Whiskey and the Blues
Antone's Nightclub launches first stage collaboration at Austin distillery

Antone's has never put its name on another venue's stage before — and it doesn't stop there.
Austin's legendary blues club Antone's is having a big year. Let's add another first to the list April 24. Antone's is collaborating with Still Austin Whiskey Co. on a new live music series; the first time the club is putting its name on another venue's stage in its 50-year history.
It'll be called the Antone’s Stage at Still Austin, and it'll be hosted monthly at the South Austin distillery (440 E. St. Elmo Rd., Suite F). The series will welcome local and national artists at various stages of their careers.
The free debut show will take place from 6-10 pm and double as a kickoff party for the Austin Blues Festival, an Antone's spin-off in its third year of renewed effort since its 1999 origin. Two bands originally or currently from Louisiana — a nod to the blue's club's heritage — will play: Mardi Gras Indian funk band Cha Wa are headline, supported Austin's own R&B duo TheBrosFresh.
Future events at the Antone's Stage will be listed at stillaustin.com.
It's not just the name that connects the stage to Antone's. The blues club's own talent buying team, Zach Ernst and Emily Miller, are acting as main curators, "supported by co-owner Will Bridges and the rest of the Antone’s team," according to a press release.
"This is more than a stage — it’s a celebration of Austin’s culture, music, and creative spirit," said Bridges in the release. “We’re proud to partner with Still Austin to carry Clifford Antone’s legacy into the next 50 years, and to the south side of town.”
Antone's also added a stage at Austin-Bergstrom International Airport in January 2025. However, that venue is entirely Antone's, including the sign above the door, the food, and the art collection.
Still Austin has its own creative impulses that make it an appealing partner for Antone's growing ever more popular and finding inspired ways to build a brand. The distillery's flagship bourbon is called The Musician. "Music has the ability to bring us all closer together—to make us feel more free and alive. So does great whiskey," says the product's landing page.
The Still Austin website also shares two Antone's-inspired cocktail recipes: a frozen Old Fashioned and the Blues and the Bees with gin, elderflower liqueur, and lemon juice.
"At Still Austin, everything we do is rooted in artistry—whether it’s the whiskey we make, the labels we design, or the musicians we collaborate with," said director of marketing Katie Crenshaw. "Antone’s has been a cornerstone of Austin’s music culture for 50 years, and we’re honored to help extend that legacy with a new stage at our distillery. This collaboration is about more than music—it’s about celebrating the creative spirit that defines our city."

DIIV's set was moody, but propulsive thanks to strong bass lines.Photo by Brianna Caleri
Zachary Cole Smith can always be counted on for a nostalgic 'fit.Photo by Brianna Caleri
Starcleaner Reunion singer Jo Roman keeps the beat.Photo by Brianna Caleri
From the looks of it, no one had a better time onstage than Wayne Coyne, frontman of the Flaming Lips.Photo by Brianna Caleri
The tinsel whip was one of many props.Photo by Brianna Caleri
The Flaming Lips are known for touring with huge inflatables.Photo by Brianna Caleri
A joyful crowd reacts to being blasted with confetti during the Flaming Lips' set.Photo by Brianna Caleri
Ty Segall was king of the guitar jams.Photo by Brianna Caleri
Segall's painted jeans were probably the most unique fashion statement all weekend.Photo by Brianna Caleri
The Psych Fest uniform: Earthy shorts and calf tattoos.Photo by Brianna Caleri
Thomas Attar Bellier of Al-Qasar plays a beautifully adorned electric saz.Photo by Brianna Caleri
The more mics, the better for Al-Qasar.Photo by Brianna Caleri
A closer look at the saz.Photo by Brianna Caleri
Lyrics in Arabic brought extra gravitas to the set.Photo by Brianna Caleri
How's that for a desert hallucination?Photo by Brianna Caleri
New Candys guitarist Emanuele Zanardo puts a physical flourish in his playing.Photo by Brianna Caleri
The Black Angels interrupted the technicolor parade for a largely black-and-white set.Photo by Brianna Caleri
Black Angels bassist Misti Hamrick-French basks in the cold glow of a strobe light.Photo by Brianna Caleri
Dumbo Gets Mad reminds us that Italians just get fashion.Photo by Brianna Caleri
Guitarist Luca Bergomi gets in on bassist Ivan Torelli's shot.Photo by Brianna Caleri
LA LOM bassist Jake Faulkner captures the sun.Photo by Brianna Caleri
Guitarist Zac Sokolow danced for the whole set, which happened to be on his birthday.Photo by Brianna Caleri
Faulkner's grandstanding added flavor to the show, which ultimately didn't need psychedelic visuals.Photo by Brianna Caleri
Faulkner's howls cut through the air, hardly amplified.Photo by Brianna Caleri
Trish Toledo paid homage to mothers and couples in her romantic set.Photo by Brianna Caleri
Not a practical shoe for a rainy weekend. We salute her sacrifice for fashion.Photo by Brianna Caleri
Thee Sacred Souls closed out the festival with a brass section.Photo by Brianna Caleri
This backup singer was exquisitely styled in blue.Photo by Brianna Caleri
Singer Josh Lane snapped a photo of an adoring audience. See you next time, Josh.Photo by Brianna Caleri