this highly anticipated drama stars Aaron Paul of Breaking Bad fame, Juliette Lewis, Josh Wiggins, Deke Garner and beloved Austin-based actor and producer Jonny Mars, who starred in the original short. Hellion follows the story of two wayward young brothers, Jacob (Wiggins) and Wes (Garner), and their relationship with their distant and grieving father (Paul). Child Protective Services sends Jacob to stay with his aunt (Lewis) and his brother and father must come up with a plan to bring him home. This gritty feature is already being hailed for its powerful performances and haunting Texas landscape.
Ping Pong Summer — Written and directed by Michael Tully, a recent Austin transplant and husband of Austin Film Society director Holly Herrick, this film, set in 1985, follows the story of Rad Miracle, a "shy, 13-year-old white kid obsessed with two things: Ping-Pong and hip-hop." This coming-of-age story features a diverse cast including Susan Sarandon, Lea Thompson, Amy Sedaris and Robert Longstreet.
No No: A Dockumentary —This documentary about pitcher and LSD-lover Dock Ellis features an array of Austin talent including first-time director Jeffrey Radice, filmmaker and Austin Film Society board member Mike Blizzard and filmmaker Sam Douglas. Promising to be an entertaining and heartwarming doc, No No tells the story of the man known for pitching a no-hitter while high on acid.
Kumiko, The Treasure Hunter — Directed by Austin filmmakers (and Sundance alumni) David and Nathan Zellner, this character study follows the story of Kumiko, an oddball whose incessant watching of one American film on VHS causes her to head from Japan to Minnesota in search of non-existent buried treasure.
Rat Pack Rat- This short by Austin transplant Todd Rohal tells the powerful story of a Sammy Davis Jr. impersonator who "hired to visit a loyal Rat Pack fan, finds himself performing the last rites at the boy's bedside." Rat Pack Rat also features the producing talents of Austin filmmaker Clay Liford and former Alamo Drafthouse persona Zach Carlson.
Richard Linklater's Boyhood was shot over a 12-year period.
Photo by Matt Lankes IFC Films
Richard Linklater's Boyhood was shot over a 12-year period.
Elio (Yonas Kibreab) and Glordon (Remy Edgerly) in Elio.
Pixar has done a ton of different things in the 28 feature films they’ve released over the past 30 years, but the one they’d never done is deal with aliens (and, no, the alien toys in Toy Story don’t count). Now they’re going where many storytellers have gone before, but in their own unique way, in the new film Elio.
Elio (voiced by Yonas Kibreab) is a space fanatic who has recently lost both of his parents in an unnamed event. His Aunt Olga (Zoe Saldaña) is now his guardian, and because she happens to be a member of the U.S. Space Force, Elio finds himself tantalizingly close to communications from space. With a desire to be abducted by aliens for both curiosity and sentimental reasons, Elio sends a message into space, hoping for some kind of response.
He gets that and more when a ship full of multiple types of beings takes him into space, believing him to be a leader instead of a child. An encounter with a hostile force led by Lord Grigon (Brad Garrett) gives Elio both a new friend, Grigon’s son Glordon (Remy Edgerly), and responsibility for maintaining peace during an unexpected galactic crisis.
Pixar has not typically followed the route of many Disney movies of giving their child protagonist the trauma of dead parents, and doing so here is the first of a few minor missteps. Having Olga be his mom instead of his aunt would have altered their dynamic, but only slightly. While Elio is shown to miss his parents, his major focus is on making contact with aliens. Since the film only briefly deals with his grief, it would have been better served by excising it altogether.
For the most part, the film is goofy, with Elio’s enthusiasm for aliens matched by the oddness of the creatures he meets in space. The filmmakers — there are three credited directors and three credited writers — seem to have taken inspiration from sea creatures and Pixar’s own history, as the main bad guy emulates Mike and Sully’s boss from Monsters, Inc. Almost every character in the film is heightened to a degree that makes for funny situations, but not as much sentimentality as other Pixar offerings.
Surprisingly, especially since the film ends with a voiceover from notable astronomer Carl Sagan, the filmmakers play fast and loose with real-life science. Elio’s journeys to and from the alien spaceship are treated as close-to-instantaneous trips, even involving portals directly to Earth. The idea of the story doesn’t allow them to delve into things like relativistic time dilation, but there still could have been other scientific references to keep the story aboveboard.
There are very few stars to be found among the film’s voice cast other than Saldaña and Garrett, who are each fine if unmemorable. Kibreab and Edgerly are given many more scenes than anyone else, and they each do a great job of bringing out both the joy and naivete of their characters. Some lesser-known actors like Jameela Jamil, Atsuko Okatsuka, and Brendan Hunt show up in minor roles, but they don’t stand out in any way.
The story and characters in Elio are sweet and fun, but the film as a whole falls well short of the top tier Pixar movies. The filmmakers could have gone many different directions with a story about a boy who wants to be abducted by aliens, and the way they chose ended up being innocuous and less than compelling.
