Broadway fans, here's your shot at discounted tickets to Hamilton at Bass Concert Hall.
On November 15, producer Jeffrey Seller and Texas Performing Arts announced the return of the coveted Hamilton lottery, in which lucky theatergoers can enter to win $10 tickets to each performance during the smash hit's upcoming Austin run.
Single ticket sales launched earlier this fall, with prices ranging from 49-$179, and premium seating going for $249 and up. But those feeling lucky can try their hand at winning $10 tickets, beginning next Friday, November 26 at 10 am.
The initial digital lottery runs through Thursday, December 2 at noon for the Austin performances taking place December 7-12. Another lottery will then open Friday, December 3 at 10 am and run through Thursday, December 9 for performances December 14-19.
Winner and non-winner notifications will be sent between noon and 4 pm on Thursdays for the upcoming week’s performances via email and mobile push notification. Winners have only one hour to claim and pay for their tickets (you can purchase up to two) after the notification is sent.
Hamilton returns to the Bass Concert Hall stage December 7-19 to officially kick off Broadway in Austin's 2021-2022 season. Other highlights for the upcoming season include Hadestown, January 11-16, 2022; Tootsie, February 22-27, 2022; Disney's The Lion King, April 7-24, 2022; and Mean Girls, closing out the season August 2-7, 2022.
With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.
Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. Arnett plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.
The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls & Christine (Cooper and Andra Day) and Stephen & Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.
The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.
As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.
If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.
Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.
Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.
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Is This Thing On? opens wide in theaters on January 9.